Madhumati

Most reviewers forget that they are watching a movie made in India in 1958 and that too in black and white. To see it with FX-laden tinted glasses would be do do a disservice to the makers and the actors. regardless of the overall delivery of the film. Though even today ( and i must have seen this movie 10 times already ) you shudder at the thought of Pran in the empty large house, you creep at the surreal lighting, you rejoice at the music and its uplifting raw tribal rhythm, and how you wish you had the panache of Dilip Kumar or the grace of a Madhubala. The plot keeps you in your grip while the music and the acting are a feast for your senses. So should you see it ? - if you appreciate good cinema, this is a treat. But remember it belongs to a time, when films, like people used to take their time to unfold and once open would invite you into their arms and never let you go. As a tribute to the masters and a tongue in cheek to Bollywoods plagiarist accusations - the recent Blockbuster of 2007, OM Shanti OM, has lifted its Climax totally from this film. Go Check.

Perhaps if not "the best" certainly one of the best from Bimalda's kitty. Way back in 1958 Bimalda managed to weave a intriguing and nail- biting suspense movie which is nothing short of creative genius. The black-and-white format actually works to the advantage of the storyline to give it an eerie feel.

♦ Dilip Kumar:: Honestly after watching "Madhumati" I could really appreciate Dilip Kumar's authority over the fine nuances of performance. The subtlety he effectively brings up on the screen deserves special mention. As Deven/ Anand he delivers a spot-on performance.

♦ Vyjayanthimala:: The actual protagonist of the movie. As Madhu she gets into the skin of the character without going overboard. The rest two characters Madhavi & Radha can be categorised as special appearances.

♦ Pran:: Now no wonder Dilip Kumar refused to work with Pran after Madhumati. If not stealing the thunder right under the nose, he gave a tough fight. As Ugra Narayan he ensures you hate him to no limits.

Rest of the star-cast was adequate. Music was integral to Madhumati. Had it not been Shailendra lyrics churned into haunting melodies by Salil Chowdhary, the movie would not have reached the cult status. Lata Mangeskar I am sure catapulted to dizzying heights after the success of the her numbers. Songs by Mukesh & Rafi are equally soulful.

Due credit is deserved for the story by Ritwik Ghatak who later on became a yard-stick in his own right. And of course Rajinder Singh Bedi who pens the dialogues.

No wonder Bimal Da held maximum number of Filmfare awards and held undisputed record for many decades.

Although the main theme of this film was a by-word in Indian cinema,superior direction by Roy and acting by Kumar and Vyjantimala plus the haunting music and lyrics contrived to make this the ultimate movie of its kind. It has its flaws.The comedy apart from Walker is unasked for.As the tragic lovers Dilip KUmar and Vyjantimala never acted better together.An enduring masterpiece which never ceases to amaze.I have seen it countless times but still marvel at it.Pran and Jayant are also in good form and the photography is excellent.Alesson for the modern times,making maximum use of natural scenes to show feelings,moods and the fallacy of man.Few directors could have surpassed Bimal Roy.

Here's a brooding and heated melodrama, that seems to me (as an non- Indian, English person) to have taken some great lines from myth and legend and put them all into a romantic drama that transcends time.

Having bought director Bimal Roy's 'Devdas' and played that, I found that I'd recorded Mudhumati from Film 4 years ago, but had never got round to playing it - what better time than now to do so?

I loved the multilayers of humour, the darker, sinister sides, the romance, the beauty and the love shown for the landscape and even the singing and dancing, which I have to admit, had always put me off 'Bollywood' films, before. Though long, over 3 hours with ad breaks, it was always compelling and ticked so many boxes that make for a really good film.

The on-screen quality, though, was a different matter, though, so bad were the white blemishes, it looked like it was sleeting on occasion! Sound was poor, too. One does get used to this, at least a bit, though and would probably lose some of its mysticism if it were a perfect digitally restored version, though I might actually buy such a disc, if one was released here and at a keen price.

Simply beauty. Vaijyanthimala is simply exceptional as a village girl. deals efficiently with human relationship and love. Great movie 10/10 one of the top movies of Indian cinema. I saw a previous comment about excessive length and I disagree with that. it is a well made film with not a single dull moment. The songs are the main strength of the movie are and are all time classics. Ask an Indian about "Dil tadap tadap ke kah raha hai" or "julmi sang aankh lagi" and the first thing in mind is the word madhumati! Like most Indian movies there is a feel good ending that some how dampens the strong emotional affect of the tragedy in the movie. But thats what is the Indian cinema is most known for: it may be tragedy but when you come out of the cinema it feels good.