Hot Blood

It seems a film made for actors , the story remaining a pretext for songs, dance, fight and for a fake exploration of Gipsies life style. But , after decades, knowing the admirable titles from Nicholas Ray filmography, admiring Jane Russell and Cornelius Wilde careers, it is easy to be more than indulgent, especially if you do not ignore the nostalgia about old movies. So, in large perspective, decent.

After a hat trick ,after three films ,two of which are absolute classics "Rebel without a cause" and "Johnny Guitar" and another one which was largely and unfairly ignored ,the poetic western "run for cover",all that Nicholas Ray would do would be necessarily a disappointment .I must confess "Hot Blood" failed to excite me.

There 's one of Ray 's permanent features :the old character ,feeling that his days are numbered ,who is in search of someone younger to take over from him:that was the subject of his wonderful "lusty men" or of "run for cover" .

The problem is that it's very difficult to believe these people are gypsies:the music does not sound "gyspsy" at all,being closer to musicals ,but no tune is particularly memorable.A gypsy called... Annie? The scene when Russell read her rival's cards could have been very funny,had her lines been a bit more subtle.

Cornel Wilde and Jane Russell are attractive actors but there's no real chemistry between them.Cause he's been forced to get married against his will (the scene when Wilde realizes he's been had is the best),Stephano refuses to consummate the wedding but the girl is not prepared to accept it.But he does not know his brother suffers from TB.

The colors are gaudy ,with red as the predominant color.But it's a far cry from "Johnny Guitar" filmed in "Trucolor" (sic).

"Hot blood" is a faux pas in Ray's brilliant career: its follow-up ,"Bigger than life" showed the director at the top of his game again.

Unbelievable that director Nicholas Ray is attached to this turkey. Even Russell and Wilde look embarrassed. The technicolor is vibrant, but the whole enterprise looks cheap.

Marco Torino is the King of the gypsies. He keeps telling his people that he's taking them to the Promised Land. He's dying and wants his younger brother Stephano Torino (Cornel Wilde) to succeed him. The families try to trick Stephano to marry Annie Caldash (Jane Russell), but the couple has other ideas.

The two leads can be hot blooded. I guess they could play gypsies especially in the 50's. It's all rather fake. They flooded the screen with Technicolor red. It is a muddle. I don't care that much about these people although I do like the general party atmosphere. It's really about the leads and how little I care about them.

There is a lot of talent here, but it doesn't show. Perhaps the biggest problem is the Hollywood treatment of gypsies which is so ludicrous this might be mistaken for a satire. Don't waste your time,