At a Catholic mission in China, long-awaited "Father O'Shea" proves to be a tough guy, disturbingly attractive to mission nurse Anne.At a Catholic mission in China, long-awaited "Father O'Shea" proves to be a tough guy, disturbingly attractive to mission nurse Anne.At a Catholic mission in China, long-awaited "Father O'Shea" proves to be a tough guy, disturbingly attractive to mission nurse Anne.
- Director
- Writers
- Stars
Robert Burton
- Rev. Marvin
- (uncredited)
George Chan
- Li Kwan
- (uncredited)
Sophie Chin
- Celeste - Nurse
- (uncredited)
Peter Chong
- Fen Tso Lin - Merchant
- (uncredited)
Doris Chung
- Clinic Nurse
- (uncredited)
Richard H. Cutting
- Father O'Shea
- (uncredited)
Don Forbes
- Father Keller
- (uncredited)
Candace Lee
- Girl Singing 'My Old Kentucky Home'
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
William E. Barrett wrote novels in various genres but his works containing a religious element have proved more popular with film-makers, notably 'Lilies of the Field'.
'The Left Hand of God' boasts the excellent production values of Twentieth Century Fox, filmed in Daryl F. Zanuck's beloved Cinemascope by Franz Planer, with a strong score by Victor Young and a top-notch cast.
None of these factors alas is able to compensate for the disappointing script. Screenwriter Alfred Hayes is certainly no Grahame Greene and one critic referred to its 'mock religiosity'.
Director Edward Dmytryk and Humphrey Bogart had previously worked together on the excellent 'The Caine Mutiny' but Mr. Bogart's character here is rather one-dimensional although this actor is as always eminently watchable and has star quality in spades. As the phoney priest O'Shea he falls for the lovely nurse of Gene Tierney. There is a distinct simpatico between them despite the obvious age difference and that neither actor was in the best of health!
Great support from Agnes Moorhead, E. G. Marshall and Lee J. Cobb. Mr. Cobb's casting as a Chinese warlord is bizarre to say the least but typical of Hollywood at the time. The individual scenes between the five protagonists are excellent and the high stakes dice game between priest and warlord is the highlight.
Suffice to say this is a must for Bogie devotees of which this viewer is one but the film itself lacks focus and momentum. One cannot help but feel that an opportunity has been missed and that it remains an example of the Left hand not knowing what the Right hand is doing!
'The Left Hand of God' boasts the excellent production values of Twentieth Century Fox, filmed in Daryl F. Zanuck's beloved Cinemascope by Franz Planer, with a strong score by Victor Young and a top-notch cast.
None of these factors alas is able to compensate for the disappointing script. Screenwriter Alfred Hayes is certainly no Grahame Greene and one critic referred to its 'mock religiosity'.
Director Edward Dmytryk and Humphrey Bogart had previously worked together on the excellent 'The Caine Mutiny' but Mr. Bogart's character here is rather one-dimensional although this actor is as always eminently watchable and has star quality in spades. As the phoney priest O'Shea he falls for the lovely nurse of Gene Tierney. There is a distinct simpatico between them despite the obvious age difference and that neither actor was in the best of health!
Great support from Agnes Moorhead, E. G. Marshall and Lee J. Cobb. Mr. Cobb's casting as a Chinese warlord is bizarre to say the least but typical of Hollywood at the time. The individual scenes between the five protagonists are excellent and the high stakes dice game between priest and warlord is the highlight.
Suffice to say this is a must for Bogie devotees of which this viewer is one but the film itself lacks focus and momentum. One cannot help but feel that an opportunity has been missed and that it remains an example of the Left hand not knowing what the Right hand is doing!
Nice and intelligent film , being Humphrey's second to last movie providing an awesome acting . As he plays a pilot called James 'Jim' Carmody (Bogart , though Kirk Douglas and Gregory Peck were considered to star in this picture) attempting to escape in post WWIII , 1947 , dressed as a priest from the revenge of a Chinese warlord (Lee J Cobb) . At a Catholic mission in China , being long-awaited "Father O'Shea" but there shows up Carmody posing as a cleric and he proves to be a two-fisted guy . At this place lives the enticing nurse Anne (Gene Tierney) , a gorgeous war widow , who believes she is falling in love with someone she can't marry . Meanwhile , China disintegrates in civil war (1945-1949) , warlords , revolution and fights between Maoists and nationalists.
This is a sensitive film including emotions , interesting dialogue , a marvelous love story and fine performances . The hand of Edward Dmytryk tends to rely heavily on the enjoyable relationship between Bogart and Tierney . The film is pretty well , though results are rather dull and sincere with an abundance of narrative dialog . Interesting screenplay by Alfred Hayes based on the novel "The Left Hand of God" by William E. Barrett . Long time ago , William Faulkner completed an adaptation of the 1950 novel for director Howard Hawks , a longtime collaborator . Here Bogart in a new type of action role who proves to be surprisingly effective with the unusual character of an adventurer/pilot who disguised himself as a Catholic cleric . Gene Tierney is as beautiful as ever as the attractive woman . However , being last starring screen appearance of actress Gene Tierney, who had been suffering from mental illness for a number of years and entered various treatment centers . Support cast is frankly well , such as : Agnes Moorehead , E.G. Marshall , Jean Porter , Carl Benton Reid and Lee J Cobb is great as a warlord . The movie displays a luxurious and colorful cinematography by Franz Planer . Emotive and moving musical score by the classical composer Victor Young , including a stirring leitmotif .
The motion picture was well directed by Edward Dmytryk , though being slow-moving and with penchant to weight rather heavily on the proceedings . A veteran filmmaker, Dmytryck is one of Hollywood's most prolific directors who started his career in the early 40s . He was a craftsman whose career was interrupted by the activities of the House Un-American Activities Committee (HUAC), a congressional committee that employed ruthless tactics aimed at rooting out and destroying what it saw as Communist influence in Hollywood . A lifelong political leftist who had been a Communist Party member briefly during World War II, Dmytryk was one of the so-called "Hollywood Ten" who refused to cooperate with HUAC and had their careers disrupted or ruined as a result . The committee threw him in prison for refusing to cooperate, and after having spent several months behind bars , Dmytryk decided to cooperate . Dmytrick's biggest film was ¨The Caine Mutiny¨ , but he also realized another mutiny film titled : ¨Mutiny¨ with Angela Lansbury . Edward was an expert on warlike genre as ¨Back to Batan¨ , ¨Battle of Anzio¨ , ¨Young lions¨ and Western as ¨Broken lance¨ , ¨Alvarez Kelly¨ , ¨Warlock¨ , among others . Rating : 6.5/10 , better than average . It's recommended for drama enthusiasts and big stars lovers .
This is a sensitive film including emotions , interesting dialogue , a marvelous love story and fine performances . The hand of Edward Dmytryk tends to rely heavily on the enjoyable relationship between Bogart and Tierney . The film is pretty well , though results are rather dull and sincere with an abundance of narrative dialog . Interesting screenplay by Alfred Hayes based on the novel "The Left Hand of God" by William E. Barrett . Long time ago , William Faulkner completed an adaptation of the 1950 novel for director Howard Hawks , a longtime collaborator . Here Bogart in a new type of action role who proves to be surprisingly effective with the unusual character of an adventurer/pilot who disguised himself as a Catholic cleric . Gene Tierney is as beautiful as ever as the attractive woman . However , being last starring screen appearance of actress Gene Tierney, who had been suffering from mental illness for a number of years and entered various treatment centers . Support cast is frankly well , such as : Agnes Moorehead , E.G. Marshall , Jean Porter , Carl Benton Reid and Lee J Cobb is great as a warlord . The movie displays a luxurious and colorful cinematography by Franz Planer . Emotive and moving musical score by the classical composer Victor Young , including a stirring leitmotif .
The motion picture was well directed by Edward Dmytryk , though being slow-moving and with penchant to weight rather heavily on the proceedings . A veteran filmmaker, Dmytryck is one of Hollywood's most prolific directors who started his career in the early 40s . He was a craftsman whose career was interrupted by the activities of the House Un-American Activities Committee (HUAC), a congressional committee that employed ruthless tactics aimed at rooting out and destroying what it saw as Communist influence in Hollywood . A lifelong political leftist who had been a Communist Party member briefly during World War II, Dmytryk was one of the so-called "Hollywood Ten" who refused to cooperate with HUAC and had their careers disrupted or ruined as a result . The committee threw him in prison for refusing to cooperate, and after having spent several months behind bars , Dmytryk decided to cooperate . Dmytrick's biggest film was ¨The Caine Mutiny¨ , but he also realized another mutiny film titled : ¨Mutiny¨ with Angela Lansbury . Edward was an expert on warlike genre as ¨Back to Batan¨ , ¨Battle of Anzio¨ , ¨Young lions¨ and Western as ¨Broken lance¨ , ¨Alvarez Kelly¨ , ¨Warlock¨ , among others . Rating : 6.5/10 , better than average . It's recommended for drama enthusiasts and big stars lovers .
Great movie stars are rarely great actors. But they are people who exude elements of humanity, which we'd like to possess- John Wayne's toughness, Sharon Stone's glamour, Gary Cooper's inner silence, or Michael Douglas's ruthlessness. More unique than acting talent, Humphrey Bogart's element was that of hardened sinner whose inner spark of decency wasn't entirely subsumed. In this Cinemascope/colour movie, where Bogie's late-night drinking and myriad of broken marital relationships was visibly etched upon every facial crevice, the idea that he could pass himself off as a priest was ludicrous. But THE LEFT HAND OF GOD never demands that of him- nor us.
It makes instead, the not impossible proposition that a simple, remote Chinese community traumatised by marauders might presume Bogie to be the 'priest of Christ' they so anxiously await. We the audience, are privy to who Bogey is and still is. His un-Godly skill, which ultimately saves the mission from General Yang's terror, is entirely in character.
The Catholic theology was also dead on. Those whom Bogie absolved, married and buried were spiritually exonerated by the very innocence we moviegoers cannot share about Bogart. The power of the central argument of William Barrett's much dissipated novel, in spite of -or maybe because of, 50's Hollywood formulaic moviemaking- is somehow preserved.
The repetitious references to Bogey as 'the priest of Christ' and the ingenuous children's enigmatic broken-English farewell of 'Oole Kantackee Hom,' also persuade. We know Bogey must leave, and that he is redeemed in spite of himself. Even Bogie doesn't know that. We now also know that this life-scarred, bloodshot, poker-playing sceptic received a fair Hearing- after dying from throat cancer less than two years later on January 14th 1957 -at least from the left Hand Side of his Maker.
It makes instead, the not impossible proposition that a simple, remote Chinese community traumatised by marauders might presume Bogie to be the 'priest of Christ' they so anxiously await. We the audience, are privy to who Bogey is and still is. His un-Godly skill, which ultimately saves the mission from General Yang's terror, is entirely in character.
The Catholic theology was also dead on. Those whom Bogie absolved, married and buried were spiritually exonerated by the very innocence we moviegoers cannot share about Bogart. The power of the central argument of William Barrett's much dissipated novel, in spite of -or maybe because of, 50's Hollywood formulaic moviemaking- is somehow preserved.
The repetitious references to Bogey as 'the priest of Christ' and the ingenuous children's enigmatic broken-English farewell of 'Oole Kantackee Hom,' also persuade. We know Bogey must leave, and that he is redeemed in spite of himself. Even Bogie doesn't know that. We now also know that this life-scarred, bloodshot, poker-playing sceptic received a fair Hearing- after dying from throat cancer less than two years later on January 14th 1957 -at least from the left Hand Side of his Maker.
Humphrey Bogart experiences "The Left Hand of God" in this 1955 film also starring Gene Tierney, Lee J. Cobb, Agnes Moorhead and Lee J. Cobb. Bogart is Father O'Shea, who arrives at a mission in China to take over religious duties. The casting of Bogart should tell you something right away. While there, he wins the hearts of the people and that of a beautiful nurse (Tierney) who is a widow and, being a strong Catholic, finds her emotions unsettling. Father O has a relationship with a Chinese warlord, and now the village seems in danger. Can he save it? There's not a tremendous amount of action in this film, but the wonderful cast keeps us interested. Always a surprising actor, Bogart has a way with touching moments, such as receiving a blessing from the oldest man in the village. In 1955, Gene Tierney was still a young and beautiful woman, but for some reason, around 1950, she adopted a short, matronly haircut that I for one never found flattering. She's lovely in this as a lonely widow. Moorhead and Marshall give strong performances as the doctor and his wife. Lee J. Cobb is good, but seen today, his Chinese makeup is distracting.
Mildly interesting.
Mildly interesting.
Humphrey Bogart and Gene Tierney headline this 20th Century Fox production. It is one of Bogart's few color films.
I liked the fact that the two lead characters in The Left Hand of God don't wind up together and that there is not a romantic happy ending. It certainly would not ring true for these characters and their situation.
I didn't buy Lee Cobb as the warlord. He's a great actor, but for him to play a role in yellow face, he would need to look at least the tiniest bit Asian. He doesn't. He has too wide a nose and lacks the type of delicate features that would make him physically believable as an Asian. Agnes Moorehead is good as always.
I liked the fact that the two lead characters in The Left Hand of God don't wind up together and that there is not a romantic happy ending. It certainly would not ring true for these characters and their situation.
I didn't buy Lee Cobb as the warlord. He's a great actor, but for him to play a role in yellow face, he would need to look at least the tiniest bit Asian. He doesn't. He has too wide a nose and lacks the type of delicate features that would make him physically believable as an Asian. Agnes Moorehead is good as always.
Did you know
- TriviaWilliam Faulkner completed an adaptation of the 1950 novel for Director Howard Hawks, a longtime collaborator, but the results were deemed "rather dull and sincere, with an abundance of narration" by Hawks biographer Todd McCarthy, and was shelved.
- GoofsThroughout the climactic confrontation as Carmody and Mieh Yang sit next to each other, Mieh Yang's bald head shifts repeatedly between sunshine and shadow.
- Quotes
Dr. David Sigman: [of prostitutes] Don't tell me the Church gives up on 'em, father! Medicine doesn't give up...
Jim Carmody: When medicine reaches a point where it never has to walk hopelessly away from a case, then you can criticize the Church because it left some... spiritual illness uncured.
- ConnectionsReferenced in Plucking the Daisy (1956)
- SoundtracksA LOAF OF BREAD
Written by Ken Darby (based on traditional "The Old Gray Goose")
Sung by Humphrey Bogart and Gene Tierney
- How long is The Left Hand of God?Powered by Alexa
Details
Box office
- Budget
- $1,785,000 (estimated)
- Runtime
- 1h 27m(87 min)
- Color
- Aspect ratio
- 2.55 : 1
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