IMDb RATING
6.1/10
2.1K
YOUR RATING
Shortly after a giant robot destroys a village, aliens from outer space arrive offering friendship. Will the people of Earth tie these two events together?Shortly after a giant robot destroys a village, aliens from outer space arrive offering friendship. Will the people of Earth tie these two events together?Shortly after a giant robot destroys a village, aliens from outer space arrive offering friendship. Will the people of Earth tie these two events together?
- Director
- Writers
- Stars
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
How many American science fiction movies have conceived of survivors of the lost 10th planet (source of the asteroid belt) occupying a small chunk of territory before being attacked? NONE! Although "The Mysterians" uses some logical lapses to make the invaders clearly the bad guys (just WHY did they send the giant robot BEFORE attempting peaceful coexistance) and progresses WAY too quickly to its rousing finale (the world had these plans for superweapons just laying around), "The Mysterians" is an exciting, entertaining addition to any one's collection of "space invader movies." Well photographed, beautifully scored, decently executed (for the 50s) special effects" and freshly conceived, "The Mysterians" is better, in many ways than later films such as "Independance Day" and "V". Too bad Toho didn't make it longer and make a sequel (though it appears, that's what "Battle in Outer Space" was originally supposed to be.) See it.
The Japanese tape begins with an overture. The music with the overture is the greatest film score ever written by Akira Ifukube. So this film concerns hooded aliens who come to Earth with plans to capture and have sex with Earth women. So they release a huge bird-like robot named Mogera (it later returned renovated in Godzilla vs. Space Godzilla) to prove they mean buisness. The army manages to defeat it by booby trapping the bridge and blowing it up while the monster is using it. Then the battle for the cosmos begins with the Mysterians and their ray firing ships and the humans and their markalite lasers. This is another film I believe inspired the film Independence Day. It's certainly the most colorful of any of the fifties invasion flicks. A must. Eiji Tsuburaya also did an exellent job with his marvelous miniatures and special effects.
This is one of the earlier sci-fi movies from Toho studios. Respectable Toho actors and actresses are in this movie including Kenji Sahara, Yumi Shirakawa, Momoko Kochi, Akihiko Hirata, and Takashi Shimura-all actors that appeared in the original Godzilla and Rodan movies. This story involves a group of cool looking aliens called the Mysterians, who want to possess a huge chuck of land in Japan and marry Earth women. The suspense builds when the Earth people resists the Mysterians' demands, which results in a battle for Earth action. Just to note, the actor playing the Leader of the Mysterians was Yoshio Tsuchiya. He also played the Vapor Man in 'The Human Vapor,' Controller of Planet X in 'Godzilla vs. Monster Zero,' and Businessman Shindo in 'Godzilla vs. King Ghidorah.'
Eiji Tsuburaya's advanced special effects highlighted a spectacular battle of fire, lasers, rockets, tanks and flying saucers between the humans and space aliens. A slow and mysterious, but sometimes militaristic and moving music score by Akira Ifukube. A dramatic and somber story by Takeshi Kimura. Directing was once again done by the great Ishiro Honda.
The downside, though, was that the story lacked a solid plot and the female leads weren't emphasized enough. There were too many scenes that depicted meetings held by the officials, discussing what to do about the aliens. These meetings were important in a way, but kind of boring. And, the robot monster, Moguera, was a terrific-looking monster, but wasn't utilized enough. But overall, a pretty cool feature for a sci-fi film made in the 1950s.
Grade B
Eiji Tsuburaya's advanced special effects highlighted a spectacular battle of fire, lasers, rockets, tanks and flying saucers between the humans and space aliens. A slow and mysterious, but sometimes militaristic and moving music score by Akira Ifukube. A dramatic and somber story by Takeshi Kimura. Directing was once again done by the great Ishiro Honda.
The downside, though, was that the story lacked a solid plot and the female leads weren't emphasized enough. There were too many scenes that depicted meetings held by the officials, discussing what to do about the aliens. These meetings were important in a way, but kind of boring. And, the robot monster, Moguera, was a terrific-looking monster, but wasn't utilized enough. But overall, a pretty cool feature for a sci-fi film made in the 1950s.
Grade B
For the first fifteen minutes of "Chikyu Boeigun" (known in USA as "The Mysterians"), nothing happens. Scientist poking around a forest fire site comes face to face with a giant, metallic bird like monster. Then this film takes off, becoming more and more exciting. After the monster ravishes a village, the military kills it. We discover it's from the planet Mysteriod, and citizens of that planet are setting up a base here on Earth. The rest of the film concerns the battles betwen the Earth and The Mysterians. A bunch of Inoshira Honda's touches abound. There's a doomed hero (Ahikio Hirata) literally going on a kamikaze mission through the alien base, the plea for all nations to drop their petty squabbles and join forces to save the Earth, and wall to wall giant monster/spaceship excitement. Musician Akira Ifukube's score is militaristic, throbbing, and perfect. While "Gojira" is the best Japanese sci-fi classic, "The Mysterians", a candy coated treat is a close second, being the most fun.
Trivia note: Musician Akira Ifukube invented the famous Godzilla roar.
Trivia note: Musician Akira Ifukube invented the famous Godzilla roar.
We have always enjoyed the early Japanese Fantasy Films circa 1954-1963. During this time they took themselves and there subjects seriously. What ever their technical short comings were you could see they were in earnest. Basically after this period starting with KING KONG -vs- GODZILLA the slide down to kiddy fare began just a step above STARMAN.
Though we consider the original GORJIRA/Godzilla as the first and the best THE MYSTERIANS is the one (1) we enjoyed most. This is a SPACE OPERA on a grand scale. Watching it is like seeing the old pulp Science-Fiction magazine covers of the 1930's being brought to life. Basically the team that acted and made the original Godzilla are back plus the addition of Technicolor and WideScreen. They needed a big and splashy story and THEM -vs- US for the world was the canvas that well suited this first effort.
We first saw it on T.V. in the mid 1960s and were enthralled like any early teenagers by these scenes of action and massed destruction. But even then we (my brother and I) felt something was missing. It was not until the early 1990s that we saw a restored Japanese print in it's original format (WS) and subtitled in English that what happened on screen made sense. Best of all there were more scenes of destruction.
It is a pity that TOHO did not make a direct sequel and made BATTLE IN OUTER SPACE instead (still a fun film). Now that they are more technically adapt it would be nice to see this film remade. The one (1) thing I would keep though (other then the basic plot line) is the exceptional musical score.
Though we consider the original GORJIRA/Godzilla as the first and the best THE MYSTERIANS is the one (1) we enjoyed most. This is a SPACE OPERA on a grand scale. Watching it is like seeing the old pulp Science-Fiction magazine covers of the 1930's being brought to life. Basically the team that acted and made the original Godzilla are back plus the addition of Technicolor and WideScreen. They needed a big and splashy story and THEM -vs- US for the world was the canvas that well suited this first effort.
We first saw it on T.V. in the mid 1960s and were enthralled like any early teenagers by these scenes of action and massed destruction. But even then we (my brother and I) felt something was missing. It was not until the early 1990s that we saw a restored Japanese print in it's original format (WS) and subtitled in English that what happened on screen made sense. Best of all there were more scenes of destruction.
It is a pity that TOHO did not make a direct sequel and made BATTLE IN OUTER SPACE instead (still a fun film). Now that they are more technically adapt it would be nice to see this film remade. The one (1) thing I would keep though (other then the basic plot line) is the exceptional musical score.
Did you know
- TriviaShortly before his death in 1993, director Ishirô Honda was said to have mentioned that this was his favorite of all his films.
- GoofsIn the American version, director Ishirô Honda is mistakenly credited as Inoshiro Honda.
- Quotes
Ryoichi Shiraishi: The tragedy of the Mysterians is a good example for us! Don't use science in the wrong way!
- Alternate versionsIn the original japanese version but edited out for the US release, during the final battle there is a brief scene with a second Mogera (the giant robot). Also, the ending is slightly different.
- ConnectionsEdited into King Kong vs. Godzilla (1963)
- How long is The Mysterians?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Earth Defense Force
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $975,000
- Runtime
- 1h 25m(85 min)
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content