Desert Sands

While this 1955 Foreign Legion movie from United Artists may not be in the category of "Beau Geste" (which starred Gary Cooper) it is nonetheless drawing. Personally, I felt the cast was well-chosen. Ralph Meeker, noted for playing Mike Hammer in "Kiss Me Deadly", here played David Malekom, a sometimes cold yet always a no-nonsense officer who was definitely strict toward the men under him. The very pretty Marla English was an unusually pretty lady who was in love with Malekom. John Carradine was perfect for the role of Jala the wine merchant who was a very ruthless man; he in the movie was the uncle of Princess Zara. Keith Larsen, who played the brother of Princess Zara, El Zanel, was mean-spirited and ruthless, a man who was so anxious for power that he wanted to possess the Sahara Desert. John Smith, who would later be known for "Laramie" fame was his same cowboy self from Texas; he played Pvt. Rex Tyle, a pugnacious and brave soldier. The drama starts off with Jala having some of his own men, who were disguised as Legionnaires, kill his own brother who was the father of Zara and El Zanel, and the killing caused Zara and El Zanel to hate the Foreign Legion with a passion; they were very young when the killing took place. Thus there were several attacks on the outpost in North Africa. Yet the strange thing was that when Jala confessed that he had killed El Zanel's father, he said that men of power must do such things sometimes; no, El Zanel did not care about human lives. What will happen now to Malekom, El Zanel, Jala, and Zara? There are points where there is romance between Zara and Malekom, but will this have a great effect on how Malekom will be toward Zara after a very climatic battle? The movie was a "Sahara western" replete with handguns and machine guns. Yes, it was a very exciting movie of any kind.

Saw 'Desert Sands' due to primarily finding the subject matter fascinating, the foreign legion is always interesting to portray on film and there are films that have done so very well. It also had the always reliable Ralph Meeker and John Carradine in the cast, with Carradine especially having the sort of role that was well suited to him. It also appeared in my more like this section after seeing other Meeker and Carradine films some time back.

'Desert Sands' was an example of a film that had such a promising story on paper. It is sadly also an example of a film that has very uneven execution. A big part of me wanted to be on the same wavelength of those reviewing 'Desert Sands' positively, but to me there were too many things that worked against it. It is though not near as bad as those that commented unfavourably have said and does have some major strengths that raise it to average level.

It is a good-looking film. The photography is particularly beautifully crafted in the action and is quite vibrant. The scenery is quite attractive and the way the camera is used shooting it prevents it from being static. The music fits quite well and sweeps effectively, with stirring use of "Le Boudin" and a suitably nostalgic theme song.

The action and battle choreography is exciting and has tension, things not present in much of the rest of the story. A few of the performances are good. Meeker is suitably brooding and Marla English is alluring, but menacingly ruthless Carradine gets the acting honours.

However, the story outside of the action just didn't grab me and felt on the thin side. The film takes forever to get started and the first portions are pretty dull. The romance is not very interesting at all and is not particularly believable. Other than Meeker, English and Carradine the acting is nothing really to write home about in roles that come over as sketchy stereotypes rather than real people and portraying the legionnaires as complacent is not going to go down well with some. And no it is not the lack of authenticity or the accents that bother me.

Being somebody that wanted to not take things too seriously or nit-pick. It does have to be said that it is distracting that there doesn't really seem to be a discernible sense of time and place. With things present that don't belong in the period. Worst of all is the dialogue, which is more often than not cringe-worthingly awful, far too much cheese, unintentional humour and with not a shred of originality.

Summarising, not terrible but to me regrettably it was not particularly good either. 5/10

An exciting adventure film, with good battle scenes, interesting characters, stirring renditions of "Le Boudin" (the signature march of the Legion) and the little known and sexy Elizabeth Taylor lookalike Marla English, as the "Arab" princess. It seems like the Legion outpost is a modified "wild west" set and Marla and her maidservant's costumes appear to be reworked Mexican cowgirl outfits. Entirely apropos for the unintentionally hilarious love scenes with the Legion commandant (Ralph Meeker). Her brother, the sheikh, has a prep school accent, but it's not quite as bad as the Brooklynese dialect of Richard Conte's villain sheikh in 1953's "Desert Legion" ("Det ta da lejun!"). Mama Mia!!

The legionnaires are uncharacteristically complacent. After all, this is 1955 and the tribes just don't surround and attack Legion forts a la Beau Geste anymore. Not! They get a rude awakening when Marla and her brother; who believe their father was murdered by the French; unite the desert tribes and wipe out a column of legionnaires. The film does have some reality deficits. Even though it's the 1950s there isn't a motor vehicle in sight, although the new commandant arrives at the fort by helicopter, and the radio man is building a television set. The rifles carried by the legionnaires were over 20 years out of date at the time, and rifle grenades can't blow up buildings. But, this is an escapist actioner with some unintended laughs thrown in, not a History Channel Special. In that respect, it really hits the spot. It even begins with a sultry, James Bondish theme song!

I recently saw this movie for the first time since the early 70s (on TCM) and I find it hard to believe that it was never put on commercial video.

My cherished memories of "Desert Sands" still remain after 26 years. It played on the bottom of a double-bill (can't remember the main feature--a forgettable 'A' big-studio stinker, I'm certain) but was a swift, beautifully photographed, Foreign Legion humdinger of escapism with a memorable cast--Ralph Meeker at his most stalwart, gorgeous Marla English, John Carradine & J. Carroll Naish at their outlandish best, and young, dashing John Smith poised for stardom (after charming supporting roles in "The High and the Mighty," "We're No Angeles" and the forthcoming "Friendly Persuasion"). But the film seems to have vanished after playing on TV in the early '70s. Dismissed in its time as a 'B' programmer, "Desert Sands" was a sweeping, actionful treat--the actors seemed to be having as much fun as the cheering audience (and when has that happened in today's zillion-dollar stinkers? The stars seem to be wincing and working almost as hard as the audiences do trying to keep awake while enduring these "blockbuster" bombs). Come on, Turner Classic Movies. You've got the rights to these UA programmers of the '50s. Granted, most of them aren't worth reviving, but "The Desert Sands" definitely is. A throwback to the days when even medium-budget films could be class-A efforts, depending on the talents of all those (director, actors, script, cinematographer, etc.) involved. In this instance, "The Desert Sands" comes up trumps! Suffer thru other expensive big-studio adventure epics of the time ("Beau Brummel," "Prince Valiant," "The Egyptian," etc.) and you'll relish the unpretentious, lighthearted "Desert Sands" even more. An unheralded gem of 1955, long-overdue to be recognized as a heralded gem of any day. And it demands to be letterboxed in Superscope. A dazzling wide-screen delight--for precarious adventurers of all ages and times!

Ralph Meeker gets to take a break from playing poachers to play a gamekeeper in the form of a megalomaniac captain in the French foreign legion of whom its said "He could lead a hundred grandmothers through the Boxer Rebellion without disturbing their coiffure".

The story suggests the twenties but his arrival by helicopter shows it's actually set much later. People get massacred but director Lesley Selander makes it all seem rather tame, with characters just standing about and talking.

The cute little fortress is quite striking in a Germanic sort of way. Conspicuous by their absence are any actual Frenchman: Aussie Ron Randall assuming an English accent to boast about his expulsion from Sandhurst and the University of Cambridge Medical School; while John Carradine invests the Arab chieftain with the sort of accent only a Shakespearean actor could manage.