Titanic

Although not as honored as the 1997 Leonardo DiCaprio-Kate Winslet story about the Titanic disaster, this version of Titanic starring Clifton Webb and Barbara Stanwyck can definitely hold its own. In fact it got an Oscar itself in 1953 for Best Story and Screenplay.

Although there was a lot more sociology in the 1997 blockbuster, people do remember most from it the story of ill fated young love between DiCaprio and Winslet. In this version we're dealing with an older married couple whose marriage is on the rocks. The old story of staying together for their children's sake is what's holding them together. But Stanwyck isn't having any more.

It's her children, Harper Carter and Audrey Dalton, that she's most concerned about. Though American from the Middle West, due to their father's influence they're taking on old world and very haughty airs. And you can't get more haughty than Clifton Webb on screen.

Brian Aherne is the foolish, but brave Captain Smith whose eagerness to do the bidding of his employers and set a record crossing led to the disaster. Robert Wagner has a nice role as the young college kid who Stanwyck tries to match up with Dalton to wean her away from her father's fascination with titled nobility.

Also look for good performances by Thelma Ritter as the Molly Brown in all but name role, Richard Basehart as the defrocked priest and Allyn Joslyn as the eager social climber.

It's Webb and Stanwyck who carry the story. Webb who originally is an snob, shows in fact some real character during the disaster. And Barbara Stanwyck's last moments as the film ends are some of then best in her long distinguished career.

It's your father's Titanic and a good one too.

This film has been overshadowed by the 1997 blockbuster, but this 1953 story of the tragic ocean liner certainly stands tall on its own merits, not the least of which are the star performances by Clifton Webb and Barbara Stanwyck.

Built around the domestic drama of a fictional family, the well-known story of the sinking of the Titanic unfolds in an unrelenting and straightforward fashion. Brian Aherne (as the captain) is the victim of delayed and incorrect information and sails the ship right into the iceberg. We get glimpses of the rich and famous who populated the doomed ship as well as the luscious interiors of the ship.

The special effects are tremendous without taking over the film. The final scenes of the sinking ship are awesome. But the story of innocent passengers takes center stage here. Stanwyck and Webb are a squabbling couple with two children. The girl (Audrey Dalton) is a snob who is charmed by a college boy (Robert Wagner). Thelma Ritter plays a Molly Brown- like character addicted to loud jewelry and cards. Richard Basehart plays a defrocked priest. Allyn Joslyn plays the infamous coward who dresses like a woman to gain a seat on a lifeboat. Oh, and that's Mae Marsh the kid gives his seat to.

The final scenes of Webb and son are superb. An excellent film.

Just a precaution: If you are expecting a completely accurate historical account of the night with all the scientific details neatly in place, look elsewhere. This film instead focuses (touchingly) on the human drama involved with the ship, with many of the elements of real passengers' accounts rolled into the story of Clifton Webb and wife Barbara Stanwyck (Both excellent; when Isn't Barbara Stanwyck excellent?) and their children. A few real characters are involved, but for the most part the drama surrounding the fictional characters is in the forefront. A beautiful and striking account, the film deserved a few more Oscars than it got, primarily for Miss Stanwyck and a supporting Oscar for Robert Wagner, who does wonderfully in his role.

The media is full of reports of the maiden voyage of the unsinkable Titanic and all are excited about the prospect, whether it be the third class passengers travelling to a new life or the first class passengers travelling to continue the good life they have. Richard Ward Sturges is not a passenger but he buys a third class ticket off someone else then makes his way up to first class. He has done this because his wife has taken his son and daughter on board the Titanic. Tired of an uncomfortable life among the British upperclasses, Julia Sturges is seeking a "normal" life for her family back in her native America, and if that means being away from the stiff and very English Richard then so be it. As their marital drama is played out, the Titanic sails on ever faster, with bigger problems just over the horizon for all of the passengers.

Many decades before James Cameron delivered Titanic as a disaster movie with a dramatic relationship at its core, someone else had already done it with this 1953 disaster melodrama. The main difference in the narrative is perhaps a note on the difference with our time because the story is not about romantically intertwined young people but rather an older married couple and their romance. Aside from this difference the approach is similar because the majority of the film is a melodrama driven by the characters, which then is fitted into the bigger drama of the ship sinking, taking many with it. Unlike the effects-heavy modern version, this film puts the focus on the family drama happening.

This works well in making for an engaging film as we see the very English Richard clashing (in an English way) with the more modern Julia in their relationship. Of course it all comes good in the end (well, in a way) but up till then this centre-piece held my attention well. The emotion during the actual sinking of the ship is well received as well, it is restrained and very much the stiff-upper-lip type of thing of the period. Compared to the manipulative use of music and sweeping expressions of emotions in the remake, I must admit I found the changes in the characters played out with restrained emotions of the disaster. The cast work well with this. Webb is strong in his character, retaining what makes the man while also softening towards the end. Stanwyck does likewise, convincing in her early character but yet able to find the love inside her character from the past. The rest of the cast are solid enough but do not really have the same material as the two leads; Dalton, Aherne, Wagner, Basehart and others are all good enough for what is asked of them and, as normal, Ritter is entertaining in her usual character.

Overall then, an engaging melodrama that maintains a very British sense of emotion but yet is still quite moving. Those who have not yet seen the remake for what it is should perhaps take a pass at this and see if they prefer this version for being shorter and more restrained.

I just saw this film again. The only other time I saw it was probably 40 years ago on "Saturday Night at the Movies," when it made a powerful impression. It still does, in part thanks to the marvelous acting of Clifton Webb and Barbara Stanwyck, who looks particularly lovely in this movie. They and their young son and daughter are the focus of the story. Both wonderful actors, if they seem an unlikely couple at first, you probably won't think so by the end of the movie, they are so superb.

In this version, Stanwyck is actually leaving her husband (Webb), unbeknownst to him, but when he realizes what's happening, he bribes the father in a lower class for his ticket. Webb is a social climbing, superficial man, and his American wife wants more for her kids than snobbery, arranged marriages, and a series of hotels instead of a home, so she is going back to her family with the children. What happens to Webb and Stanwyck's relationship during the voyage is powerful, touching - and, alas, too late.

While on board, a young, gorgeous Robert Wagner plays a college student suitor to the daughter, played by Audrey Dalton. Webb's last scene with Stanwyck will leave you in tears, and if it doesn't, there's also the poignant scene on deck with his son, Norman, which is beautiful.

I don't pretend to be an expert on the Titanic - however, I know a little more than a friend at work who, announcing she was seeing the Cameron version when it first came out, said, "Don't tell me how it ends." I realize that the Fox script drew a good deal of information from the navigation reports of the ship; however, I saw a documentary which showed footage of this film while it demonstrated that in this telling, the underwater scene shows the iceberg hitting on the wrong side.

I have also seen "A Night to Remember," which I also remember as being a very emotional experience. Perhaps it's the story that tugs at our hearts, or the site of that huge vessel sliding beneath the surface. Whatever it is, this is a truly engrossing and heartwrenching film.