Prince of Players

I first saw this when I was in high school and thinking of becoming an actor. Burton's performance and the film's highly romantic vision of Booth as the brooding "natural" Hamlet hooked me. Although it has the outlines of a typical biopic, The Prince of Players offers an extraordinary display of the kind of acting that, at its best, dominated the 19th century stage. Burton was one of the few 20th century artists who knew how to balance a ringing declamatory style with honest, full bodied emotions. It is so different from the typical modern understatement that some audience won't be able to adjust to it. But for those who relish language along with fire in the blood, this is as good as it gets on film. The portrait of the actor Edwin Booth, a man overburdened with the cares of the world, as impetuous, self-indulgent, and nearly batty, is a bit overheated. But it's a typical view of the artist in the mad tradition of Poe. Very 19th Century--and well worth knowing.

I'm a fan of Richard Burton. If you would like to see a classic Shakespearian performance, I definitely recommend this movie. I wanted my son, who was involved in his High school play at the time to learn the delivery style and presence from a master. I first viewed this movie 25 years ago when I was a teenager. I enjoyed it more the first time I watched this movie then I did just recently. With this recent viewing with my son I was able to point out some of the characteristics of great acting and presence.

The story of the brother of a high profile figure who shot President Lincoln was also compelling. Edwin Booth's great career on stage was overshadowed by his brother's political actions.

This was also a great performance by Raymond Massey as the Father of both John and Edwin. These were great stage actors giving great performances.

The movie gave me an appreciation of a performers life back in the days when actors where not making the big money and performed because they loved the art. I recommend it!!

The story of the Booth family of actors with the heavy drinking and mad father, Junius Brutus, played by Raymond Massey who is accompanied on his tours out west to the mining camps by son Edwin, a child actor who morphs into Richard Burton), while John Wilkes (John Derek) hones his acting skills and soaks up secessionist fervor in the South. The various stages are set for the young actors, with John Wilkes choosing to act on a bigger stage, as he says to his brother in one scene. The movie focuses on Edwin played by Richard Burton who takes over the Shakespeare roles his father leaves behind when he (the father) cannot carry on any longer. The big dramatic question is if Edwin will follow in his father's footsteps. Who rescues him from the same fate of his father but the beautiful Juliet to his Romeo played by Maggie MacNamara. It may seem a little contrived, but actually the film captures the times really well, portraying the pivotal roles of the theater, the stage, and the actors.

Once past the dated nature of a movie like this from the days when movies had more wordy scripts, we see Richard Burton as a classical actor in his youthful prime.

There is more than one script for this relatively obscure movie. The story of the two Booth brothers, Edwin and John Wilkes, during the Civil War is interwoven frequently with full recitations of Shakespearean excerpts, centuries older. As a skilled movie actor of the mid-20th Century playing Edwin, a leading 19th Century stage actor, young Burton imbues the role with a darkness that became his hallmark in later years.

For an actor known for bringing a more natural style to the Bard's works, Burton had to feel challenged to incorporate exaggerated gestures and profound speech characteristic of an older dramatic age into Shakespeare's lines. At times a play's lines are delivered with a different meaning in the context of the movie.

Maggie McNamara's performance as Mary Devlin, the wife who tames Edwin's darker spirit, should not be overlooked. She has a delicate but assertive quality in this production very different from her role as Maria Williams in Three Coins in the Fountain from the year before.

Overall, an excellent showcase piece for Burton early in his career.

Prince of Players is a movie that was a near-miss when it premiered in the Box Office and was considered to be rather dull. Even so, the title of the film is somewhat looks to be misleading as it is actually Burton as Edwin Booth, the brother of the infamous John Wilkes Booth. As well his usual early on-screen performances, Burton himself also did Booth "on-stage" in those Shakespearean plays.

The film received some poor reviews around the time it hit the big screens and was Burton's first failure in the Box Office and Burton may have been miscast as the leading character. In the whole, the film's saving grace should be Burton's superb voice and over the years, should perhaps lead to a slow change in attitudes from the critics choice.