Willie is a hall porter who is left a fortune but after living it up for a while he returns to his old hotel which is in financial difficulties.Willie is a hall porter who is left a fortune but after living it up for a while he returns to his old hotel which is in financial difficulties.Willie is a hall porter who is left a fortune but after living it up for a while he returns to his old hotel which is in financial difficulties.
Nana Aslanoglu
- Belly Dancer
- (as Aiché Nana)
Lucy Griffiths
- Aggie
- (as Lucy Griffith)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Howerd's Way!
A surprisingly low key (for him!) performance from Frankie Howerd as a hotel concierge. He longs for the quiet life on the French Riviera and when he inherits some money off he goes.
However, despite his best efforts, he can't get any rest and decides to go back to the hotel. He then has to save the hotel from closing by persuading three "ey up, reet grand" northern businessmen to invest in the hotel. Of course he succeeds and gets the girl.
A cheerful British comedy helped along with able support from, Denis Price, Gordon Harker, Richard Wattis, Alfie Bas and Colin Gordon. Just enough laughs to cheer you up on a wet weekend!
However, despite his best efforts, he can't get any rest and decides to go back to the hotel. He then has to save the hotel from closing by persuading three "ey up, reet grand" northern businessmen to invest in the hotel. Of course he succeeds and gets the girl.
A cheerful British comedy helped along with able support from, Denis Price, Gordon Harker, Richard Wattis, Alfie Bas and Colin Gordon. Just enough laughs to cheer you up on a wet weekend!
A Vehicle For Howerd
Frank Howerd is the hall porter -- we'd say desk manager or concierge -- of the Royal Connaught Hotel in London, where he eccentrically and charmingly manages matters for the guests. One of the guests expresses her appreciation by leaving him ten thousand pounds in her will. He quits and moves to the south of France, where he's perfectly miserable. He returns to London, but the hotel has closed without his help. So he buys it and tries to get some Manchester investors to put money in the place. However...
It's a style of comedy that does not appeal to me. Howerd's performance seems more calculated than wild, and the big set-piece that makes up the final third seems rote. There's some talent on display; Dennis Price plays the hotel manager in a role that looks like a day's shooting, and Gordon Harker is present without much to do as the elevator operator. Clearly intended as a vehicle for Howerd, the movie will have its charms for his fans; however its structure seems more like a poorly outlined farce than anything else.
It's a style of comedy that does not appeal to me. Howerd's performance seems more calculated than wild, and the big set-piece that makes up the final third seems rote. There's some talent on display; Dennis Price plays the hotel manager in a role that looks like a day's shooting, and Gordon Harker is present without much to do as the elevator operator. Clearly intended as a vehicle for Howerd, the movie will have its charms for his fans; however its structure seems more like a poorly outlined farce than anything else.
A Touch of the Sun
I was never a great fan of Frankie Howerd's brand of comedy, but he's actually not bad in this rather quirkily entertaining tale of rags to riches. He is "Darling" who takes great pleasure in quitting as an hotel porter when he is left a small fortune. He soon bores of the high life and returns to his former workplace only to find it's struggling. He sees a chance to rescue it, settle a few old scores - and maybe even turn a profit if he can rope in a few gullible investors. To that latter end, he galvanises the staff and some of their friends to create the impression that this is a bustling, thriving, business that is a must-have for anyone looking to get into the hotel business. Howerd tones down his usual style of smutty humour here and tempered by the practically minded "Ruby" (Ruby Murray) and the odd dignifying appearance from manager "Hatchard" (Dennis Price) delivers a quickly moving story of the grass not always being greener. If nothing else, it does serve as a reminder of just what we were watching back then - simple comedy themes rather over-delivered, and though it's a bit on the long side I found it an OK watch.
A Facade of a Farce
Our boy Frankie comes into a sizeable amount of money as a hotel receptionist. After spending some of his money living it up in France, he decides to come back to London and buy up his old hotel. However, he needs some fincial backers who will only invest if the hotel is successful. Only problem is they have no guests, so the staff play the role of guests while still doing their jobs.
The film spends too much time with Frankie in France experiencing a series of contrived annoyances that eventually leads to his decision to come back to England.
This means there is little time to develop and run with the farce element of the film. The plots tries to be frenzied and amusingly chaotic, but it never really makes it. Everything runs far too smoothly. With no edge of the seat potential errors that could bring the entire ruse crashing down.
The film doesn't explore any comic potential such as regular faces being recognised as both staff and guest or people needing to be in two places at the same time. No quick changes no split-second timing.
As a result, the film trundles along at a pace with nothing really happening.
A forgetable film that is not worth remembering.
The film spends too much time with Frankie in France experiencing a series of contrived annoyances that eventually leads to his decision to come back to England.
This means there is little time to develop and run with the farce element of the film. The plots tries to be frenzied and amusingly chaotic, but it never really makes it. Everything runs far too smoothly. With no edge of the seat potential errors that could bring the entire ruse crashing down.
The film doesn't explore any comic potential such as regular faces being recognised as both staff and guest or people needing to be in two places at the same time. No quick changes no split-second timing.
As a result, the film trundles along at a pace with nothing really happening.
A forgetable film that is not worth remembering.
Has not dated well.
Frankie Howerd can only play one character, the one we see all the time. He was OK in this but his performance would not have had casting directors rushing to sign him up for other films. The plot was OK, the inherited £10,000 being about £312,000 in 2023, that's inflation for you. Farces were all the rage at one time, in films and on stage, but they are just about dead now. All of Frankie's stand up routines were written by Eric Sykes but he is not alone in being a successful stand-up comedian only due to the writing skills of others. It's worth watching for curiosity and historical value only.
Did you know
- TriviaRuby Murray receives an "introducing" credit .
- SoundtracksIn Love
Music by Norrie Paramor (uncredited)
Lyrics by Jack Fishman (uncredited)
Sung by Ruby Murray
with Norrie Paramor (uncredited) and His Orchestra
As recorded on Columbia Records
Details
- Release date
- Country of origin
- Language
- Also known as
- Auringon kosketus
- Filming locations
- Nettlefold Studios, Walton-on-Thames, Surrey, England, UK(studio: made at)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1
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