They Only Kill Their Masters

This is a cute little movie that is of"B" quality but better than most and certainly better than most TV Movies. In the story there is a beautiful Doberman named Murphy who is believed killed someone. I won't disclose the ending. There is a chemistry among all the actors that keep the movie together. I read lately that this was the last movie that this particular movie company made before the backlot was bulldozed for another use. I had a Doberman after this movie and I called him Murphy in memory of him. Absolutely worth watching at least once. Not to be confused with the other James Garner movie called "Murphy's Romance".

James Garner is the police chief of a small town. A woman turns up dead, and it's accepted that her own dog, a doberman, killed her. As he investigates the matter, however, new facts come into focus that exonerate the animal..... and makes his own loneliness apparent to him.

It's a pleasant little romance with Garner in modern dress, looking a little seedy as he and Katherine Ross fall in love with each other. It's a very minor effort, but it's eked out nicely with many small roles taken by familiar faces: Hal Holbrook, Harry Guardino, JUne Allyson, Peter Lawford, Edmond O'Brien, Ann Rutherford..... is this where old MGM stars retire to?

A woman is murdered in a small seaside town. The cops investigate but are hampered by bureaucratic infighting, complicated relationships, and a vicious Doberman Pincher.

Looks to me like the script was on a hurry-up schedule. Nonetheless, the movie's got its compensations. Unfortunately, the whodunit part, which is supposed to be the core, is developed in pretty ragged fashion with a number of hanging threads (who is it in the nude photo; what role did the sheriff have, etc.).

The movie's appeal really comes from its unsparing and often humorous look at small town life, particularly the semi-competent 3-man police force. Plus, there are the town characters, generally cameos from movie vets getting a few minutes back in the spotlight. Nonetheless, it's an uncharacteristically grouchy Jim Garner as the chief. But no wonder he's grumpy, since his two underlings are bumblers, at best, while he has to contend with a county sheriff (Guardino) who wants to cut in on the investigation for suspicious reasons. Then too, catch the naughty innuendo that's not supposed to typify small town life. And, on a different note, that burning beach house is a real Technicolor inferno and a movie highpoint.

The movie's also a payday for a number of movie vets who get the amusing small town parts. (Except for Tom Ewell as a badly out of shape cop.) But who could have guessed that the wonderfully preserved June Allyson was all of 55 in her role here; ditto Ann Rutherford, also 55. For old movie fans, these nostalgic glimpses were a treat.

All in all, it's an entertaining movie, even with a ragged script. Then too, judging from the Malibu location, plus the timing, I wouldn't be surprised that the movie inspired Garner's TV hit, The Rockford Files (1974-1980). But it's a much more typically amiable Garner in the Rockford role than he is here. Anyway, I hope they paid Murphy double biscuits since he's a good enough actor to compete with the many movie veterans.

One has to wonder if David Lynch was inspired by this film when developing his cult-favorite TV series "Twin Peaks". Similarities abound (dead female washes ashore, sleepy town with ugly sexual underbelly, inept police force, quirky citizens, references to pie, to name a few....) Garner plays the police chief of a small coastal town called Eden Landing (mostly represented by the MGM backlot!) When a divorcée is found along the shore with her Doberman at attendance and bite marks all over her, it is presumed that the dog killed her. However, he soon realizes that someone else is involved. Through his investigation, he interacts with quirky locals who are portrayed by a plethora of old time movie stars (some of whom hadn't worked on screen in years.) O'Brien looks really unhealthy and only worked another year or two after this. Ewell (who once flirted on screen with Marilyn Monroe) is also looking really rough. (Trivia: Evelyn Keyes played his wife in "The Seven Year Itch" and Anne Rutherford does so here, so he played husband to both of Scarlett O'Hara's sisters from GWTW.) Lawford is rail thin and knee-deep in the "mod" look he would later take even further. The worst injustice is saved for Allyson. Her character is completely, totally unbelievable and underdeveloped. Things had definitely changed since she and Lawford filmed "Good News" on the same backlot! Garner is aided somewhat by veterinarian Ross (whose lab coat is longer than her mini-skirts) and to a lesser degree by bumbling Connelly and Guardino as a trigger happy state police captain. Holbrook gives another one of his wonderful performances in which it's impossible to tell if he's good or bad. The script is trashy and occasionally meandering. If anyone wants to hear Garner and Ross toss around words like "faggot" and "dyke", here's the chance. Or try a drinking game. Every time someone says "neat", do a shot. Most folks will be under the table by half time. Nearly everyone who doesn't live in Eden Landing is presented as either a troublemaker or a sex fiend. This gives the film a certain oddity value. Not only do the characters think of outsiders as freaks, but the filmmakers seem to feel that way too! (Witness Lawford's girlfriend and the bizarre barroom brawl started by two out of town punks, one of whom actually wears a huge measure of chain around his neck!) The film also serves as a time capsule for horrible '70's decor. Check out the beach house's kitchen and its foil wallpapered bathroom!

I agree wholeheartedly that this film is a screen writing mess, a rest home for aging once-great or near-great stars, and some of the sleaziest plot twists ever to come out of a pre-1975 MGM movie. Nonetheless, I also must confess being, at times, enamored with the film for brief periods of time. James Garner plays a sheriff in a small town out to find out what happened to a woman's body washed up to shore that had seemingly been attacked by her Doberman. the dog is assumed to be the culprit, but soon new evidence shows Garner that the woman led a secret life full of sex secrets with members of the town of both sexes. Anyway, we get lesbian overtones, three some references, love triangles, and so much more than you might expect in a film that was the last to be shot in MGM's Lot #2 with old friends like Arthur O' Connell, Ann Rutherford, Edmond O'Brien, Peter Lawford, June Allyson, and Tom Ewell showing up either in featured roles of cameos. Hal Holbrook plays a vet and adds some subtle subtext to the story despite the bizarre story he is involved with. Don't try to make too much sense out of what is going on and things will at least be adequate to get you through the film. Garner as always is a pleasure. Katherine Ross plays a lead role and the love interest(hard to believe she will be 70 in January!).