Valley of the Kings

Robert Taylor and Eleanor Parker as turn-of-the-century archaeologists in Egypt make a handsome couple in this beautifully-photographed MGM production. Their hunt for a pharaoh's lost tomb and their growing attraction to each other provide a number of good moments but the real stars here are the monuments of Egypt -- including a visit to St. Catherine's Monastery in the Sinai. The rousing fist-fight between Robert Taylor and Carlos Thompson on the crown of one of the Abu Simbel statues is a glorious moment.

I first saw this film when it was released in the UK. I was thirteen at the time. It will always be a favourite because it sparked off what was to become one of my greatest passions: anything and everything to do with Ancient Egypt and its remarkable impact on the imagination, ambition and sometimes greed of every civilisation that succeeded it. Yep, Robert Taylor was perhaps out of place but Eleanor Parker made up for the weaknesses and foibles of the plot. It's just a good, old-fashioned romp.

I've given this film a 7 rating, which is much higher than most of the other IMDb participants who have expressed themselves. Frankly, I thoroughly enjoyed "Valley of the Kings." Its strong points definitely outweigh its shortcomings.

True, this is in a sense a very glossy and high budget version of a pulp adventure story. But the Egyptian locations and the color photography are worth watching. The acting, while not exceptional, is adequate; Taylor and Parker are especially appealing to the eye.

"Valley of the Kings" is an example of what Hollywood was trying to do (big names, wide screen, lush color photography, exotic location shooting, etc.) in the 50s to convince customers to turn off the TV and drive down to their neighborhood movie house. Do not expect to see a precursor to Indiana Jones. Taylor's character is no college professor who occasionally trades in his tweed coat for a leather jacket and bull-whip. He's a rough and tumble type who has picked up his archaeological knowledge while working on construction projects in Egypt.

Eleanor Parker is, as always, good to look at as the daughter of an Egyptologist who is determined to prove her father's hypothesis. The story is perhaps not exceptional, but it will hold your interest.

No one will mistake "Valley of the Kings" for "Lawrence of Arabia." But it is a solid entertainment that you will enjoy more than some of the overblown, hugely expensive productions that stumble out of Hollywood these days.

In 1900 Egypt, an American archaeologist (Taylor) has a race with a rival exploitive British adventurer-explorer (Thompson) to find the fabulous [fictional] lost tomb of King Rahotep, a Pharaoh who may have known the Israelite Joseph, in Egypt's Valley of the Kings. Matters are complicated by unscrupulous Egyptian Arab black market antiquities dealers (in fine performances by character actors Victor Jory, Kurt Kasznar, Leon Askin) and the romance of a beautiful British Egyptologist (Parker) who arrives on the scene. The plot and story are contrived and melodramatic, but the production values, locations, acting, dialog, music score by the master Miklos Rozsa, and visual effects are superb. In other words, it makes up in style what it loses in content. Filmed partly on location in Egypt, in Cairo, the Giza Pyramids, Sakkara, Karnak and Luxor (the Great Temple of Amenhotep III), and the Valley of the Kings. Of particular interest is a fight scene staged atop one of the four colossi of King Ramoses II the Great at the Temple of Abu Simbel: part of it was filmed on location; part of it was replicated in the MGM studio soundstages with clever matte photography and grandiose sets. Climactic scene is the discovery of the splendiferous tomb of King Rahotep – full of art objects replicated from the artifacts found in the actual tomb of King TutankhAmen – in the Valley of the Kings. [Special note: there actually was a Pharaoh named Rahotep, who lived during the 17th Dynasty of ancient Egypt, circa 1750 B.C. and could have known sephardic Israelites like Joseph, who most likely lived circa 1850 B.C.] The Technicolor is beautiful. Highly enjoyable action romance. Great fun for fans, Egyptologists, and film addicts who just want to enjoy a good old fashioned yarn.

This Classic film from 1954 was created by MGM and lots of money was put into its production. The photography in Egypt and the many historic sites are outstanding and this was done mainly because Television had taken hold of many families and they were staying home and watching their TV Screens in 1954 instead of going to the movies. Robert Taylor, (Mark Brandon) was an archaeologist in Egypt and was a rough and tough man who loved adventure. Eleanor Parker,(Ann Barclay Mercedes) meets up with Mark in order to hire him to explore some ruins which will confirm that the Bible story about Joseph were true. There is plenty of romance and dangerous sand storms and plenty of riding on camels backs through out the desert and secret tombs and secret doors.