War Arrow

Watched this film on TV. Maureen O' Hara & Jeff Chandler are the stars here, in this otherwise average western. He's a cavalry major who over- rides the opposition of fort commander John McIntire and recruits friendly native American Seminoles to help defeat hostile Kiowas.

O'Hara plays a fiery wife of a captain who's gone missing and she's a hot shot with a rifle and doesn't mind laying a charge of dynamite, if need be. She's radiant as ever but Chandler looks a bit wooden (generally for me as an actor).

The end shoot out against the Indians is a spirited and action-packed one and nearly makes up for an otherwise rather disappointing, slightly boring film. The direction, by George Sherman, is adequate but little more and whilst it's in Technicolor, it doesn't look as glorious as it should.

One for serious fans of westerns, otherwise, probably not.

This is the kind of western that was turned out often, to satisfy the many fans of outdoor films, back in the day, and is not to be confused with the big ones. It's just a regular, everyday western, but with good acting, Technicolor, the solid direction of George Sherman, and a fine screenplay by the effective John Michael Hayes (of Hitchcock fame), it delivers enjoyable entertainment for the length of its running time, and should keep you hooked until the action-packed ending.

The premise is an interesting one, and the relationships of the characters - especially Chandler's with his commanding officer, John MacIntyre, and his sweetheart, Maureen O'Hara, are more interesting than in the usual standard western.

Also interesting is the way Chandler, as an Army officer, tends not so much to defy authority as to ignore it, when it doesn't suit his (and what he perceives as the Government's) purpose.

I thought Chandler and O'Hara were excellent leads, with good chemistry - with MacIntyre, Charles Drake, Noah Beery, Jr., and (cast as Indians) Suzan Ball, Henry Brandon, and Dennis Weaver extremely effective, as well.

A drawback was that some of the dialogue was difficult to pick up (though that could have to do with the DVD transfer, not the film itself), and the denouement was kind of sudden and the ending rushed.

And, as usual with some of these films, the whole thing seems a little bit modern, with well-lit (supposedly by candlelight and oil lamps), perfectly decorated rooms at the fort (plenty of fresh flowers everywhere) - and Miss Ball in a dress she supposedly constructed herself - her first try at dressmaking - which fits her as if it was executed by Universal's dressmakers (it was). But you have to figure they did their best on a typical budget and with the usual time constraints. Their best is pretty good.

The action is good, the story is interesting, the relationships are well-developed, and the plot keeps you guessing. So I recommend this film, for western fans.

In War Arrow, Major Jeff Chandler is sent west with two trusty sergeant sidekicks, Charles Drake and Noah Beery, Jr., to implement some ideas of his own about fighting the Kiowas. His answer is to recruit some reservation Seminoles as a fighting force against the Kiowa. Seems as though the Kiowas like to raid their villages as a warm up before attacking whites and the Seminoles have no weapons to resist.

These Kiowas led by Henry Brandon are devilishly tricky lot, almost as if they are led by someone who studied army military tactics. Turns out they are.

In her memoirs Maureen O'Hara dismisses both of her films with Jeff Chandler, this film and Flame of Araby which makes this one look good. She said he was a nice man, but they had no chemistry together at all. Chandler probably was not terribly interested in the project, he was just beginning to fight for better roles than the action programmers he was doing under his Universal contract.

Chandler is operating independently out of the fort commanded by John McIntire. Of course McIntire is obtuse and jealous because Chandler is romancing O'Hara who he has eyes for. Forgetting the jealousy angle, McIntire has every right to be put out about Chandler operating independently. The army chain of command is a sacred thing and any commander worth his salt wouldn't put up with it.

Of course why the Seminoles would possibly want to go to war on behalf of the white man against other Indians is not satisfactorily explained, even with the Kiowas. It certainly would seem far more likely to team up with the Kiowas.

On the plus side, War Arrow has some nice battle scenes, especially the climatic battle when the Kiowas come real close to capturing McIntire's fort. It also has some nice performances by Dennis Weaver and Suzan Ball playing Seminole lovers.

But it sure won't be ranked as one of the great cinema westerns.

This picture has the novel approach of the U.S. cavalry enlisting peaceful Seminoles to help them fight warring Kiowas on the southern plains. The Seminoles, now farmers instead of fierce warriors, are trained by Jeff Chandler's troopers in military tactics to stand up to the Kiowa raiders. Problems abound during the experiment, mainly distrust among the army brass who scoff at the fighting ability of the Seminoles and tensions at the outpost escalate to the point of mutiny. Chandler is solid throughout the picture and is well paired with Maureen O'Hara as he romances the pretty widow. The supporting cast is good, especially John McIntire and Hanry Brandon. Suzan Ball does well as an Indian maiden and seemed to do her best work in this type of role. The film takes its time with character development and is rather uneven, with the main action taking place near the end of the film.

Surely the best line of the film is when Jeff Chandler "forcibly" kisses Maureen O' Hara (after she tells him she doesn't love him) and she responds by telling him: "I'm genuinely impressed."

Very interesting Western, possibly overstating the lead character's sympathy for the native American, but this is ahead of its time for a 1953 movie. Note the scene in the fort commander's office, where he says "It's difficult to prove how many raiders you've killed." The implication here is that the lead character refuses to collect scalps - i.e. the "proof". There are lots of other little not so obvious details in this film which kept me hooked!