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Despite marital problems, English Lord Albert Esketh and his rich American socialite wife Lady Edwina Esketh travel to India to buy a prize horse from the ruler of Ranchipur.Despite marital problems, English Lord Albert Esketh and his rich American socialite wife Lady Edwina Esketh travel to India to buy a prize horse from the ruler of Ranchipur.Despite marital problems, English Lord Albert Esketh and his rich American socialite wife Lady Edwina Esketh travel to India to buy a prize horse from the ruler of Ranchipur.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 1 nomination total
Rama Bai
- Lachmaania
- (uncredited)
John Banner
- Rashid Ali Khan
- (uncredited)
Jugat Bhatia
- Headhunter
- (uncredited)
George Brand
- Mr. Simon
- (uncredited)
Argentina Brunetti
- Mrs. Adoani
- (uncredited)
King Calder
- Mr. Smiley
- (uncredited)
Jack Deery
- Party Guest
- (uncredited)
Paul Frees
- Sundar
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Oh, dear! One of my favorite mid-Fifties Twentieth-Century Fox CinemaScopuses was nearly ruined for me a few years back when Bette Midler released her comedy album, "Mud WILL Be Flung, Tonight!" in which she does an elaborate routine in her character as "Soph" in bed with her boyfriend, "Ernie" who excuses himself to use the loo. When she hears certain sounds emanating from the bathroom, upon his return to the boudoir she demands: "Ernie, what the hell was that?!?" and he advises: "Soph, those were the Rains of Raunch-I-Poor!!" The routine goes on to appropriate a few other famous movie titles like "The Snows of Kilimanjaro," "The Winds of Krakatoa" (i.e., "Krakatoa, East of Java")...well, you get the idea, I would guess!
Anyway, Ms. Midler, no respecter of popular culture when it comes to her usually successful attempts at camp humor in her standup comedy routines, probably enjoyed this elaborate remake as much as I did, if she's ever seen it. 20th-Century Fox assembled a nicely balanced cast and assigned some top-flight professionals to give the whole thing the kind of gloss that's pretty much a thing of the past now. Of special note are the Academy Award-nominated special effects, rather convincing when I saw this on a big CinemaScope screen; some very nice use of DeLuxe Color (everyone looks handsome indeed, especially Miss Turner); and Hugo Friedhofer's tasteful score. (He was a composer who always successfully resisted producers' attempts to add music to an excessively gloppy extent and he was often astute in adding an exotic touch, where appropriate, with just a few bars of orchestration.) By the way I don't think, contrary to another comment here, that the production sent a second unit to Pakistan or anywhere outside of California. I might be wrong, since the opening sequence with Lord and Lady Esketh arriving by train into a bustling Indian metropolis is a terrific example of Hollywood fakery if it's not the real thing. There's one brief shot, however, where a limousine is seen turning into the supposed gates of the Maharani's compound and it is unmistakably the West Gate of Bel-Air, one of West Los Angeles' poshest subdivisions.
Anyway, Ms. Midler, no respecter of popular culture when it comes to her usually successful attempts at camp humor in her standup comedy routines, probably enjoyed this elaborate remake as much as I did, if she's ever seen it. 20th-Century Fox assembled a nicely balanced cast and assigned some top-flight professionals to give the whole thing the kind of gloss that's pretty much a thing of the past now. Of special note are the Academy Award-nominated special effects, rather convincing when I saw this on a big CinemaScope screen; some very nice use of DeLuxe Color (everyone looks handsome indeed, especially Miss Turner); and Hugo Friedhofer's tasteful score. (He was a composer who always successfully resisted producers' attempts to add music to an excessively gloppy extent and he was often astute in adding an exotic touch, where appropriate, with just a few bars of orchestration.) By the way I don't think, contrary to another comment here, that the production sent a second unit to Pakistan or anywhere outside of California. I might be wrong, since the opening sequence with Lord and Lady Esketh arriving by train into a bustling Indian metropolis is a terrific example of Hollywood fakery if it's not the real thing. There's one brief shot, however, where a limousine is seen turning into the supposed gates of the Maharani's compound and it is unmistakably the West Gate of Bel-Air, one of West Los Angeles' poshest subdivisions.
The original film on which The Rains Of Ranchipur is a remake, The Rains Came share one thing in common. The Rains Came won the second Oscar given in the category of Best Special Effects and The Rains Of Ranchipur was nominated in the same category. But other than that while the first was a tidal flood of emotions this one barely registers a drizzle.
Unhappily married Michael Rennie and Lana Turner come on holiday to the Indian province of Ranchipur. He married her money, she married his title and she's had a long string of affairs in both hemispheres that always make the gossip columns. She takes one look at Hindu doctor Richard Burton and decides he will be her latest conquest. She also meets another of her former conquests Fred MacMurray who is living out here on his inheritance and who missionary kid Joan Caulfield decides he's got the makings of a reformation project.
That's about how the original film is laid out. But the changes and softenings of the story and the characters make The Rains Of Ranchipur lose all its punch. The biggest changes are to the characters that Lana Turner and Michael Rennie play who were essayed by Myrna Loy and Nigel Bruce in the original. See the two side by side and you'll know what I mean. In addition Joan Caulfield is way too old to be playing college age girls. Her part in the original is done by Brenda Joyce.
Color has been added and some nice location cinematography of India during its first decade of independence is nice to see as well as the earthquake and flooding sequences. It makes up for a watered down story.
Unhappily married Michael Rennie and Lana Turner come on holiday to the Indian province of Ranchipur. He married her money, she married his title and she's had a long string of affairs in both hemispheres that always make the gossip columns. She takes one look at Hindu doctor Richard Burton and decides he will be her latest conquest. She also meets another of her former conquests Fred MacMurray who is living out here on his inheritance and who missionary kid Joan Caulfield decides he's got the makings of a reformation project.
That's about how the original film is laid out. But the changes and softenings of the story and the characters make The Rains Of Ranchipur lose all its punch. The biggest changes are to the characters that Lana Turner and Michael Rennie play who were essayed by Myrna Loy and Nigel Bruce in the original. See the two side by side and you'll know what I mean. In addition Joan Caulfield is way too old to be playing college age girls. Her part in the original is done by Brenda Joyce.
Color has been added and some nice location cinematography of India during its first decade of independence is nice to see as well as the earthquake and flooding sequences. It makes up for a watered down story.
For those among us who grew up watching a lot of television in the 1960s,it's always a lot of fun seeing stars doing supporting roles earlier in their careers.And who's doing the bluff,hearty,amiable Sikh police captain?None other than John Banner,who went on to do the comic heavy Schultz,on"Hogan's Heroes."And,for all of his teutonic ponderousness,he does manage to carry it off.
I was halfway through this movie before realizing I'd seen it before. Only, I remembered it filmed in black and white, with Myrna Loy as the star, instead of Lana Turner in Technicolor. The Rains of Ranchipur is a remake of the 1939 disaster drama The Rains Came. In both movies, a married hussy seduces an Indian doctor while living in Ranchipur. Her attentions become a blot on his impeccable reputation, and she has nothing more than her own interests at heart.
At first, I thought the remake would be an improvement. Myrna Loy was never known for her seductive prowess, but that type of behavior was second nature to Lana Turner, so I thought the steamy scenes would be steamier. Also, Tyrone Power played the Indian doctor in the original, rather than an ethnically appropriate actor, so I hoped the remake would make a better casting choice. No and no. Even though Myrna isn't the sexiest actress out there, her chemistry with Tyrone was infinitely more sizzling than Lana's was with Richard Burton. Wait, Richard Burton played the Indian doctor? I'm sorry to have to tell you that yes, he did, and with nothing more than a plain turban wrapped around his head as indication that he's racially different than his love interest. The two stars, who are very capable of creating sexual tension on the screen, must have hated each other during the filming. The chemistry was nonexistent.
I'll try not to spoil anything, but this plot point is in the title: a monsoon rains down on Ranchipur. Believe it or not, the big disaster scene is scarier, more effective, and had better special effects in 1939 than in 1955! The costumes were also quite elegant and regal in the original version. Myrna was dressed in beautiful ball gowns, and Tyrone had resplendent outfits. Richard Burton was very plainly clad, and Lana Turner's dresses actually made her look like she had a bad figure.
All in all, the remake was a big disappointment. Watch The Rains Came instead. It's dramatic, sexy, and exciting—I don't know how the monsoon scene was filmed in 1939!
At first, I thought the remake would be an improvement. Myrna Loy was never known for her seductive prowess, but that type of behavior was second nature to Lana Turner, so I thought the steamy scenes would be steamier. Also, Tyrone Power played the Indian doctor in the original, rather than an ethnically appropriate actor, so I hoped the remake would make a better casting choice. No and no. Even though Myrna isn't the sexiest actress out there, her chemistry with Tyrone was infinitely more sizzling than Lana's was with Richard Burton. Wait, Richard Burton played the Indian doctor? I'm sorry to have to tell you that yes, he did, and with nothing more than a plain turban wrapped around his head as indication that he's racially different than his love interest. The two stars, who are very capable of creating sexual tension on the screen, must have hated each other during the filming. The chemistry was nonexistent.
I'll try not to spoil anything, but this plot point is in the title: a monsoon rains down on Ranchipur. Believe it or not, the big disaster scene is scarier, more effective, and had better special effects in 1939 than in 1955! The costumes were also quite elegant and regal in the original version. Myrna was dressed in beautiful ball gowns, and Tyrone had resplendent outfits. Richard Burton was very plainly clad, and Lana Turner's dresses actually made her look like she had a bad figure.
All in all, the remake was a big disappointment. Watch The Rains Came instead. It's dramatic, sexy, and exciting—I don't know how the monsoon scene was filmed in 1939!
A quaint film. shot in Pakistan about events in India. Ranchipur is a fictional kingdom of undivided India, Richard Burton plays a brown skinned South Asian. He does a fairly good job except when he speaks Urdu/Hindi to the native patients and servants.
The main actors played the roles in Hollywood not in Pakistan. The earthquake and street scenes are very realistic for a 1955 film. It certainly deserved the Special Effects Oscar nomination it bagged.. There was an earlier 1930 version of the film scripted by Philip Dunne, where the Lana Turner character dies. That decision to remove the death from the script of the later Negulesco version definitely weakened it as it reiterates the Lana Turner character Edwina as woman who had affairs and dropped them in due course. Had that change not been made the film would have been remarkable. Even the cobra in the film is a real one, not a prop.
As an Indian, I admired the performance of Eugenie Leontovich as the Maharani as she spoke like an Indian maharani would despite her awful wig.
This is one of the rare films of the Fifties showing inter-racial relationships.
The main actors played the roles in Hollywood not in Pakistan. The earthquake and street scenes are very realistic for a 1955 film. It certainly deserved the Special Effects Oscar nomination it bagged.. There was an earlier 1930 version of the film scripted by Philip Dunne, where the Lana Turner character dies. That decision to remove the death from the script of the later Negulesco version definitely weakened it as it reiterates the Lana Turner character Edwina as woman who had affairs and dropped them in due course. Had that change not been made the film would have been remarkable. Even the cobra in the film is a real one, not a prop.
As an Indian, I admired the performance of Eugenie Leontovich as the Maharani as she spoke like an Indian maharani would despite her awful wig.
This is one of the rare films of the Fifties showing inter-racial relationships.
Did you know
- TriviaThe Rains of Ranchipur (1955) was originally to be shot on location in both India and Pakistan. Modern sources claim that India refused to grant the studio a filming permit, however, and contemporary sources reported that backgrounds for the picture were shot on location in Pakistan only. Some location shooting was also done on the Twentieth Century-Fox ranch in Malibu, CA. Principal players never left Hollywood. Doubles filled in for the main cast in the long shots and whatever other scenes that were needed.
- ConnectionsEdited into Our Man Flint (1966)
- How long is The Rains of Ranchipur?Powered by Alexa
Details
Box office
- Budget
- $4,500,000 (estimated)
- Runtime
- 1h 44m(104 min)
- Aspect ratio
- 2.55 : 1
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