The Left Hand of God

William E. Barrett wrote novels in various genres but his works containing a religious element have proved more popular with film-makers, notably 'Lilies of the Field'.

'The Left Hand of God' boasts the excellent production values of Twentieth Century Fox, filmed in Daryl F. Zanuck's beloved Cinemascope by Franz Planer, with a strong score by Victor Young and a top-notch cast.

None of these factors alas is able to compensate for the disappointing script. Screenwriter Alfred Hayes is certainly no Grahame Greene and one critic referred to its 'mock religiosity'.

Director Edward Dmytryk and Humphrey Bogart had previously worked together on the excellent 'The Caine Mutiny' but Mr. Bogart's character here is rather one-dimensional although this actor is as always eminently watchable and has star quality in spades. As the phoney priest O'Shea he falls for the lovely nurse of Gene Tierney. There is a distinct simpatico between them despite the obvious age difference and that neither actor was in the best of health!

Great support from Agnes Moorhead, E. G. Marshall and Lee J. Cobb. Mr. Cobb's casting as a Chinese warlord is bizarre to say the least but typical of Hollywood at the time. The individual scenes between the five protagonists are excellent and the high stakes dice game between priest and warlord is the highlight.

Suffice to say this is a must for Bogie devotees of which this viewer is one but the film itself lacks focus and momentum. One cannot help but feel that an opportunity has been missed and that it remains an example of the Left hand not knowing what the Right hand is doing!

Father O'Shea, arrives at a Catholic mission in 1947 China, though his methods at first seem heavy handed, the villagers come to admire and respect him. But the longer he stays there the closer he gets to Anne, a pretty nurse who herself is strangely drawn to this unorthodox priest, it is just a matter of time before the truth will out and secrets are about to become uncovered.

Based on the novel by William E. Barrett, The Left Hand Of God just about registers as an interesting piece. I would go as far to say that it's merely the presence of some big name actors that have stopped this one from being panned wholesale. The acting is fine, Humphrey Bogart takes the lead as Father O'Shea, restrained and committed to the role he is, but it's not really a role calling for anything out of the ordinary. Gene Tierney plays Anne and barely has enough written for her to flourish, and this accounts for a distinct lack of chemistry between herself and Bogart. Gruff nasty villain duties fall to Lee J. Cobb, who in his oriental makeup now looks incredibly dated and sadly, laughable. The story will be of interest to those of religious beliefs, and at its heart the redemption fable is to be roundly applauded, but the whole movie drags to its inevitable conclusion and come the warm finale i personally felt that it's such a waste of talent. Yes it's touching at times, and yes its point is well and truly made, but ultimately it's a very forgettable piece of interest to Bogart and religious purists only. 5/10

Humphrey Bogart and Gene Tierney headline this 20th Century Fox production. It is one of Bogart's few color films.

I liked the fact that the two lead characters in The Left Hand of God don't wind up together and that there is not a romantic happy ending. It certainly would not ring true for these characters and their situation.

I didn't buy Lee Cobb as the warlord. He's a great actor, but for him to play a role in yellow face, he would need to look at least the tiniest bit Asian. He doesn't. He has too wide a nose and lacks the type of delicate features that would make him physically believable as an Asian. Agnes Moorehead is good as always.

Humphrey Bogart experiences "The Left Hand of God" in this 1955 film also starring Gene Tierney, Lee J. Cobb, Agnes Moorhead and Lee J. Cobb. Bogart is Father O'Shea, who arrives at a mission in China to take over religious duties. The casting of Bogart should tell you something right away. While there, he wins the hearts of the people and that of a beautiful nurse (Tierney) who is a widow and, being a strong Catholic, finds her emotions unsettling. Father O has a relationship with a Chinese warlord, and now the village seems in danger. Can he save it? There's not a tremendous amount of action in this film, but the wonderful cast keeps us interested. Always a surprising actor, Bogart has a way with touching moments, such as receiving a blessing from the oldest man in the village. In 1955, Gene Tierney was still a young and beautiful woman, but for some reason, around 1950, she adopted a short, matronly haircut that I for one never found flattering. She's lovely in this as a lonely widow. Moorhead and Marshall give strong performances as the doctor and his wife. Lee J. Cobb is good, but seen today, his Chinese makeup is distracting.

Mildly interesting.

I first saw the film, and found it quite good. The story was catching, and the actors were splendid. As far as Bogart is concerned, I rank this movie with "the Caine Mutiny", and above "African Queen". Lee J. Cobb I found quite good too, and much more credible than Curd Juergens in "the Inn of sixth happiness". The rest of the cast gives, I think, a quite good idea of the missionary life in China. Which was the weak part in the otherwise good "Sand Pebbles". I read the book at least once a year. It explains more of the movie plot, and I recommend to anyone interested in the ethics of the film, but it should have been too long, if strictly respected in the screenplay. I'd rate the movie 9,5/10, admitting, though, that Bogart is one of my favorite actors, which could biase my judgment !