Porky Pig doesn't realize that the old hotel where he and Sylvester are spending the night is really part of a ghost town. It's only Sylvester who sees the band of murderous mice trying to d... Read allPorky Pig doesn't realize that the old hotel where he and Sylvester are spending the night is really part of a ghost town. It's only Sylvester who sees the band of murderous mice trying to do them in, while Porky chalks his fears up to insanity.Porky Pig doesn't realize that the old hotel where he and Sylvester are spending the night is really part of a ghost town. It's only Sylvester who sees the band of murderous mice trying to do them in, while Porky chalks his fears up to insanity.
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10Pope-8
One of the great Chuck Jones-directed Warner Bros. cartoons
In my opinion, one of the greatest Warner Bros. cartoons ever. Another of the long list of great Chuck Jones shorts of the '50s ("Drip-Along Daffy", "Rabbit Seasoning", "One Froggy Evening") and another in which Porky Pig and (here, his pet cat) Sylvester go on a trip and face disaster, unknown to Porky (see also "Jumpin' Jupiter", 1955).
Porky and Sylvester check into an abandoned hotel, and are menaced by evil (satanic?) mice intent on killing them both. It's beyond me how such subversive stuff was put on cinema screens in 1954. The collaboration of Chuck Jones and Michael Maltese brings about a level of twisted genius, as well as cockeyed comedy, that few cartoons, even WB cartoons, can ever hope to match. A true masterpiece of short animation.
Porky and Sylvester check into an abandoned hotel, and are menaced by evil (satanic?) mice intent on killing them both. It's beyond me how such subversive stuff was put on cinema screens in 1954. The collaboration of Chuck Jones and Michael Maltese brings about a level of twisted genius, as well as cockeyed comedy, that few cartoons, even WB cartoons, can ever hope to match. A true masterpiece of short animation.
Porky Pig and Sylvester in Halloween short
Porky Pig and Sylvester are driving in a spooky town looking for a place to stay the night. When Porky finds a hotel, Sylvester is scared silly. An unseen presence keeps trying to kill Porky only to be saved by Sylvester, but Porky never sees it. Porky thinks that Sylvester is going crazy.
This is a great little Looney Tunes for Halloween. I love the start of the unlikely duo driving into a spooky town and I love the designs of the buildings. I do wonder if WB shouldn't show a bunch of these cartoons for Halloween although they may be too morbidly violent for today. I can see parents groups going crazy.
This is a great little Looney Tunes for Halloween. I love the start of the unlikely duo driving into a spooky town and I love the designs of the buildings. I do wonder if WB shouldn't show a bunch of these cartoons for Halloween although they may be too morbidly violent for today. I can see parents groups going crazy.
Great Cartoon
Sylvester leaves his indomitable role as a chaser of canaries and becomes a pet to Porky Pig. After traveling all day, Porky decides to spend the night at dry gulch. It is a haunted hotel and immediately Porky's life is in danger. Sylvester does everything he can to save him from assaults, but every time he tries he gets blamed for doing what the ghosts are actually doing. It is non-stop entertainment.
Good enough but the existence of 'Scaredy Cat' renders it redundant
Chuck Jones's 'Claws for Alarm' is an inferior remake of his own 'Scaredy Cat'. While 'Scaredy Cat' had provided a brilliant combination of laughs and genuinely creepy horror, 'Claws for Alarm' very much concentrates on the former. This wouldn't necessarily be a bad thing had 'Scaredy Cat' not done everything 'Claws for Alarm' attempts better already. 'Claws for Alarm' uses more limited animation than the lush 'Scaredy Cat' which, while it is lively and colourful, doesn't come close to creating as affective an atmosphere as the former cartoon's gorgeous, intricate look. The plot is almost entirely identical (Sylvester attempts to rescue Porky Pig from some psychotic mice) except that this time round Porky never realises the truth, eventually driving Sylvester to violence. This leads to an ominous ending which is perhaps the only thing about 'Claws for Alarm' that is actually better than 'Scaredy Cat' (which had a rather weird ending based on an outdated reference). While many people's personal preference may be down to which they saw first, 'Scaredy Cat' is, to my mind, clearly the superior picture and its very existence renders 'Claws for Alarm' entirely redundant.
"Tell me, Sylvester - is there any insanity in your family?"
Porky and Sylvester stop for the night at a dilapidated old hotel. Porky ignores the obvious signs that this place is haunted but Sylvester is very much aware of all the spooky goings-on. Chuck Jones does a great job here with the comedy and the creepiness. There's a really nice dark atmosphere with this short. Mel Blanc outdoes himself with some very funny stuttering punchlines for Porky. This is a follow-up to the awesome Scaredy Cat, which also starred Porky and Sylvester. In many ways, it's even better than that short. Both are classics, however, so we're really splitting hairs trying to decide which is best. Love that final shot!
Did you know
- TriviaThis is the second of three cartoons teaming Porky and Sylvester, continuing his nonspeaking role as Porky's cat in a spooky setting, where only Sylvester is aware of the danger the pair are in. The other two films in the series are Scaredy Cat (1948) and Jumpin' Jupiter (1955).
- Crazy creditsPorky and Sylvester receive an over the title card for this cartoon.
- ConnectionsEdited into Bugs Bunny's Howl-oween Special (1977)
- SoundtracksThe Dying Cowboy
(uncredited)
aka "Bury Me Not on the Lone Prairie"
Traditional
Played at the beginning
Details
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
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