IMDb RATING
6.4/10
1.1K
YOUR RATING
Three different stories are told through a notably unusual way - no words, just dance.Three different stories are told through a notably unusual way - no words, just dance.Three different stories are told through a notably unusual way - no words, just dance.
- Awards
- 1 win & 1 nomination total
Luigi Faccuito
- Specialty Dancer
- (uncredited)
Diki Lerner
- Thief in 'Sinbad the Sailor'
- (uncredited)
Paddy Stone
- Speciality Dancer
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Only worthwhile for the dazzling "Sinbad the Sailor" animation...
No wonder INVITATION TO THE DANCE found no audience at the box office. The first two musical sequences, "Circus" and "Ring Around the Rosy" are monumental bores dragged down by pedestrian stories and, in the second one, inept use of camera trickery to speed up the action.
But the third, "Sinbad the Sailor," makes expert use of the Rimsky-Korsakov ballet score and makes dazzling use of animated effects, especially for the dancing between Kelly and a couple of Arabian guards which are highly original, intricate and amusing examples of combining live action with animation. It's the kind of originality sadly missing in the previously mentioned stories.
The "Sinbad" highlight almost makes up for the rest of the film with its own brand of originality--but alas, the first two sequences are enough to turn many viewers away from watching the final segment.
Summing up: Easy to see why this one failed miserably to attract a target audience with either high or low brow tastes.
But the third, "Sinbad the Sailor," makes expert use of the Rimsky-Korsakov ballet score and makes dazzling use of animated effects, especially for the dancing between Kelly and a couple of Arabian guards which are highly original, intricate and amusing examples of combining live action with animation. It's the kind of originality sadly missing in the previously mentioned stories.
The "Sinbad" highlight almost makes up for the rest of the film with its own brand of originality--but alas, the first two sequences are enough to turn many viewers away from watching the final segment.
Summing up: Easy to see why this one failed miserably to attract a target audience with either high or low brow tastes.
A must see for all lovers of musical, dance movies!!!
I am so happy that I taped this and got a chance to watch it! In all the years of watching TCM, I never seen this before. Thank goodness, I now will look at the movies lineups for early thru the mornings, to find rare gems, not shown at most viewing hours, like 5pm to 10pm! This was just AMAZING!!! How could you not like all 3 shorts movies. There was no need for words, because the dancing, and music told the stories! Yes, too bad Gene Kelly didn't get more credit for his wonderful work! Highly recommended for all dance, musical movie lovers! A rare gem indeed!!!!
Amazing Dance with Animation
The first two segments of this film may or may not impress you, but do watch the third: "Sinbad the Sailor". Kelly plays an American sailor in an exotic Oriental market. He rubs an old lamp and a genie appears, played by an amazingly talented kid. After a bit of messing around,the genie gets a sailor suit, too. Then they open a book to a picture of a wonderous land. The genie transports them inside and all the rest features the two dancers (mostly Kelly alone) dancing with animation.This segment is much longer than any other live-plus-animation sequence until Mary Poppins excepting, possibly Song of the South whose sequences were nowhere near so complex as this. Kelly dances with an animated dragon (that wraps around him), into a harem, is chased by the Sultan's guards, has a long sequence with one harem girl, and then a very long sequence with the guards. This is amazing work for 1952, especially when you remember that every bit of the animation is hand-painted on cels. Hanna-Barbera (then with MGM doing Tom and Jerry directed the animation. (Kelly also did a famous dance number with Jerry in Anchors Aweigh eight years earlier.) Walt Disney advised. This is swell stuff and any fan of animation should give it a look.
For artists of all kinds.
Gene Kelly was a visionary. He was passionate about his art and he was a master.
If you are passionate about your art and creativity, you will enjoy this celebration of dance. There is no dialogue to explain what is happening. There is no person telling you what to think. Kelly brings you to a moment and allows you to make the most of it.
Did you see love, pain, joy, desire, frustration, anger...congratulations!
If you are passionate about your art and creativity, you will enjoy this celebration of dance. There is no dialogue to explain what is happening. There is no person telling you what to think. Kelly brings you to a moment and allows you to make the most of it.
Did you see love, pain, joy, desire, frustration, anger...congratulations!
The Talent and Imagination of Gene Kelly
Invitation to the Dance is what you get when you take an artist at the peak of his abilities and allow his imagination to run wild. Gene Kelly--and some very talented people in all fields--integrated music and dance to create three distinct stories.
He reduces some scenes to their visual essences by using abstract or minimalist sets, aided by lighting effects. The third story includes cartoons, allowing Kelly to take his imagination beyond the bounds of human limitations and physics.
The performances are a synthesis of various dance and related forms (ballet, tap, jazz, mime, acrobatics, pop, and ethnic) with musical accompaniment (classical, jazz--cool and hot--ethnic, and pop).
Invitation to the Dance is a treat for any dance lover. It should be seen by all young students of dance.
It would be interesting to see this film they way Kelly originally imagined it, with him dancing in one section only.
He reduces some scenes to their visual essences by using abstract or minimalist sets, aided by lighting effects. The third story includes cartoons, allowing Kelly to take his imagination beyond the bounds of human limitations and physics.
The performances are a synthesis of various dance and related forms (ballet, tap, jazz, mime, acrobatics, pop, and ethnic) with musical accompaniment (classical, jazz--cool and hot--ethnic, and pop).
Invitation to the Dance is a treat for any dance lover. It should be seen by all young students of dance.
It would be interesting to see this film they way Kelly originally imagined it, with him dancing in one section only.
Did you know
- TriviaGene Kelly's original intention was to make a film that would educate mainstream audiences about professional dancing in the world. To this end, he wanted to cast the greatest dancers in Europe for the four segments in leading roles. He himself would appear in only one - the Popular Song sequence, which ended up being cut. MGM, however, refused to allow the picture unless he appeared in all of them. Many of the professionals who worked in the film agreed that this was one of the film's great weaknesses.
- GoofsDuring the "Scheherazade" sequence, the color of the palace guard's costume changes from green to blue.
- ConnectionsEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksCircus
Music by Jacques Ibert
Performed by The Royal Philharmonic Orchestra, conducted by John Hollingsworth
Danced by Gene Kelly, Igor Youskevitch and Claire Sombert
- How long is Invitation to the Dance?Powered by Alexa
Details
Box office
- Budget
- $1,500,000 (estimated)
- Runtime
- 1h 33m(93 min)
- Aspect ratio
- 1.37 : 1
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