Garden of Evil

While Garden of Evil is not known to most film fans, it is a favorite of many. Everything about this film is great. The scenery, the music, the incredible cast. Unlike today's films it has lots of say about greed, heroism, love between men, loyalty, and betrayal. It also has more great lines than most movies - all

delivered brilliantly by Susan Hayward, Gary Cooper and Richard Widmark.Here are some as I remember them (not necessarily accurate). Susan to Coop: You need me. Because without me, Mister, you're lost. And when you're lost in this country, you're dead. Widmark to Coop: See that. Every night the sun goes down, and it always takes someone with it. Tonight it's me. Coop to himself: If the earth would made of gold, men would kill for a handful of dirt.

This should be on list of the ten best westerns, right up there with Shane and The Searchers

If you have never seen Susan Hayward, Gary Cooper and Richard Widmark together, this will be a treat! First of all, the story works....

Next, the lines work and the performances are perfect: Susan Hayward's voice is the feminine equal of the stoic, knowing and forceful sound of Gary Cooper's voice: those voices are the trademarks of both of their film careers, and in this movie the interplay of their vocal tracks are very significant, definitive performances in both their careers....just listen to their lines and you will appreciate the fact that this movie is one of the high points of the dramatic art of two great performers...

You will also enjoy the visuals in this movie....Hayward is sexy, and backed by beautiful vistas. Cooper is strong and incorruptable, as are the stark and clear views that back his appearances....

Richard Widmark creates an excellent "gambling" persona...with a bit of backbone.

If you haven't seen it...DO!

If you like it, check out "The Big Sky" starring Kirk Douglas...it is black and white if I remember rightly...but well worth checking out!

A trio of American drifters formed by a veteran ex-sheriff named Hooker (Gary Cooper) , a card player named Fiske(Richard Widmark) and a gunfighter , Luke Daly (Cameron Mitchell) going to California and marooned in rural Mexico are recruited by a beautiful woman named Leah Fuller (Susan Hayward) who offers a strong reward to rescue her husband named John Fuller (Hugh Marlowe) from vengeful Apaches . Fuller is wounded in a gold mine on a territory occupied by Indians. The three adventurers accompany the woman , but for the trip their feelings are turning .

Leisurely and deliberately paced , at times thrilling and tense classic Western whose plot follows hazardous trails , though sometimes is slow moving. Based on a story by F. Freiberger and Tunberg was filmed in Mexican scenarios , for that reason play some Mexican actors as Victor Manuel Mendoza and Rita Moreno as gorgeous dancer in her film debut. It's considerably boosted by the main cast formed by a perfect trio as Cooper , Hayward and Widmark who add stature to the screenplay . The amusing results to be the guessing in which order the main roles get killed off . This was the only Gary Cooper film shot in Cinemascope and his partenaire was Susan Hayward , both of them had formerly played when were very young ¨Beau Geste¨(1939) . Colorful cinematography perfectly remastered by Milton Krasner and Jorge Sthal , spectacularly filmed on Mexican landscapes , though also contains some matte paintings of the cliffs . Impressive and suspenseful musical score by the classic Bernard Herrmann , Alfred Hitchcock's usual . ¨Garden of evil¨failed in Box office and did't obtain success as public as reviews ; however , being today best considered .

The motion picture is professionally directed by Henry Hathaway . Henry was a craftsman and expert on Western genre as he proved in ¨Shoot out , True grit , Five card stud , Nevada Smith , Sons of Katie Elder , How the West was won , Rawhide , Brigham Young , Buffalo Stampede¨ and of course ¨Garden of evil¨. Rating : nice Western that will appeal to Gary Cooper fans.

I'm having a problem understanding all the reviewers who call this film 'under-rated'. In fact, for me at least, the reviews it received are, if anything, a little too high. I love Cooper and Widmark generally as actors but Cooper's performance is wooden and he seems to be just reading his lines in places while Widmark is a caricature of the gambler/adventurer and comes across as unreal. Hayward is HORRIBLY miscast as a tough, resourceful woman and we never do see the love and devotion that is supposed to be driving her to rescue her 'husband'...she sure doesn't otherwise act like a devoted wife. The writing, despite the normally skilled writers is quite lackluster and bland and there are far too many long shots which do nothing for the story development and are just window dressing and filler using the lovely landscape shots. The scene involving Cooper putting a whooping on our young bounty hunter is laughably pathetic as he falls and STAYS down in the fire over and over......cringingly terrible and I couldn't help but laugh out loud. I think this movie was justifiably overlooked by time....it's a second rate effort by otherwise skilled actors and it's clear they didn't 'gel' at all.

This brooding western has an uneven pace and meanders in places but is no less interesting because of the star power of Gary Cooper, the film's centerpiece. The movie is a grim, spare adventure of a party of mercenaries who journey into Indian country for the promise of gold to save a woman's husband who's trapped in an abandoned mine. Susan Hayward has her own personal demons and searches for redemption for destroying her husband's self-esteem and private demons weigh her down throughout the picture. The film tends to preach at times and has a moral about gold, greed and sacrifice. Richard Widmark has a role that seems to have been tailored for him as a cynical cardsharp and quick-draw loner who's as much a mercenary as is Cooper but not quite as noble. Cameron Mitchell has a thankless role as a weak-willed bounty hunter who seems tough enough until his bluff is called. Rita Moreno appears briefly and warbles a pretty tune in a saloon, and Bernard Herrmann contributes a fine music score.