Madhumati

Although the main theme of this film was a by-word in Indian cinema,superior direction by Roy and acting by Kumar and Vyjantimala plus the haunting music and lyrics contrived to make this the ultimate movie of its kind. It has its flaws.The comedy apart from Walker is unasked for.As the tragic lovers Dilip KUmar and Vyjantimala never acted better together.An enduring masterpiece which never ceases to amaze.I have seen it countless times but still marvel at it.Pran and Jayant are also in good form and the photography is excellent.Alesson for the modern times,making maximum use of natural scenes to show feelings,moods and the fallacy of man.Few directors could have surpassed Bimal Roy.

The movie Madhumati was made for lovers everywhere. It portrayed the saying "love never dies" perfectly and the actors, Dilip Kumar and Vijantymala were the perfect couple in this love story. There was just the right amount of romance and tragedy shown in this movie with a very interesting twist towards the end. The songs were amazing and they fit the movie perfectly. My favourite one was "toote hoi khabo ne." To top it off, Johnny Walker gave a wonderful performance that added much needed comedy to this film. I cannot think of any scene that i disliked, the directors did a wonderful job making sure that the movie was always interesting.

I would highly recommend this movie to anyone who likes romance.

Perhaps if not "the best" certainly one of the best from Bimalda's kitty. Way back in 1958 Bimalda managed to weave a intriguing and nail- biting suspense movie which is nothing short of creative genius. The black-and-white format actually works to the advantage of the storyline to give it an eerie feel.

♦ Dilip Kumar:: Honestly after watching "Madhumati" I could really appreciate Dilip Kumar's authority over the fine nuances of performance. The subtlety he effectively brings up on the screen deserves special mention. As Deven/ Anand he delivers a spot-on performance.

♦ Vyjayanthimala:: The actual protagonist of the movie. As Madhu she gets into the skin of the character without going overboard. The rest two characters Madhavi & Radha can be categorised as special appearances.

♦ Pran:: Now no wonder Dilip Kumar refused to work with Pran after Madhumati. If not stealing the thunder right under the nose, he gave a tough fight. As Ugra Narayan he ensures you hate him to no limits.

Rest of the star-cast was adequate. Music was integral to Madhumati. Had it not been Shailendra lyrics churned into haunting melodies by Salil Chowdhary, the movie would not have reached the cult status. Lata Mangeskar I am sure catapulted to dizzying heights after the success of the her numbers. Songs by Mukesh & Rafi are equally soulful.

Due credit is deserved for the story by Ritwik Ghatak who later on became a yard-stick in his own right. And of course Rajinder Singh Bedi who pens the dialogues.

No wonder Bimal Da held maximum number of Filmfare awards and held undisputed record for many decades.

The movie is the story about a hilly village, Shyamnagar. One of the most important things in the movies of 50's and 60's was that they shown strong characters and each and every word that the characters spoke shown a sense of strength. Madhumati is no exception. The direction is excellent. Bimal Roy was on his road to be a legend after Madhumati. Dilip Kumar and Vijayantimala played another great roles after their success in Devdas. Music was another strength of the movie. The songs "Suhana Safar" and all others created history. Pran also played his role exceptionally well. The movie is recommended for everyone.

The main drawbacks of the movie were:

1. The scene in which Dilip Kumar saves a child from the horse of Pran was really poor. Dilip Kumar comes from a long way and it is shown that the child was very near to the coming horse, so it was totally impossible for someone to come from 200 meters and save a child.

2. The voice "Aaja Re Pardesi" of Vijayantimala that comes from the hills creates a sense of mystery in Dilip Kumar but there was nothing like that. In fact, it should have been shown like a girl singing in hills but it looks as if a spirit is singing.

3. When Pran invites Dilip Kumar to make his portrait, he refuses in less than a second, but he should have waited for at least two seconds. Then he says that he is busy but he was enjoying the scenery. So when Pran says that yes he is seeing how much busy he is, he does not show any kind of expression that may show that if Dilip Kumar is busy, and he has no time for making my portrait, then what is he doing there at the moment.

Here's a brooding and heated melodrama, that seems to me (as an non- Indian, English person) to have taken some great lines from myth and legend and put them all into a romantic drama that transcends time.

Having bought director Bimal Roy's 'Devdas' and played that, I found that I'd recorded Mudhumati from Film 4 years ago, but had never got round to playing it - what better time than now to do so?

I loved the multilayers of humour, the darker, sinister sides, the romance, the beauty and the love shown for the landscape and even the singing and dancing, which I have to admit, had always put me off 'Bollywood' films, before. Though long, over 3 hours with ad breaks, it was always compelling and ticked so many boxes that make for a really good film.

The on-screen quality, though, was a different matter, though, so bad were the white blemishes, it looked like it was sleeting on occasion! Sound was poor, too. One does get used to this, at least a bit, though and would probably lose some of its mysticism if it were a perfect digitally restored version, though I might actually buy such a disc, if one was released here and at a keen price.