Tribute to a Bad Man

Robert Wise does a commendable job of keeping a strong cast under control in his western saga about a tough horse rancher (JAMES CAGNEY) who believes in swift justice whenever his horses are stolen or his ranch hands are murdered. He's ready with a hangman's knot and exerts control over everyone around him. Eventually, he's softened by the love of a woman (IRENE PAPAS) who comes to respect him when he spares the lives of three men he's bent on punishing--although he does treat them brutally for what they've done to his horses.

It's an interesting yarn with strong characters, but the plot isn't as strong as the characters who inhabit it. STEPHEN McNALLY is a nasty ranch hand determined to avenge Cagney for firing him and coming between him and Irene Papas. VIC MORROW does a standout job as a nearby rancher's son upon whom Cagney thrusts some strong punishment.

It's photographed in gorgeous Technicolor with its Widescreen lenses capturing magnificent landscapes. Miklos Rozsa's score is often given a muted treatment beneath the more intimate scenes and only occasionally veers into stronger flourishes for the darker moments. In other words, it's not one of his more memorable scores but the main theme has a robust flavor to it.

Cagney and Papas carry most of the weight as far as performances go, but DON DUBBINS (who looks like a Robert Redford clone in a boyishly handsome sort of way), does a standout job as the young ranch hand who saves Cagney's life and is rewarded with a job as a wrangler who comes to detest the brutality of the vigilante justice.

Summing up: A compelling western yarn that benefits from strong performances.

This is a very good and very unusual film because I really didn't predict where the film would go--despite first appearances. A young Easterner comes upon Jimmy Cagney as he's being "bushwhacked"--in other words, he's been trapped by horse thieves and they are trying to shoot him. The actor's name who played the Easterner escapes me and I really don't care who he was--the film WAS a Cagney film after all. And once Cagney has been extricated from this ordeal, he and the young man become friends, of sorts.

Later, the young man decides to stay and work for Cagney at his horse ranch. However, much his new duties involve chasing down rustlers. Unfortunately, Cagney sees himself as the law and hangs the crooks without a trial. This really disturbs the young guy and Cagney's girlfriend, Irene Pappas. As a result of Cagney's brutality, both the girl and young man are prepared to leave for good. Here is where the film gets good and really heats up. Fortunately, the film does NOT take the easy way out and give us the conclusion we'd expect--ending on a very positive note.

Of the films of the later part of Cagney's career (after WHITE HEAT), this is among the very best. Worth while even if you are not a fan of the genre or Cagney--it's a very unique and watchable flick.

Stepping into the place of Spencer Tracy, James Cagney plays Jeremy Rodock in Tribute to a Bad Man. It's the story of a man in the wilds of the west where there is no law and he has to make his own to hold his own.

Of course in that kind of rugged country your character is also changed by the responsibility you have. You make a lot of enemies.

Don Dubbins is a young drifter who comes into the valley that Rodock and his spread dominate and finds a badly wounded Rodock. He administers some first aid and gets him back to his ranch. Cagney because he owes him his life, takes Dubbins in.

Cagney's got a live in mistress in Irene Papas and Dubbins goes kind of sweet on her. She's also got another admirer in one of the other ranch hands, Stephen McNally. If you think the plot is beginning to resemble Jubal which came out the same year, you're right.

Tribute to a Bad Man is the last of three Cagney westerns, The Oklahoma Kid and Run For Cover are the other two. I've never felt Cagney's urban persona is quite home on the range, but he does deliver a very good performance.

Best in the film however by far is Vic Morrow. He's the son of a rival rancher who Cagney catches stealing his horses. I can't say, but watch what he does to 'punish' him and then lets up. But Morrow's speech letting him know he's got a permanent enemy is the highlight of the film.

Without Cagney the film would be less than memorable though.

... and how misnamed this film is, as protagonist Jeremy Rodock (James Cagney) is not a bad guy at all.

Young naive wanderer Steve Miller comes across mega-ranch owner Rodock as he is under fire from a couple of horse thieves. Miller joins Rodock in fighting off the horse thieves, who then depart. Apparently Rodock is pretty sure that his old partner, or at least his old partner's son, Lars (Vic Morrow) is behind the thievery. Rodock hires Steve as a ranch hand, who becomes instantly smitten with Rodock's mistress, Jocasta (Irene Pappas). Complications ensue.

I've watched this twice now - the first time a couple of years ago - and decided to give it another chance. I still have the same verdict. Rodock clearly states that there is no law for 200 miles in any direction. Yet Jocasta constantly rebukes Rodock for pursuing all that attempt to steal his horses and hanging them when found - that was the standard punishment for horse thieves in the old West. Rodock is without malice when he does this. It is just something he has to do or else he - and Jocasta for that matter - would be overrun by the lawless and starve to death. Yet Jocasta claims he has "hanging fever".

The only time Rodock gets emotional about dealing with the rustlers is when he sees that they have done something particularly cruel to his horses in order to cover their tracks, and comes up with a punishment that fits the crime and spares them the noose. At the conclusion of the film, I am still on team Rodock, and I'm wondering if Jocasta, if attacked by Indians, would think a couple of choruses of Kumbaya would be an effective defense. She really is that naive.

It really is a shame because Cagney is magnificent as always - he's the only reason I didn't get hopelessly bored by the entire production - and the production values are top notch with great cinematography and a magnificent score by Miklós Rózsa.

This superb western has been almost totally forgotten despite its excellent credentials. Robert Wise was the director, Miklos Rozsa did the score, it was photographed, beautifully and in Cinemascope, by Robert Surtees and the star was James Cagney at his scenery-chewing best. He plays a powerful and potentially cruel rancher who befriends a young greenhorn, (newcomer Don Dubbins). who has saved Cagney's life after he's been ambushed. Others in the fine cast include Stephen McNally, Vic Morrow and the Greek actress Irene Papas. The story may not be particularly original but the handling is exemplary and anything with Cagney in it is usually worth seeking out.