Our Miss Brooks

One of my favorite scenes in this film is between Eve Arden who plays Miss Constance Brooks and her soon to be landlady Mrs. Davis, almost as good as the 'Who's on first' bit. I especially liked that her cat, Minerva, also had to approve. Miss Brooks is new to town and has been employed to teach English at Madison High School. Student Stretch Snodgrass, aka Fabian, gives her a tour which is where she first meets fellow teacher of Biology (Phillip Boynton), who she starts dating. Unfortunately, Phil's idea of a date is peanuts at the zoo...it's a long game, but she is hoping to eventually see him with her in a cute little cottage with a white picket fence.

"Well, ours wasn't the fastest romance on record, but it didn't take any time at all to prove itself one of the slowest."-Miss Brooks

Their military like principal, Mr. Osgood Conklin, is not well liked amongst the staff or the students...so when he decides to run for office of coordinator of education, he figures out a way to have the popular Miss Brooks be his Campaign Manager. Miss Brooks isn't thrilled, until she realizes that him vacating the position would create an opening which would come with a promotion with more money for her love interest the biology teacher Phil. Her selling point to the students...get rid of Mr. Conklin! Campaign slogan "Get Mr. Conklin into public office and out of Madison!"...it's one everyone can get behind.

Miss Brooks has a side project teaching the son of a wealthy newspaper tycoon Lawrence Nolan, played by Don Porter, who becomes a romantic rival for our biology teacher Phil!

Fun and wholesome high school comedy whose biggest selling point is that it stars Eve Arden, who I really enjoyed seeing in a starring role. Eve Arden is so often relegated to the best friend or sidekick role...but no one delivers a snappy-line like she does (especially in films such as Mildred Pierce). Both a fun vintage film and a family friendly one that has me recommending it to both families and fans of Eve Arden!

Single gal Connie Brooks (Eve Arden) is the new English teacher at Madison High School. Phillip Boynton (Robert Rockwell) is the handsome biology teacher. Osgood Conklin is the by-the-book principal. Lawrence Nolan (Don Porter) is a rich newspaper owner and the father of one of the students.

Our Miss Brooks started as a radio show (1948-1957) and became a success in the early TV medium (1952-56). I'm not familiar with either. The oddity here is that the movie restarts the story after four years on TV. The students look that much older and ill-fitting. I assume the idea is that most of the public have yet to get a TV. So there's no reason to do a continuation movie since most people haven't seen the show to start. I get that idea but maybe get new younger kids.

In TV terminology, this is an extended pilot episode. I can see the appeal of this franchise. This is a simple single gal sitcom in a school. She's a fine strong character. There's a functional love triangle. Aging her up makes her a better spinster. It works somewhat as a movie. It's all fine if unspectacular.

Using students to raise funds for the Principal running for office? That doesn't sound ethical, by today's standards. LOVE Eve Arden, the English teacher in "Miss Brooks". My favorite role is when she is Joan Crawford's sidekick in "Mildred Pierce". She never really got her man in films, and thirty years later, Arden is now the principal in "Grease". In the film version of "Our Miss Brooks", she is the English teacher at the local high school, trying to spur a student on. Gale Gordon is the Principal, and his role is actually pretty toned down from all those episodes in "Lucy". The story takes some left and right turns, but it ends up being all about finding Miss Brooks a husband. I had always thought the film came first, but apparently this was released right at the end of the TV series. Here, life would imitate art... Nick Adams plays the troubled student, and would overdose at age 36. It's pretty good, if you just go along for the ride. Not her best role, but not her worst. Directed by Al Lewis, who had written and directed the TV series. Eve did mostly TV shows after this.

The movie manages to blend more serious points with a light-hearted humor worthy of the OMB franchise. As expected, Brooks (Arden) gets a lot of good snappy lines. In fact, the script individualizes each of the characters in distinctive fashion, from bumbling Boyton to squeaky Denton to smug Conklin. Of course, Brooks being a respected English teacher can't be spoofed, but as a single middle-age woman, she gets her share.

But please, oh please, don't let Denton squeak out another tune. He may have ruined music forever. And get a load of June Blair as the knock-out blonde who parades through the newspaper office like a candy doll in a boy's gym class. There's also a number of nice touches, like Brooks nudging open a dreamy bridal door, or the stuffy Conklin stepping onto a broken ladder and into the sea, or the helpful location shots of mid-50's suburbia.

The plot has several threads—untangling Brooks' romantic life, reforming a delinquent Gary Nolan (Nick Adams), getting Conklin elected to School Board, among others. Note the one straight role is Adams' wayward teen. This was a time when juvenile delinquency was a major social concern. So the script goes to some length showing how the boy is reformed by honest work.

Overall, the canny script manages to interweave the many threads in entertaining fashion. Nonetheless, it's the impeccable Arden who carries the show with her compelling presence. All in all, I think it's a rather underrated 90-minutes of smoothly done chuckles, and a fitting final curtain for the memorable OMB.

(In passing-- I suspect one reason the movie has been generally overlooked is because of the familiarity of the format, namely the long-running TV and radio versions, that eclipsed the overall quality of this production.)

This film was made immediately upon the completion of the popular four-year run of the TV series, which itself followed a successful radio show, YET for some reason, the filmmakers chose to treat the storyline as if they hadn't existed. It would have made sense had the film been made twenty years later, as in "The Brady Bunch," "Mission Impossible," "Charlie's Angels'" etc. Starting from scratch seems to be backpeddling, but I guess it didn't bother folks in 1956.