The Bounty Hunter

The feared bounty hunter Jim Kipp (Randolph Scott) is hired by the Pinkerton Detective Agency to track down and find three wanted killers that robbed a train one year ago and recover the stolen money. The only clue he received is that one outlaw was shot in the leg. Jim Kipp comes to Twin Forks and seeks out the local Dr. R.L. Spencer (Harry Antrim) to ask whether he recalls attending a man with wounded leg one year ago. The doctor apparently does not recall but his daughter Julie Spencer (Dolores Dorn) confirms Kipp's suspicion. Kipp decides to stay at the hotel to investigate the town and most of inhabitants are affected by his presence. Will he succeed to find the trio?

"The Bounty Hunter" is an average and entertaining western. Randolph Scott shines in the role of a tough, but fair bounty hunter, feared by outlaws and sheriffs. The identities of the killers are disclosed in the end and well resolved. My vote is seven.

Title (Brazil): "Feras Humanas" ("Human Beasts")

Born Hungarian André De Toth directed seven B series western between years 1951 and 1955 (B series films in Europe means that it were made with few money and in a short time). This Bounty Hunter was one of them. It is a solid, without ups and downs, and very estimable western. This modest film deserves all the respect, admiration and gratitude possibles. An even in our times, when toughness is missing in service of computers special effects. The film has got craft agility, is very well build and adequately played by specialist stony face Randolph Scott (Boetticher's lonesome rider). We meet efficacious Ernest Borgnine in a supporting role. Western lovers will enjoy this film.

Above Average Randolph Scott Western Directed by the Sometimes Interesting Andre de Toth. This One has a High Entertainment Value because it is More Violent at Times and has a Mystery Element that Keeps Things Going.

There is a Fight Scene where Scott Burns the Butt of a Bad Guy on a Stove and a Head Shot Squib that was Very Rare in 1954. The Characters are a bit more than One Dimensional in this Movie that was Shot in 3-D but Released Flat.

There is a Surprise Ending and Enough Gun-Play and Fisticuffs to Satisfy Western Fans and Scott's Cynical Bounty Hunter is Off Beat for a Fifties Protagonist. Marie Windsor's Wide Eyed Bar Girl and Ernest Borgnine are Highlighted Supporters. For a Weakness there is the Obligatory Marriage for that Fifties Family Wrap-Up Smarminess.

Note...Not in the same league as the Anthony Mann/Budd Boetticher 1950's Westerns but a bit Better than Most of its Ilk.

The film starts with a foreword: Forward During the early days when civilization was pushing its frontiers farther and farther West, there roamed a special breed of men...neither outlaws nor officers of the law, yet more feared than either. For reward money...they tracked down criminals, wanted Dead or Alive, and made themselves both judge and executioner in some lonely court of no appeal. They were called "Bounty Hunters". Once finished opening credits begins the noisy action : A bounty hunter called Jim Kipp (Randolph Scott) is sub-hired by Pinkerton, to track down three wanted killers that assaulted a train and to retrieve the robbed loot . The only clue he received is that one escaped bandit was shot in the leg. He tracks them to Twin Forks but has no clues to their identity. There he seeks out the local Dr. R.L. Spencer (Antrin) to ask for if he recalls attending a man with an injured leg long time ago . The doctor supposedly does not remind but his daughter Julie (Dolores Dorn) confirms this suspicion. There are several suspicious people , Sheriff Brand (Howard Petrie) , the Saloon girl (Mary Windsor) , the doctor Spencer , the manager hotel Bill (Ernest Borgnine) , Jud (Paul Picerni) , the post office manager (Dub Taylor) , Vance Edwards (MacDuff ) .... Who are the robbers ? Meanwhile , he attempts to stifle conflicts, but he encounter problems instead. When the law put up the money "The Bounty Hunter" put on his guns! The highter the reward the hotter the gun he uses to collect it ¡¡She gave "The Bounty Hunter" a different kind of reward.

Passable western with good cast in in which a year after a violent train robbery a bounty hunter arrives in a litttle town to investigate the identity of three robbers , then tensions surface as just his presence in the location acts as a catalyst . As our starring trails 3 unknown murderous train robbers to a town and finds a host of suspects , resulting to be a kind of whodunit , in which we have to find out the identity of the hidden robbers . It is a medium budget movie with thrills, rapid action, shootouts, as well as fine players, nice production design and pleasing results. It is still a run-of-the-mill entry in Western genre, in which Randolph Scott delivers his ordinary interpretation . Actually shot in Red Rock Canyon State Park , Iverson Ranch , Warner Ranch, Calabasas, California and Mojave Desert, with adequate interpretations and solid sets . The picture is well starred by Randolph Scott . He was a prolific actor in Western, his career is divided in films directed by Budd Boetticher in Seven men from now, The tall T, Decision at sundown, Buchanan rides alone, Comanche station, Westbound. Henry Hathaway as : Heritage of the desert, Wild horse, Sunset Pass, Man of the Forest. Ray Enright directed him in : The spoilers, Trail street, Alburquerque, Coroner creek, Return of the bad men. Andre De Toth directed him in Men in the saddle, Carson city, The stranger wore a gun, Riding shotgun, The bounty hunter. Finally, his main testament, Ride the high country along with Joel MacCrea directed by Sam Peckinpah . Support cast is pretty good with notorious secondaries as Ernest Borgnine , Dub Taylor , Paul Picerni , Howard Petrie , and the usual Femme Fatal Marie Windsor , among others

It contains a lousy cinematography Edwin B. DuPar , being extremely necessary a perfect remastering and filmed in 3D, but released only in standard 2D version. And thrilling and moving musical score by David Buttolph . The motion picture was professionally directed by Andre De Toth . He was known for his tough, hard-edged pictures, whether westerns or urban crime dramas, and showed no compunction about depicting violence in as realistic a manner as possible, an unusual and somewhat controversial attitude for the time. Probably his best known film is House of wax (1953), a Vincent Price horror film shot in 3-D. As De Toth only had one eye, that put him in the somewhat odd position of shooting a film in a process in which he would never be able to see the result. That didn't seem to matter, though; the film was a critical and financial success, and is generally considered to be the best 3-D film ever made. Andre De Toth was a classical director , Western usual (Indian fighter, Man in the saddle , Ramrod , Last of Comanches , The stranger wore a gun), but also made Peplum (Gold for the Caesar) and adventure (The Mongols , Morgan the pirate , Tanganyika) .The picture obtained limited success , but it results to be enough agreeable. Rating : 6/10 . It's relentless routine , but also a good stuff for young people and Western lovers who enjoy enormously with the extraordinary adventures starred by Randolph Scott .

Bounty hunter Randolph Scott is on the trail of a trio of train robbers, but his work is cut out for him -- the three are outwardly respectable citizens, somewhat beyond the arm of the law.

One of my favourite Randolph Scott westerns is a satisfyingly gripping affair from the get-go. It touches upon the mystery-suspense genre, especially with Scott hunting the three bank robbers - now respectable citizens - and there are enough suspects to keep you guessing. One of them came as a surprise at the end - the aspect I liked though was the paranoia spreading to the town folk; they are nervous about the presence of Randolph Scott whose stone-faced countenance, grim determination and coldness predates the Boetticher westerns he made later.

The underrated Andre De Toth - who had directed a few other Scott westerns -directs impressively, keeping the suspense dialed up and maintaining that interest. It's a tautly-drawn, doesn't outstay its welcome and the plot is enticing as Marie Windsor's eyes.