The Millionaire

John Beresford Tipton: his name evokes patrician wealth and breed. Using his executive secretary, Michael Anthony, Tipton chooses, apparently but not certainly, one person each week at random to receive, tax-free, the sum of one million dollars, in the form of a cashiers check. One million dollars was an enormous sum in the 1950s. And, if one remembers that the top tax bracket (which includes this amount) was 91% at that time, the gift becomes even more phenomenal.

Each recipient was required to sign an agreement never to reveal either the circumstances under which the money was received and the amount, other than to the spouse. (In one episode, a child received the money and a somewhat non-plussed Anthony told the child that he can reveal these details to his parents). The idea of each half-hour show was to see just how receiving the money would affect each recipient. At the end of the show, Tipton would briefly reviews what happened.

An excellent show, far and above the lunacy that pervades television today.

Unfortunately, the original creator of THE MILLIONAIRE, who also authored the pilot, has not been given any credit here. His name was Walter Goetz, son of Harry Goetz (Paramount Pictures) and this wonderful series was his baby from the get-go. Due to some kind of disagreement over rights or royalties (I forget the details now) he left it all behind in the very beginning and has now, apparently, been completely forgotten. Just thought I'd mention it, having personally known him. Subsequent to his short-lived career in California, he made a living playing the music of Cole Porter, George Gershwin etc. etc. in piano bars and restaurants in Santa Fe, New Mexico. Lucky us. He was a wonderful man and it was truly an honor to know him.

In the days before lotteries, back when having a million dollars meant you were FABULOUSLY wealthy, this show had an interesting and effective premise. An unseen and mysterious multi-millionaire has his servant give a million dollars tax-free to a complete stranger, apparently picked at random. The only conditions were that he couldn't reveal to anyone how he got the money and how much money it was. The rest of the show would follow this person and show how his life was changed by the sudden wealth. The show worked so well because it's writers were able to create an interesting cross section of recipients and consequences. I actually haven't seen this show since it's syndication days in the sixties but it was interesting at the time and I remember it fondly.

I recently purchased a copy of one of 'The Millionaire' series.

This 1955 episode features Carolyn Jones later to star as Morticia in the Addams Family TV series. Carolyn plays the part of Emily Short who receives a cheque for one million and decides to take a trip to Paris, until this she has never been outside of the US.

It is good clean family entertainment.

It would be great if one of the channels could run them. Maybe someone can drop a hint to TCM or Hallmark.

When my grandparents broke down and got a television in the middle Fifties one of the first shows they liked was The Millionaire. I can still hear my grandmother, saying philosophically what a great thing it would be if Michael Anthony rang their doorbell and dropped a million tax free dollars in their laps. My grandparents were immigrants from the Ukraine and no one ever gave them anything. Still it was an entertaining fantasy.

As it was for any number of homes back in the day when the fabulously wealthy John Beresford Tipton whom we never saw, but whose voice was supplied by Paul Frees would summon his secretary Michael Anthony in played by Marvin Miller. With the spacious Tipton estate of Silverstone in the background, Tipton explains to Anthony who will be this week's beneficiary.

The next thing we see is Marvin Miller knocking on someone's door and giving them a check for a million dollars. What that individual did with it was the basis of the episode of that week. That in turn depended on the character of the individual. The variations on human character was the heart of each episode.

Tipton found 205 characters to be generous with for six seasons. Presumably he died or ran out of money. He might have had to sell Silverstone, from what little we saw of it, it looked as grand as San Simeon.

They were good episodes, The Millionaire crammed a lot of plot and character development into a thirty minute show. The players had to be good to convey it. I wish I could see some of those episodes on the TV Land Channel now.