The Hired Gun

The 1950s were to movie westerns what the 40s was to film noir so it's always kinda shocking to see an oater made at this time be so friggin ordinary as this offering from Ray Nazarro. Although maybe not so shocking when you consider the fact that Budd Boetticher, one of the era's best western directors, called Nazarro the "ten day picture guy". And of those ten I would guess that half a day, at most, was spent on the screenplay/story since previous IMDB reviewers have written of its stunning predictability and unoriginality. I do, however, disagree with the previous reviewer who called it "beyond mediocre". Indeed, it is the very quintessence of average. Or, in other words, a solid C.

Ellen Beldon is about to be hanged in Texas for the cold-blooded murder of her husband. Her uncle's ranch foreman, Judd Farrow, masquerading as a priest busts her out of jail and escorts Ellen to a safe hideout at her uncle's ranch in New Mexico. Her uncle has enough influence to block extradition of Ellen back to Texas.

Her father-in-law, Mace Beldon, determined to avenge the killing of his son, hires gunman Gil McCord for $5,000 to track down Ellen and bring her back to Texas. Gil hires on as a cowhand and then kidnaps Ellen and they head back to Texas. On the way Ellen explains to Gil what really happened.

You don't see many women in westerns sentenced to be hanged, which is a fresh angle in this fast-moving, well-acted western that has some fine cinematography and great locations. It's well made, suspenseful and fairly engaging. In tone and story it reminds me of the Scott-Boeticher western. Calhoun in particular is quite cold and determined to earn his dollars - well, at first. Predictably, he falls for the cute Anne Francis. Her character is quite a strong one. Maybe this film would've benefited from a longer running time so Calhoun's relationship with Francis could've been more developed and his belief in her innocence more gradual.

I was amazed to see here a Ray Nazarro's film made in LBX and released - not produced, release - by Metro Goldwyn Mayer. I did not believe it. It is a truly interesting plot, very unusual, surprising, where Ann Francis's role steals the film. The directing is above average for a director such a Ray Nazarro, some kind of Lesley Selander prolific western maker. Nazzaro gave his best film during the fifties, his second part of career, after a long while for B westerns starring Charles Starrett. So, yes, this western is very worth the watch, it proves once more than B - 75 or 80 minutes - movies can from time to time good surprises. But if you replace Ann Francis by a man wrongly accused of murder, it would have been forgettable in the second after watching, as a drop of water, on a hot plate, that would evaporate.

If you make it past the first 40 minutes you will find the remainder of the film slightly improved but only slightly.

The highlight comes in the first 10 minutes when the double speed the horse chase and it looks like they forgot to slow it back down lol.

Not much for Rory to work with here and the villains lack any real teeth.

Ellen Beldon (Anne Francis) is in a Texas jail waiting to be hung for murdering her husband. Her uncle's ranch foreman Judd Farrow (Chuck Connors) breaks her out. Her father-in-law hires gunman Gil McCord (Rory Calhoun) to bring her back from New Mexico when the Texas authority drags its feet. Some believe her claims of innocence.

There is no real debate that Ellen is innocent. Anne Francis plays it so hard like a damsel in distress. Everything is play by hitting the nail right on the head. There isn't any surprises to be had in this straight forward western B-movie. It would work better in a darker road trip with the two characters. This is not that.