Great Day in the Morning

As Westerns go this qualifies for entertainment. All Westerns teach us about history some do it better than others. Many Westerns entertain while teaching. Some do a better job than others. This one educates but falls a little short on quality film watching but is worthy for effort. After all, you have some name-brand players here and they carry the film nicely from scene to scene. We get some gold rush input, pre-civil war activity, and of course drinking, card-playing and shoot em ups with bad and good guys plus the Southerner versus the northerner dynamics. There is virtually no character development. You just have to accept what is going on in the screen and enjoy it. The ending leaves us with mixed feelings only because it is both good and bad. I like to snack while watching and this movie is good for sunflower seeds as you casually watch with a tasty drink to clear the palette. Mount-up and let's ride

An above average western, in its direction and writing rising above a fairly typical situational action picture. Stack is great as the profiteering Southerner unwillingly caught up in the foment of the Civil War, while he attempts to raise the son of the man he killed. Mayo is unremarkable as the "good" woman, but Roman puts in a memorable and sincere performance as one of the town's many "bad" girls. Tourneur's direction is what really makes this one memorable, though, from the crisp grandeur of the opening shootout at high altitudes to the concluding race with wagons through the hills of Colorado.

For Western fans, a great treat roughly in the tradition of Budd Boetticher's "Ranown" films with Randolph Scott.

This western starring the inimitable Robert Stack is quite good, overcoming a somewhat weak and syrupy script, which nonetheless contains some classic lines (my favorite is: When I first stepped out into the world, a drunkard took one look at me and shouted: 'the elephant is loose!' since then, an elephant has been my good luck charm. What's the secret to your remarkable charm? ANSWER: A complete indifference to Elephants.")

Not Jacques Tourneur's best film, but his direction is good and the technicolor outdoor fight sequences (especially the dramatic opening sequence, similar to that in Johnny Guitar) are beautiful.

Those in Denver, Colorado are conflicted as the United States Civil War brews, and erupts. The production values are above average for this kind of western, and it's strengthened by director Jacques Tourneur working with color choreography from William Snyder. Solemn performances from future television stars Robert Stack (as Owen Pentecost) and Raymond Burr (as Jumbo Means) give it an anachronistic air, somehow. There is an endearing kid performance, by Donald MacDonald (as Gary). But, the main attractions are two points of the "love triangle" Mr. Stack forms with pretty blonde Virginia Mayo (as Ann Merry Alaine) and attractive saloon owner Ruth Roman (as Boston Grant). Ms. Mayo certainly can fill a dress; she's both arousing and distracting.

****** Great Day in the Morning (5/16/56) Jacques Tourneur ~ Robert Stack, Virginia Mayo, Ruth Roman, Raymond Burr

Southerner Robert Stack wins a Denver saloon and bar girl (Ruth Roman) from crooked card dealer Raymond Burr on eve of Civil War. Trouble is that southerners are outnumbered in Union-leaning Colorado and need Stack's help to get big gold shipment to Dixie and the war effort. But Stack's only out for himself and is now in fat city with a saloon and a girl. So what's he going to do.

Good core plot, great Colorado scenery, ace director (Jacques Tourneur), and an A-picture budget, yet the results are mixed. For one thing, it looks like Stack's getting the big star build-up since he has to romance not only bar girl Roman but good girl Virginia Mayo too. That's about one girl too many for even the best Western. Here Mayo's part is really unnecessary and drags down the pacing. Besides, do we really care which movie star he ends up with. Still and all, it's fun to watch the girls' bra's duke it out in best 1950's uplift fashion. Also, subplot of orphaned boy (Donald McDonald) adds to what becomes a sprawling story that strays too far from the solid core.

Nonetheless, the cold-eyed Stack makes for a convincing gunman, while no movie with character great Leo Gordon could be a loss. Here he's in a typical role as a Union rowdy ready to fight at the proverbial drop of a hat. He's always reminded me of an early Lee Marvin, with the same virile presence and clarity of personality, but without Marvin's range. Also notable for fine support from the hulking Peter Whitney, a familiar Hollywood face for many years. His quiet scene with Stack remains the film's most intelligent and powerful.

The movie was made during that period when Hollywood had not yet learned to live with TV. Note that even budget-minded RKO comes up with a wide-screen process to show off the spectacular scenery that can't be done on TV. I expect the competition also accounts for the star-heavy treatment that ultimately crowds the plot and slows down events. But with a tighter script and leaner casting, this could have been a first-rate Western, especially considering the wonderfully done final scene.