The Harder They Fall

Humphrey Bogart died about a year after this movie was completed. That alone would give the film poignancy. But, for Bogart, this final work was a grand coda indeed! In many respects, this was a brave effort in 1956 to expose the seedy side of boxing, and it did so in a most spectacularly effective manner, likely better than any other effort that came before or after it.

Near the end of the film, long after the swindle was known by the audience, as well as the protagonist (Bogart), the bookkeeper continued pouring over every tidbit of budget magic showing the details of how the boxer was skillfully swindled of his money. All of the expenses were taken out of his share, as the others in the heist took their money off the top.

Other movies would have made it a swift effort, but director Mark Robson knew that the details of the swindle is what made it seedy, and so he wanted the audience to see and hear it all. And it is the details that come after the brutality that make the conclusion all the more powerful.

Ultimately, the moral lesson is that the worst profession a person can undertake is one that profits off the bodies of other people.

Of special note are the number of actual boxers who acted parts in the film, including Jersey Joe Walcott, who was heavyweight champion from 1951-52, and who delivered one of the best lines of the movie, when asked why their boxer didn't protect himself like he was instructed, replied, "Some guys can sell out and other guys just can't. Goodnight!" There was a lot about this movie that was ahead of its time, including the meaningful roles of black actors such as Wolcott.

Max Baer was the other real world fighter who played an important role in the film. He was heavyweight champion from 1934-35, winning the title against Primo Carnera, an historical fact that was eerily paralleled in this movie. So well did Baer play the role of the bloodthirsty pugilist, that his reputation as an actual boxer was sullied by people who foolishly confused his actual boxing career with his performance in this film!

It should not go without notice that two real-world heavyweight boxing champions played prominent roles in this film, which very much exposed the corruption in the sport. Today, that corruption is well known, but this film was made in 1956, when most people took the sport as being clean.

Today, the film remains as relevant as ever, and Bogart's skill is a prime reason why. He expertly sells the movie with the kind of adroit and nuanced acting that was the hallmark of the legend's career. Few actors get to make such a strong statement in his final role!

This was an interesting story but not always enjoyable to watch, simply because it's a real downer in spots, and seeing an ill Humphrey Bogart was sad.

Bogart, as "Eddie Willis," plays a decent guy who knows he's doing the wrong thing so he's ornery for most of the film. His conscience is getting the best of him. Not many others in here are happy, either, for that matter, in this tale of crooked boxing. Boy, filmmakers in the '40s and '50s loved making crooked boxing stories.

What's also different about this is the featured boxer: a 6-foot-8 Argentinian import named "Toro Moreno" (Mike Lane), a stiff who is being groomed for the heavyweight championship via a series of fixed fights, led by the crooked promoter played by Rod Steiger.

Along the way, it was interesting to see real-life fighters Max Baer and Jersey Joe Walcott.

Bogart died a little a little over a year after making this film. He looked haggard, which is understandable, but he still did his normal excellent job of acting and keeping the story interesting. Like him or not, Bogart always got your interest. He, along with James Cagney, were the best at dominating a film.

A decent boxing film, but nothing spectacular, to be honest. There are many, many better boxing movies, but this is still worth watching.

What a wonderful way to end one of the all-time great careers. Bogart's last film, "The Harder They Fall" is a tough, uncompromising, cynical look at the fight world, and Bogart is magnificent as a down and out reporter who sells out to crooked boxing promoters.

One of the things so excellent about the film is that Bogie is surrounded by fantastic performances, particularly that of Rod Steiger as a vicious, greedy promoter, Mike Lane as the big dumb lug Steiger uses to accomplish his goals, and Max Baer as an egomaniacal champion.

"The Harder They Fall" spares us nothing - not the violence in the ring, the treatment of individuals like merchandise, the preying on the downtrodden. And it doesn't spare us Bogart's haggard looks, either. However, his energy is great and his characterization of a writer turned press rep, a man who looks the other way, is a powerful one.

There's a story often told about Bogart in his last days. Friends would come over to visit in the afternoon, and Bogart would climb into a dumbwaiter in order to get down to the first floor. He was that small (80 pounds) and that weak. But there was never anything weak about the mind, the will, or the persona.

I have seen "The Harder They Fall" and always enjoyed it but it's interesting seeing it with the short clips Turner Classic Movies was showing on corruption in boxing. This is a good example of the 1950's noir theme of examining corruption in politics, society, and in business. Here the gangsters that were involved with "standard" gangster activities such as robbery were replaced by ones that hid in the shadows of businesses - in this case boxing. It also touches on everyday people being drawn into doing corrupt things to " keep up with the Joneses". The shadowy effects used in the boxing ring, locker rooms, travel bus etc mirrors shady dealings that were happening throughout the movie while the realism approach added to it relevance. I love the great pivotal lines delivered by George ( Jersey Joe Walcott) "Some guys can sell that other guys just can't."

It's Humphrey Bogart's last movie so it's always a little hard to watch. But it is a great one. Rod Steiger always does such a wonderful job. It seems to me when he's trying to explain why he's doing corrupt things he has this underlying tone of saying "Why are you so upset that I'm taking advantage of you?!" Which makes his character even more despicable. It's also interesting to compare Steiger's and Bogart's style of acting since they came from two different schools.

Respected sports writer Eddie Willis (Humphrey Bogart) is jobless when his newspaper folds. Fight promoter Nick Benko (Rod Steiger) wants to hire him as the press agent for his new heavyweight fighter Toro Moreno. The problem is that Toro is a big dumb giant stiff. Benko schemes to rig Toro's fights with nobodies building up his resume and get him a fight with the heavyweight champion Buddy Brannen.

Bogart is terrific as the morally conflicted Eddie. It's impressive considering he was unwell and this is his last film. He still carries the movie. Steiger is incredible as the bombastic croaked promoter. It's also a fine morality tale. The fight game has always been corrupted and this takes it to the extreme.