Bundle of Joy

In the light of the sad demise of Debbie Reynolds, I was keen to see this film, since I had never seen anything with Debbie and her husband Eddie Fisher. It's a very silly film unfortunately and the suspension of disbelief is so drastic that I find it very difficult to deal with. We are supposed to believe that in the 1950s a woman can suddenly produce a 1 year-old child, having had a full-time job, no one noticed that she was pregnant, she wasn't off work, no one looks after the child, she doesn't know the name or gender of her own child, and her employer is happy for her. At the same time, she is denying that she is the mother of the child and no one believes her!

Apparently everyone was very broadminded and didn't understand how human reproduction works. I was born in the 1960-s and my adopted brother in 1970, at which time there was still a huge stigma to single mothers. In the 50s it would have been worse. I assume that audiences for this film would have just bought it as pure fantasy.

Apart from that, it was a fun film, apart from the songs which are not memorable. Debbie Reynolds is a legend. Eddie Fisher on the other hand, seemed rather underwhelming.

Many times have I wondered what Debbie Reynolds and Eddie Fisher were like in their careers (I'm a Star Wars buff). I finally sat down and saw this film. I must say that after watching, I just loved it and wanted more. Since then Debbie Reynolds has become my favorite actress ever. After seeing this I raced to my mother for more info. and she told me of the trouble that followed. I was severely disappointed, because the chemistry in this film was superb. Among the highlights is Debbie's ability to use her magnificent talent to use subtle face gestures to get across the idea of what she is thinking. Eddie was less so, but did an average job. But after hearing the truth, everytime I re-watch this film, I can't help but imagine Eddie with horns on his head or a dunce cap a mile tall. Debbie's charm is the main reason to see this film. She steals the show, the script, the clothes, and anything else she touches. The back-up roles are performed well. This is a remake of the earlier film, "Bachelor Mother." If anyone but Debbie were in the lead, this movie would stink, but it gets a solid 3 stars from me (out of 4).

Glossy and tuneful--if terribly contrived--remake of a just-adequate Ginger Rogers comedy from 1939 ("Bachelor Mother", itself a reworking of "Little Mother" from 1935). Salesgirl, fired at Christmastime from her department store job for "over-selling", finds an abandoned baby on the steps outside a foundlings home but can't get anyone to believe the child isn't really hers. The spotlight this time is equally on Debbie Reynolds (doing sprightly, decent work as the bachelor mother) and then-husband Eddie Fisher (leering at the camera while playing a singing junior-executive). Supporting roles are colorfully filled, production and song numbers are decent, though the script lands us smack in the middle of Risqué 101, with misunderstandings "Three's Company" would envy (She has a baby but not a husband?! And who's the father?). Worth-seeing for Debbie, who sings and dances--and rolls her eyes with expert exaggeration when it's time to change a diaper. **1/2 from ****

"Bachelor Mother" was a delightful movie, but one can imagine why a musical, in color, remake would crop up. Debbie Reynolds as Polly Parrish was a good choice, and wound up carrying the movie. Eddie Fisher, as the junior Merlin, was not such a good choice. Many other actors at the time would have been far better. Had someone like Donald O'Connor had the role, it could have been an unmitigated success. Too bad Fisher got the job.

Overall, the movie is delightful. The basic plot, of a sales clerk in a large department store who winds up with a baby that's not hers, but that no one believes is not hers, is an excellent set-up for comedy. This one does a good job. "Bachelor Mother" does a better job. And an even better one may pop up in the future.

gaynor wild

I might be considered biased in my view because my twin brother Don and I played the baby in Bundle of Joy. We were only a year old, and lived in the San Fernando Valley area of L.A. when we were picked out of approximately 200 sets of twin boys to be the baby in the movie. Over the years, I have heard my mom and other relatives tell many stories of the filming of this movie, and being VIP guests at the premier movie opening in Hollywood. I have, of course, seen the movie countless times over the years, and still like to watch it and laugh at the cute smiling babies we once were. My mom had to be on the set with us whenever we were filming, by state law. She has told us that Debbie Reynolds was a truely remarkable actress and treated us extremely well. Adolphe Menjou treated us like his own grand kids. Unfortunately, she also said that not everyone in the movie industry was so nice, and our parents decided not to sign a contract with RKO Pictures which would have allowed us to be in more films. Oh well, our short movie career aside, we both have grown up and are very happy in our own careers. I would recommend this movie to anyone who likes light-hearted films with happy endings!