The Venusian

Basically British variation on The Day Earth Stood Still, which Neal also starred in. It tries to overcome it's low budget limitations but just falls short of the mark. A for effort; C for execution. British sci-fi would take off the following year with the arrival of Professor Bernard Quatermass.

Stranger From Venus is a nice little film, but really has not much to recommend it. Obviously it is adapted/stolen from the Robert Wise classic, The Day The Earth Stood Still and even has Patricia Neal as well as the female star. But even for a fifties science fiction film, there is a serious lack of special effects...especially in comparison with the other movie. The few shots of the Venusian spacecrafts look to be very childishly done and do not mesh well at all with the other footage.

This film is one of the precursors of the wave of excellent British science fiction that was heralded in by Terrence Fisher, Val Guest and the rise of Hammer Films. The script for Stranger From Venus does have some of eloquence of the films to come, but the ideas just don't gel properly.

It's obvious that the people making this film were trying to do a remake of the classic sci-fi film THE DAY THE EARTH STOOD STILL only three years later. Not only is the plot very similar but it also stars Patricia Neal--the same lady who starred in the original film! Like THE DAY THE EARTH STOOD STILL, this film is about an alien coming to our planet to deliver an ultimatum concerning our ill-advised use of nuclear weapons. Oddly, however, he lands in the middle of no where in England--probably because it's obviously they have no budget and couldn't set the film in London or any other big city. You hear about the military, but you only see a few assorted guys in rather generic uniforms with no fancy equipment.

Despite the many limitations due to budget, however, the film is still very entertaining--even if you've seen the superior prior film. I think part of it is because the alien, played by Helmut Dantine, seemed a lot more like an alien than Michael Rennie from THE DAY THE EARTH STOOD STILL. This isn't saying Rennie was bad--just that Dantine offered a unique interpretation. The other thing I liked is that instead of the humans attacking by mistake, in this film the leaders from the UK are real jerks. Despite the Venusians coming with openness and peace, the officials responded with lies and a foolish attempt to steal their space ship!! As a result, this film takes an even more cynical view of human nature. In the original, humans were scared and a bit dumb. Here, they're just jerks! The final thing I loved about the film is that they didn't try too hard with the special effects. Other than a model of a space ship, the film has no bug-eyed alien or silly ray gun--just a dandy story.

So, despite being extremely derivative, the film still is entertaining thanks to good acting and a few interesting twists.

By the way, in a silly little scene, one "expert" said that Venus is "many light-years away from the Earth". No, dude, it isn't. A single light year is about 6 trillion miles. Venus is actually about 25 million miles. So, a light year is 240,000 times greater than the distance to Venus AND they said "many light-years"! I am surprised the writers didn't notice this discrepancy. Wow. I now feel like Mr. Wizard!

Patricia Neal had recently turned her back on Hollywood for the New York stage and married Roald Dahl (with whom she settled in Buckinghamshire to raise a family) when she was offered this cheap, cheeky and stultifyingly humourless British rehash of 'The Day the Earth Stood'.

Helmut Dantine - like Michael Rennie in the original - performs Christ-like miracles like healing the sick and speaking in tongues; but like this film lacks a pulse. Instead of Bernard Herrmann's eerie theremin we occasionally get twee musical contributions from Eric Spear (later immortalised by the theme for 'Coronation Street'). The agreeable Hertfordshire exteriors compensate for director Burt Balaban's stilted interiors, and since it's only 76 minutes long you keep watching.

An alien craft is spotted, barnstorming the countryside. While traveling home, Susan North (Patricia Neal) encounters a strange phenomenon. Soon, a mysterious man (Helmut Dantine) shows up at a rural pub, seeming to have odd ideas and prescient knowledge, some of which is about Susan, who has gone missing.

He also has no pulse!

When the authorities attempt to make him talk, they find it... difficult. Things only get weirder when Susan reappears. Of course, the government / military gets involved, and nearly makes a pig's breakfast of it all.

STRANGER FROM VENUS, like its -very similarly themed- cousin, THE DAY THE EARTH STOOD STILL, is a more cerebral bit of cautionary sci-fi. No laser battles, monsters, or spaceship chases here. Dantine downplays his role, making the "miracles" he performs, and the words he speaks seem all the more believable. Ms. Neal is just as good in this as in that other, better-known film. Due to its budgetary constraints, most scenes are rather small in scope, making the dialogue quite important. This movie delivers excellent discourse and actually makes one think. Imagine that...