Zipping Along

It's strange how your perspective shifts as you get older. When I was a young devotee of ROADRUNNER, it was the titular hero I identified with, his speed, obviously, his unassailability, his grace, his freedom, his cheek. Watching him again, nearly two decades on, I find that the real hero of the cartoon is not this miraculous popinjay, but his hapless nemesis, Wil E. Coyote.

There is something monstrous and inhuman about Roadrunner's indestructability, but nothing heroic. He is a creature of instinct, he is what he is, a road runner. We should no more applaud his skill than we should marvel at rain falling. Even his mockery seems mechanical, unwilled. He is something abstract, ungraspable, a hurtling metaphor for all we fail to achieve in life.

Wil E. we can love, identify with. He has a name. Like all self-willed names, it is preposterously inappropriate. Although part of his failure can be attributed to his enemy's fleet feet, it is his ineptitude that is mostly to blame. His wily schemes are incompetently conceived in the heat of the moment - the eternal chase allows no room for pause.

These cartoons are a further elaboration of Buster Keaton's Beckettian agonies - here plot is completely abandoned, for a daring, perpetual repetition, where closure is forever denied. Because the only closure could be death - Road Runner's, Wil E.'s, or ours. We will never pin down that which we can sense, but cannot hold. And yet we must continued to try, because stillness can only lead to thoughts of mortality and despair.

Chuck Jones' imagination only improves with age. The Cezanne-like geometrics are a marvel to behold. The saturated colours still dazzle, and the backgrounds, part simplistic children's book illustration, part bleak dreamscape, are as piercingly evocative as ever. The insane and complex variations on what is essentially a simple, inexorable plot are breathtaking, and puts almost everything that was stumbling lamely out of Hollywood at the time to shame. Jones, horribly underrated, was at least as great a director as Keaton, Hawks or Sirk, and it is about time we said so. So I did.

The story is somewhat unexceptional, and the pacing is a little uneven here, but there is much to enjoy. The Roadrunner is a good character, but I have always found Coyote the better of the two, he makes all these traps but he never gets that bird.

The animation is very nicely done with good backgrounds and character features, the music is also good, not generic or annoying and the gags all work from the giant kite with the bomb, the magnet, various mousetraps and falling telephone poles. Predictable maybe, funny absolutely!

Overall, for the Roadrunner and Coyote's fourth pairing, it works very well. It isn't a classic, but I enjoyed it, and I do think it is worth watching. 8/10 Bethany Cox

Zipping Along (1953)

*** (out of 4)

The fourth Wile E. Coyote and Road Runner series has four way roads, guns, bombs, bird seed, cutting the strings on a bridge and more TNT as the dumb one keeps trying to catch his dinner. Even early on in the series we're starting to get quite a few repeat jokes and this would certainly continue throughout the series but you can help but be entertained by Wile's effort to get something to eat. The joy of watching him try and try harder only to fail is the real key to this series since the Road Runner offers very little outside his classic "Beep Beep". The highlight of the film has to be the free bird seed offer.

The forth pairing of Wile E. Coyote and the Road Runner is still good and features many gags that work, including grenades, mousetraps, a giant kite, a bigger magnet, and even hypnosis. Of course none of these work, but they make for a hilarious cartoon. Man I love that coyote's work ethic. This animated short can be seen on Disc 2 of the Looney Tunes Golden Collection Volume 2. It also has a little 11 minute featurette "Behind the Tunes - Crash! Bang! Boom!: The Wild Sounds of Treg Brown" that I'll get more into in the listing for that on this site.

My Grade:A+

I like these opening graphics which give us various "scientific names" of the two main characters. This time, the roadrunner - who is shown outracing a fast train - is labeled "velocitus tremenjus." Wile E. Coyote, watching from above, is now labeled "Road Runnerus Digestus."

Wile E.'s slapstick attempts at getting the bird include a hand grenade, mousetraps, a giant kite with a big bomb, falling telephone poles, bird seed with steel shot and a giant magnet, hypnotism, a giant boulder, shotguns and more! It's unbelievable how many attempts the coyote makes in each cartoon with the predictable results.

This wasn't one of the funnier episodes, I didn't think, although it was entertaining as always.