Target Zero

It's Korea 1952. The war has descended into a grinding morass. There are various soldiers and non-coms of the coalition trying to survive the unrelenting death machine. Ann Galloway's car gets blown off a ridge. She's picked up by a British tank crew driving an American Sherman. They encounter a squad of American soldiers led by Lt. Tom Flagler who aims to head for a hill which has been surrounded after the push by the Chinese.

The dialogue is stale and the actors don't always help. Peggie Castle is more notable for her perfect hair and beautiful face. She has an overly dramatic breakdown scene. Charles Bronson has a minor role but at least, he delivers his self-contained brute. The filming and the acting are all pretty flat. There is some real action with real machinery. It's not exciting due to its old filming techniques. Mowing down the enemy is done with the old style dying. It's all rather old fashion.

... from Warner Brothers and director Harmon Jones. After a major battle leaves United Nations forces scattered, an unlikely squadron forms: an American army platoon led by Lt. Flagler (Richard Conte), a British tank crew led by Sgt. Kensemmit (Richard Wyler), and stranded American aid worker Ann Galloway (Peggie Castle). This meager outfit must try to survive in hostile conditions long enough to rendezvous with allied forces. Also featuring Charles Bronson, Chuck Connors, L. Q. Jones, John Alderson, Terence de Marney, John Dennis, Angela Loo, Joby Baker, Abel Fernandez, Strother Martin, Don Oreck, and Aaron Spelling.

This low-budget war picture is of note purely for the interesting cast of future film and TV stars, including Bronson, Connors, Jones, Martin, and TV mega-producer Aaron Spelling as Private Strangler. The conflict here goes beyond the UN forces vs the Communists, as it also includes tank commander Wyler resenting American Conte because an American made time with Wyler's sister during WW2. Not very compelling drama. Castle's character seems to exist purely to add a female to the cast, a trend that I've noticed with more than war film. Some of the action scenes work well, while others look like bad television. There's a lot of awful rear-screen work, too.

Korea, 1952, a UN patrol and a woman are trapped behind red Chinese lines.

Unfortunately, this war film comes close to being truly dreary with about every cliché in the book. Had director Jones registered some troubled emotion from a generally talented cast, it would have helped. Instead, Conte and company act as if being trapped in combat is little more than a walk in the park. And what could be more absurd than those wooden romantic scenes in the middle of life and death.

Then too, the script registers some genuinely leaden dialog, along with limp action staging that has all the combat intensity of a round of hide and seek. Good thing for our side that the Chinese bunch up across open terrain so that a couple of bullets can mow 'em all down.

I get no satisfaction from belaboring these results since I recall when the movie was shot south of Colorado Springs and we high school boys were thrilled at seeing a movie star like the lovely Castle. (Look quickly and you can see Cheyenne Mountain where air tracking defenses for North America are now located underground.)

Still, the movie does have one stunning sequence where a squadron of Lockheed jets swoops really low over uneven terrain to drop their napalm. It's a breath-taking air show. Nonetheless, I expect the movie's most memorable feature are the up-and-comers in the supporting cast—Bronson, Connors, and future TV mogul Aaron Spelling. All in all, however, it's an unfortunately forgettable 90-minutes of people managing to go through the motions.

I disagree with the negative reviews. Obviously, it's beyond unusual to have a beautiful woman in combat with a platoon. Other than that, the lieutenant (I was one) examines the terrain, makes decisions on the disposition of the troops, encourages them and doesn't ask them to do anything he wouldn't do. He knows details about each of his men. We were required to carry a small notebook at all times with data on each Marine in our platoons, including blood type, boot size, family, etc. I thought Conte and Bronson, the senior sergeant, were much more realistic than most movies. The brief discussion and mutual understanding of the tactical situation are real. I only question why the Korean and the Apache were always on point. Why not rotate such a dangerous role? One review felt there was too much joking around but so many Irish wakes I've attended have more laughter than tears. Probably a way to release tension.

Small point but when they saved the North Korean trucks to get fuel and searched American dead for weapons and ammo, I thought that they must have had a good military advisor's help on the movie. Well done.

There have been some very good Korean War flicks..."Target Zero" really isn't one of them. Instead, the film is pretty dull...as well as ridiculous.

The film begins with a small band of American soldiers finding a hot blonde (Peggy Castle) as they try to get back to their unit. This part of the film really annoyed me, as the well-coiffed lady NEVER would have been in this situation and it seemed beyond just a bit contrived. Soon, they come upon a British tank and its crew and a bit later they come upon an American Lieutenant and some more men. Together, this rag-tag group of men...and a woman...need to fight their way back to safety.

This film seemed pretty dull and offered little in the way of excitement. It also had some silly dialog and never seemed the least bit credible or interesting.