Our Miss Brooks

Is this disappointing because the passage of time has given the TV (1952-56), and especially the radio (1940s) series a nostalgic glow they don't deserve? I don't know, but the movie is only mildly amusing in spots -- much of it is a bore -- while I recall the radio series with pleasure.

The nature of the plot line is quite different from both of the broadcast series, partly because the movie feels it needs to wrap up a story cleanly. In the series -- sort of like a movie serial -- the characters are left largely as we found them at the start of an episode -- Miss Brooks panting for the indifferent Mr. Boynton, Osgood Conklin fuming about his daughter's interest in the bumbling Walter Denton, who in turn is contemplating his next (mis)adventure. Denton is the one who's most changed in the movie. He was the main character in the radio shows, getting into one scrape after another (ala Andy Hardy), with Miss Brooks usually intervening in some way to bail him out. I don't recall the beginning of the radio series, but it seems that Connie Brooks had been at the school forever -- as had Denton, for that matter -- not a new arrival as in the movie. This is an interesting period piece, but not really good entertainment.

I remember the TV series "Our Miss Brooks," though it's possible I saw it in syndication. 1952 is a little early, even for me.

After the show was canceled, this film was made, completely ignoring the fact that Brooks had moved on to an elementary school. We go back to her arrival at Madison High, meeting Mr. Boynton, etc. We also have a subplot involving a student (Nick Adams) and his wealthy father (Don Porter).

I love seeing Richard Crenna playing the teen-aged Walter Denton - he went on to so much good work in TV and film. Eve Arden plays Miss Brooks the way unmarried women were played in those days -- desperate to get married. Arden always had that wry delivery that served her well in this role. Despite wanting to nab Mr. Boynton, the character of Connie Brooks is a good teacher and an independent woman, dedicated to her work and students.

Robert Rockwell, Gale Gordon, and the rest of the TV cast is on board. Few people realize that Robert Rockwell worked into the mid-'90s, and if you recall the Werther's candy commercial with the attractive white-haired man giving his grandson Werther's, that was him.

Nice trip down nostalgia lane. It was a more innocent time for sure.

Using students to raise funds for the Principal running for office? That doesn't sound ethical, by today's standards. LOVE Eve Arden, the English teacher in "Miss Brooks". My favorite role is when she is Joan Crawford's sidekick in "Mildred Pierce". She never really got her man in films, and thirty years later, Arden is now the principal in "Grease". In the film version of "Our Miss Brooks", she is the English teacher at the local high school, trying to spur a student on. Gale Gordon is the Principal, and his role is actually pretty toned down from all those episodes in "Lucy". The story takes some left and right turns, but it ends up being all about finding Miss Brooks a husband. I had always thought the film came first, but apparently this was released right at the end of the TV series. Here, life would imitate art... Nick Adams plays the troubled student, and would overdose at age 36. It's pretty good, if you just go along for the ride. Not her best role, but not her worst. Directed by Al Lewis, who had written and directed the TV series. Eve did mostly TV shows after this.

The movie manages to blend more serious points with a light-hearted humor worthy of the OMB franchise. As expected, Brooks (Arden) gets a lot of good snappy lines. In fact, the script individualizes each of the characters in distinctive fashion, from bumbling Boyton to squeaky Denton to smug Conklin. Of course, Brooks being a respected English teacher can't be spoofed, but as a single middle-age woman, she gets her share.

But please, oh please, don't let Denton squeak out another tune. He may have ruined music forever. And get a load of June Blair as the knock-out blonde who parades through the newspaper office like a candy doll in a boy's gym class. There's also a number of nice touches, like Brooks nudging open a dreamy bridal door, or the stuffy Conklin stepping onto a broken ladder and into the sea, or the helpful location shots of mid-50's suburbia.

The plot has several threads—untangling Brooks' romantic life, reforming a delinquent Gary Nolan (Nick Adams), getting Conklin elected to School Board, among others. Note the one straight role is Adams' wayward teen. This was a time when juvenile delinquency was a major social concern. So the script goes to some length showing how the boy is reformed by honest work.

Overall, the canny script manages to interweave the many threads in entertaining fashion. Nonetheless, it's the impeccable Arden who carries the show with her compelling presence. All in all, I think it's a rather underrated 90-minutes of smoothly done chuckles, and a fitting final curtain for the memorable OMB.

(In passing-- I suspect one reason the movie has been generally overlooked is because of the familiarity of the format, namely the long-running TV and radio versions, that eclipsed the overall quality of this production.)

Single gal Connie Brooks (Eve Arden) is the new English teacher at Madison High School. Phillip Boynton (Robert Rockwell) is the handsome biology teacher. Osgood Conklin is the by-the-book principal. Lawrence Nolan (Don Porter) is a rich newspaper owner and the father of one of the students.

Our Miss Brooks started as a radio show (1948-1957) and became a success in the early TV medium (1952-56). I'm not familiar with either. The oddity here is that the movie restarts the story after four years on TV. The students look that much older and ill-fitting. I assume the idea is that most of the public have yet to get a TV. So there's no reason to do a continuation movie since most people haven't seen the show to start. I get that idea but maybe get new younger kids.

In TV terminology, this is an extended pilot episode. I can see the appeal of this franchise. This is a simple single gal sitcom in a school. She's a fine strong character. There's a functional love triangle. Aging her up makes her a better spinster. It works somewhat as a movie. It's all fine if unspectacular.