Three Violent People

Florid and melodramatic but in a good way. Anne Baxter and Charlton Heston interact with each other much better here than in The Ten Commandments probably because Anne is much more suited to playing a well educated woman of ill repute in the old west than a princess of the Nile. She and Tom Tryon also have an excellent vibe to their scenes. The beginning is on the humorous side with Elaine Stritch showing up and looking very young but still in possession of that basso voice. Then when we get to the ranch there is a fest for old TV viewers with Baretta, Klinger & Sgt O'Rourke from F Troop all showing up. The film is nothing original but is well shot and enjoyably action packed, a good example of the genre and Anne is very good.

Highly watchable Western based on a story by Barney Slater with screenplay by expert James Edward Grant ; dealing with confrontation between family members . The picture gets action Western , shootouts , wonderful outdoors and turns out to be quite entertaining with amazing visual style . This interesting movie is set in post-Civil War ; it features a previous dance hall girl and ex-prostitute called Lorna (Anne Baxter) , masquerading as a lady , meets and impulsively marries Confederate ex-officer Colt Saunders (Charlton Heston) , returning to run the family ranch in Texas . Everyone there is enchanted with Lorna ; however , the carpetbag state commissioner (Bruce Bennett) and his hoodlum (Forrest Tucker) are set to grab all the big ranches , unless some ranchers led by Colt decide to battle . And one of the carpetbaggers knows Lorna's secret . Meanwhile , Colt's brother (Tom Tryon) wants to sell the ranch in order to get his share of inheritance . Later on , things go wrong when Colt finds out his wife was once a whore .

Enjoyable Western packs drama about family squabbles , thrills , shootouts , go riding and some moving action sequences . It's a medium budget film with good actors , technicians, production values and pleasing results . In this case family feuds don't make for a really thrilling film and contains some flaws and gaps . Produced immediately after Charlton Heston completed Ten Commandments (1956) and reunited him with co-star Anne Baxter. This was Heston's last film under his original Paramount contract ; he felt that Tom Tryon, who was cast as his brother, was not right for the part . However, because "The Ten Commandments" had not yet been released, Heston hadn't yet achieved the star clout necessary to demand cast changes . ¨Three violent people¨ belongs a trilogy directed by Rudolph Mate regarding to the ranch scenarios , adding ranchers confrontations , joining Western with melodrama , including the followings : ¨Branded¨ (1951) with Alan Ladd and ¨The violent men¨ with Glenn Ford and Edward G. Robinson . Good performances from Charlton Heston as obstinate war veteran and rich owner returning to his Texas ranch , Anne Baxter as his wife with a dark past and Tom Tryon as a crippled brother that lost one arm in his childhood blaming to Heston . Large plethora of secondaries , such as Gilbert Roland , Bruce Bennett , Peter Hansen , Barton MacLane , Elaine Stritch and some of them uncredited as Robert Blake and Jamie Farr . Colorful and glimmer cinematography by Loyal Griggs in Vistavision , Hi-Fi . Evocative as well as atmospheric musical score by Walter Scharf .

The motion picture was directed in sure visual eye by Rudolph Mate . Polish-born (Cracovia) and passed away Beverly Hills (1964) Mate was an assistant cameraman for Alexander Korda and later worked throughout Europe with noted cameraman Karl Freund , director Carl Theodor Dreyer and Erich Pommer . Dreyer was so impressed with his work that they hired him as cinematographer on The Passion of Joan of Arc . Mate is considered to be one of the best cameramen of cinema story . Mate was soon working on some of Europe's most prestigious films, cementing his reputation as one of the continent's premier cinematographers. Hollywood came calling in 1935, and Mate shot films there for the next 12 years before turning to directing in 1947 . Unfortunately, while many of his directorial efforts were visually impressive ,especially his sci-fi ¨When the worlds collide¨ (1951) , his labour as cameraman was excellent . He realized a variety films of all kind of genres as Adventures : ¨The Black Shield of Falworth¨ , ¨Seven Seas to Calais¨ , Western about themes of card players on riverboat as ¨The Mississipi gambler¨(1963) and ¨The rawhide years¨(1956) and about conflicts between Indians and cavalry as ¨In the siege at Red River¨(1954) and Noir films : ¨Union Station¨ , ¨Second chance¨ . He also directed Epic films as ¨The Barbarians¨ and ¨The 300 Spartans¨ . The films themselves were for the most part undistinguished, with his best work probably being the film-noir classic ¨DOA¨ (1950). ¨Three Violent people¨ rating : Passable and acceptable , 6 . Well worth watching .

Who he you may well ask ? He was one of the most unused and one of the most charismatic actors in Hollywood is the answer. Why was he underused ? He got indifferent roles, and his abuse from the so-called great director Otto Preminger on the set of ' The Cardinal ' probably might have made him felt ( quite rightly as it may have been because of his homosexuality ) fed up. In this good, but not great Western he shows a lot of his underused charisma, and his male beauty was exceptional. The scene where he meets up with his brother played by Charlton Heston is very homoerotic, but I doubt if the squeaky clean Heston noticed it. Needless to say they do not have many friendly scenes between them, and the ever watchable Anne Baxter tries to make up for this. The plot has been noted by reviewers so no need for spoilers. The direction by Mate is professional, but not inspiring and the rest of the cast do reasonably well. Gilbert Roland is in it and he was a big name then for audiences. Tryon raises it up in quality by his sheer force of presence. James Dean had it and as Dean saved ' Giant' so does Tryon save this one.

After a whirlwind romance and marriage with lovely Anne Baxter, ex-Confederate Charleton Heston returns home to his Texas ranch, where he has to contend with nasty carpetbaggers Forrest Tucker and Bruce Bennett, his embittered one-armed brother Tom Tryon, and his new wife's checkered past, which everyone is more than willing to use against him.

Three Violent People takes it's time, but it's never boring, using great acting and excellent photography, direction to tell an atmospheric tale that's pretty hard-hitting, even though it's not a traditional action-adventure film.

Heston, Baxter, and Gilbert Roland all play characters of great strength and courage, with the magnetic Roland in particular always incredible to watch and Tryon a brooding anti-hero. Why wasn't he a bigger star?

A few years later, songwriter Ross Bagdasarian, who plays one of Roland's sons, bought bought a variable-speed recorder, changed his stage-name to David Seville, and invented the pop-culture icons known as The Chipmunks!

Three Violent People is directed by Rudolph Maté and adapted to screenplay by James Edward Grant from a story co-written by Leonard Praskins and Barney Slater. It stars Charlton Heston, Anne Baxter, Gilbert Roland and Forrest Tucker. Out of Paramount Pictures, it's a VistaVision production with Technicolor photography by Loyal Griggs and music scored by Walter Scharf.

It's post Civil War Texas and Confederate Captain Colt Saunders (Heston) finds himself with a bride (Baxter) who has a secret past, and taxable assets at his ranch that scheming Carpetbaggers want for themselves. Into the mix comes Colt's brother Cinch (Tryon), who is minus an arm from an accident in childhood - where Colt was his heroic saviour. Things will come to a head as resentments, skeleton's in closets and post war greed will fracture the dynamic of the Bar "S" ranch.

Try to remember that people aren't perfect. They just aren't. They make mistakes. And when they do, they suffer. They pay. Inside themselves they pay.

It made little impact back on release in 56, where the release of Heston's other film that year, The Ten Commandments, dwarfed it considerably and simultaneously propelled Heston into the big league. It didn't help that Three Violent People is a very character driven picture, literate and heavy on the melodrama. This is no gun slinging action based bonanza, this features interesting characters talking a lot, where the screenplay has the big players nicely drawn, creating a pot boiler that only rewards those open to an intelligently paced structure. The title, sadly, is misleading and doesn't do the film any favours.

You were one of the rear echelon heroes who hid on General Butler's staff while better men were getting killed in battle.

Film has definite links to another "literate" Heston picture from 1954, The Naked Jungle. Sanctimonious macho male takes a wife and recoils when learning of her past. Cue the fleshing out of relationships for an hour until the pot starts boiling over and the pace ups and unfolds with a pleasingly suspenseful third act. Action until that third act is sparse, though there's good drama to keep one interested, very much so. This is also a gorgeous picture to look at, not just the rugged but beautiful landscape around the Bar "S" (Arizona), but also the colours that beam out from the screen, Loyal Griggs' (Shane) photography reason enough to seek out this undervalued Western.

I got the one with the red hair ready for the buzzards.

Lead cast performances are up and down, Baxter and Heston's chemistry is fine and sexy, but they do appear to be in competition with each other to see who can steal a scene. Baxter, looking positively ravishing throughout, really over does it early in the pic, while Heston forgoes his most agreeable subtlety from those early passages to ham it up later in the day. The best performance comes from Roland (Cheyenne Autumn), who as Bar "S" gran vaquero, Innocencio Ortega, not only looks immeasurable cool, he also casts a humanistic shadow over proceedings. Tryon, whose edgy one armed brother adds major spice to the narrative, turns in a rare effective performance.

The problems are evident throughout, some over soaping by actors who should have known better and the villains are badly in need of flesh on their bones. Yet this is still a Western that plays better now to Western fans than it would have done back in the 50s. For now the character driven bent can be appreciated without expectation of a "yee-haw" fuelled Oater. This be one for the ears, eyes and the brain rather than the pulse. 7/10