You Can't Run Away from It

I agree with most other reviewers here that this is a pale remake of a great classic film, though I found it mildly pleasant anyway.

Some of the other reviewers said why even try to remake a classic; why bother. What they don't understand is the big difference between our film culture and the pre-home video, pre-TCM, pre-repertory cinema era. Successful films were remade, because producers thought they were a good bet to make a profit. The studios usually already owned the story and had an effective script to base an update on; no need to pay for the rights to a play or novel, and they could probably pay less for an an updated script than for a new one. If the story was well received and made money years before, it had a better chance of being successful than untested material. The great majority of the potential audience for a remake had either never seen the older version, or had seen it many years before, usually just once, so the older version was just a faint memory. And much of the audience would be interested in seeing the story told with current stars, in color, and when it came in, in wide screen.

On another note, as of June 2015, TCM is still showing a poor quality print of the movie, the Cimemascope image cropped to something like 1:66 to 1 (it was not pan and scanned), color washed out (not remotely like what Technicolor print would have looked like when the film was new), mono soundtrack (the original was stereo according to IMDb). I imagine this is because it is not economically viable for Sony (owners of the Columbia film achieve) to do a new transfer.

For fans of "It Happened One Night," it's fun to see how they remade it in the 50's, in Technicolor, and as a quasi-musical.

The young Jack Lemmon is a delight to see, and it would have been stupid to try to follow Clark Gable's act--no one could.

The oddball casting has June Allyson playing the Claudette Colbert role, but since June was producer/director Dick Powell's wife, it's comprehensible. June had a lot of appeal in many of her roles, but sexy she wasn't; she was more the girl next door, or the long-suffering, proper wife. Here, playing a post-debutante, June was, in real life, pushing 40. The supposedly sexy scenes had that sanitized 50's feel to them, and the chemistry between the two stars was minimal.

But June makes the movie in the scene where they sleep in a field, as she sings & dances to a scarecrow, with moves that would have done Donald O'Connor proud. Such energy & wit, paired with her funny, froggy voice, are a delight. Who knew she had all this talent hidden away?

There's a lot to enjoy, even though, like nearly all remakes, it falls a bit short.

Pale imitation of It Happened One Night fails to capture the magic of the original, a fools errand to attempt in the first place, but is pleasant enough.

One of the problems is that Jack Lemmon and June Allyson share little chemistry, a vital component to the first film or any romantic comedy. Another is that June, 39 when this was made, while still very attractive is a bit mature to be convincing as a madcap runaway heiress. Debbie Reynolds, who was in her mid-twenties at the time would have been a better fit.

Scenes that crackled in the first just move the story along in this from place to place. Full of forgettable music which adds nothing to the original tale and a the high gloss look that was a signature of 50's cinema.

Well made but lacking the Capra touch.

June Allyson and Jack Lemmon star in this musical remake of "It Happened One Night," which centers on an oil heiress who is taken by her father from her wedding to a man of whom her father doesn't approve. When her father played by Charles Bickford threatens to have the marriage annulled, she jumps off the yacht they're on and gets away. The father instantly sets up an extensive search for her before she can get to her newlywed husband in Houston. Jack Lemmon is a newspaperman whose path crosses hers. Such is the gist. While this is essentially a scene-for-scene and almost word-for-word remake of the Clark Gable film and not nearly so good, it is a very pleasant, enjoyable little film helped by some very upbeat songs and the chemistry of the two leads. As remakes go, I've seen a lot worse. And, it looks like they had fun making this, especially June Allyson, who has a good dance number in the hay! June Allyson was a very good comedienne. Not much is said about her comedic timing. It's been said she was a good crier; she could cry on cue in her melodramas. But she was very funny in her comedies. One other good example is "Two Sisters from Boston." And, Jack Lemmon is always a joy to watch. Charles Bickford is a little stiff for the role of her father though. Arthur O'Connell would have been better. If you come across this film on TCM, I think you'd enjoy this whimsical piece of fluff.

You Can't Run Away From It is a re-make of Frank Capra's It Happened One Night. That being said, one knows already what to expect. Film makers, no matter how hard they try, generally fail at reproducing classic films. This is no exception, not to say that this movie isn't good, but it cannot hold a candle to the original.

June Allyson stars as Ellie Andrews, a wealthy society dame rebelling against her father's strict command. She has eloped with a wealthy gigolo type, but has been kidnapped away from him by her family in hopes of being granted an annulment. Before the papers can be signed, Ellie runs away again, this time on a bus to find her new husband. On the way she meets Peter Warne (Jack Lemmon), a news reporter out for a good story. He agrees to help Ellie in exchange for the exclusive story, but the two develop a relationship while on the road.

Allyson is not quite elegant enough to pass as a member of the elite upper class and Lemmon lacks the charm of Clark Gable, so each fall short in their parts. However, it is always nice to see them, whether they excel or not.

All of the classic moments are here from the group song in the bus, the search for raw carrots, the hitch hiking scene, and the "walls of Jericho" bit. These inclusions should have been done like a proud tribute to the original, but they're played like they've never been done before, and fall very flat. It's like they found a stunning old gown in a trunk thats become threadbare and moth eaten over time and tried to pass it off as new. Who were they kidding? Part of the problem is comparing this version to the original film. If one has never seen It Happened One Night, this movie might fare better. It has its moments, and once they get going, the musical numbers aren't all that bad. The color is quite striking too. This version is perfect for younger audiences who refuse to watch black and white, but adults will prefer the wit of the original.

It it worth noting that the TCM print is a pan-and-scan version, so we lose some of the original splendor. Shame on you TCM for denouncing pan-and-scan and then showing it!