IMDb RATING
6.4/10
1.7K
YOUR RATING
Tomboyish outcast "Cinder" Ella and the duke's charming son Charles fall in love in this comedic rendition of the classic fairy tale.Tomboyish outcast "Cinder" Ella and the duke's charming son Charles fall in love in this comedic rendition of the classic fairy tale.Tomboyish outcast "Cinder" Ella and the duke's charming son Charles fall in love in this comedic rendition of the classic fairy tale.
Les Ballets de Paris
- Themselves
- (as Ballet de Paris)
David Ahdar
- Ball Guest
- (uncredited)
Jessie Arnold
- Townswoman
- (uncredited)
John Barton
- Townsman
- (uncredited)
Dawn Bender
- Girl
- (uncredited)
Margaret Bert
- Townswoman
- (uncredited)
Arline Bletcher
- Ball Guest
- (uncredited)
Gail Bonney
- Bit Role
- (uncredited)
Featured reviews
Why wasn't this film more successful, and why isn't it more well known than it was and is? It is an utterly delightful and original take on the Cinderella story in which almost every element is just right. Leslie Caron is completely enchanting as Ella. True, she may not be an amazingly gorgeous beauty in her ball gown, but she is radiant nevertheless. Especially those eyes. Oh, those expressive eyes! They show you the true beauty beneath her outward plainness. She is a wonderful actress and phenomenal ballet dancer, as demonstrated in the wonderful dream ballet sequences in which she dances with the Roland Petit ballet company. These sequences may seem unnecceasry at first, but they turn out to do exactly what the ballet dances in the Rodgers and Hammerstein musicals do: They express the character's emotions in ways that not even dialogue and music can. They are indeed a vital part of the film. Estelle Winwood is charming as Ella's eccentric "fairy godmother." Walter Pidgeon's uncredited narration is pithy and wise. True, Michael Wilding is indeed a bit bland as Prince Charming/Charles (though not really all that bad) and this is one of Kennan Wynn's weakest appearences (except for his reaction when he sees Ella at the ball), but all in all these are tiny flaws in one underrated gem of a film.
I remember seeing this enchanting film for the first time when I was 10 or so and I've been fascinated with Leslie Caron's characterization of `Cinder' Ella ever since. Those beautiful expressive eyes! Some have called Caron's portrayal `bratty' but I think her Ella is not only convincing but also heartwarming. Of course you are supposed to feel bad for this dirty little servant girl who is forced to take out the ashes, but instead of feeling sorry for herself, she continues to `act out' against those who shun her, which I think gives her an appealingly strong character. The art direction and costuming are gorgeous! Cinderella's massive pink and frilly `borrowed' ball gown is exquisitely detailed with crystals and roses, and the glass slippers are pure magic! As a dancer I find the ballet dream sequences quite impressive and exciting to watch, but my one main problem with this film would have be casting Michael Wilding as a ballet dancer in the Princess Tehara dream sequence. Wilding is obviously not a dancer and I wished they had cast someone who could actually hold his own next to Caron's wonderful technique. Estelle Winwood as Mrs. Toquet is certainly worth the price of admission.and then some! She is a funny, poignant and an amusing fairy godmother. Overall I find The Glass Slipper a wonderfully delightful diversion!
Leslie Caron was the perfect choice to play Cinderella, a scruffy, rebellious girl living with her stepmother and stepsisters, "not quite a servant and not quite a member of the family". Caron reunites here with much of the team from her best movie "Lili" and, if the results are not quite as memorable, it may be because the tale has been exhausted. Still, director Charles Walters paces it carefully (some may say sluggishly) and keeps the outré magic of the story to a minimum. The droll observation/narration (by Walter Pidgeon, uncredited) is dryly amusing and Cinderella's step-family isn't overly nasty to her (they treat the girl more like a black sheep than a housemaid). While the MGM production is modest, the cast is quite colorful and the musical direction and balletic fantasy sequences are very good. A bit tepid overall, but sweet and simple. **1/2 from ****
I remember seeing this years ago on a family anthology show (now you know how old I am; anthologies are a thing of the past now). One of the things I liked was the fact that they dispense with much of the conventional magic known from the original fairy tale: the fairy godmother is given a name and personality- and portrayed as something of a neighborhood kook who loves funny words and steals for a living. When she helps Ella (the 'Cinder' prefix comes later) go to the ball she 'borrows' a coach and steals a gown- and has something of a needle-in-a-haystack challenge in fixing her charge's unruly hair. Leslie Caron, a positively beautiful dancer in her early years, is made to look less pretty than she really is, and the film throws a symbolic moral at the viewer by making the stepsisters conventionally beautiful, but still harboring nasty personalities. With this scenario we are allowed to judge the central character by her spirit and intelligence (something that would be re-imagined 40 years later in the film EVER AFTER). It is not meant to be taken too seriously- how can it be with Walter Pigeon's extremely dry narration? I didn't care for the Petit fantasy ballets (they just seem to interrupt the action instead of advancing it), but loved the fact that the prince and Ella meet in the glen before seeing each other at the ball- creating something of a real love story. It is a shame that Leslie Caron did not continue to dance on film after this year, as all of her subsequent films were 'Gigi' and then straight dramas. Check this out; it is one of MGM's lesser known, but every bit as impressive.
i first saw this movie on late night family channel as a kid... it tooks me years to find it again, when i FINALY found it i ran out and bought it(2 months on back order!!) this is such a sweet light hearted cinderella tale of a girl named Ella who always told everyone she would grow up to live in the palace... and people just shrugged her off and called her "cinder-ella" because of cleaning out the fireplace and being covered in ashes... a fairy godmother who is accentric and amusing with word games what holds a good message, there are some key moments what always make me laugh every time i watch it... this is the first leslie caron movie i saw and i fell inlove with her and have now seen many more of her movies... she is a very beautiful woman with great skill and always reminds me a bit of Audrey Hepburn(maybe it's just me)...whenever i'm down this movie always makes me smile i can never get bored of it!... if you love light hearted romance comedies or the classics this movie is worth watching!
Did you know
- TriviaIn Leslie Caron: The Reluctant Star (2016), Caron says she saw Ella as a rebel and was influenced by Marlon Brando in On the Waterfront (1954). She also designed her own cropped hairstyle, to the displeasure of MGM bosses.
- GoofsThe amount of soot on Ella's face changes constantly in the early scenes of the film.
- Quotes
Ella: Your shoes are getting wet!
Mrs. Toquet: Yes, it's the water.
- ConnectionsEdited into Off to See the Wizard: Cinderella's Glass Slipper: Part 1 (1968)
- SoundtracksTake My Love
Music by Bronislau Kaper
Lyrics by Helen Deutsch
Performed by Michael Wilding (dubbed by Gilbert Russell)
- How long is The Glass Slipper?Powered by Alexa
Details
Box office
- Budget
- $1,998,000 (estimated)
- Runtime
- 1h 33m(93 min)
- Aspect ratio
- 1.75 : 1
Contribute to this page
Suggest an edit or add missing content