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5.7/10
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Aliens from another world send a huge robotic accumulator to invade the Earth and absorb all energy it comes in contact with.Aliens from another world send a huge robotic accumulator to invade the Earth and absorb all energy it comes in contact with.Aliens from another world send a huge robotic accumulator to invade the Earth and absorb all energy it comes in contact with.
- Director
- Writers
- Stars
Jose Gonzales-Gonzales
- Manuel Ramirez
- (as Jose G. Gonzales)
Don Eitner
- Weather Operator
- (as Donald Eitner)
Kenner G. Kemp
- Producer of TV News Broadcast
- (uncredited)
Robert J. Stevenson
- New York TV Newscaster
- (uncredited)
Baxter Ward
- Second TV Newscaster
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Scientist John Emory (`Rocketship X-M' ) is possessed by an alien intelligence which foces him to provide information for invaders who are en route to Earth in a huge spacecraft. Astronomer Jeff Morrow (`This Island Earth') spots the approaching ship through his telescope, but he thinks it's an asteroid on a collision course with Earth (never mind the fact that the image we see through the telescope is obviously a saucer-shaped object that zigs and zags insanely).
The spacecraft splashes down off the coast of Mexico, and the next morning `Kronos' is standing on the beach -- a giant, rectangular robot with four piston-like legs. Kronos begins it's destructive march across the country, draining power from everything it encounters (including an atom bomb which the Air Force drops on it. Impressive scene). Morris Ankrum makes a welcome appearance as a psychiatrist (insteand of a general, for a change).
The plot has an interesting basic concept, but the script is plagued by scientific inaccuracies and unintentionally funny scenes. Jeff Morrow and fellow scientist George O'Hanlon (the voice of George Jetson) make casual comments about `minor shifts' in the orbit of the approaching asteroid -- even though what they (and the audience) see in their telescope is a wildly zig-zagging spaceship. Morris Ankrum is electrocuted when John Emory throws him against a protective fence that surrounds a high-voltage transformer ( Wait a second -- Ankrum is electrocuted by a PROTECTIVE FENCE?).
Despite the embarassing goof-ups, `Kronos' is loaded with special effects by FX wizards Jack Rabin, Irving Block, and Louis DeWitt, who are also billed as associate producers.
The spacecraft splashes down off the coast of Mexico, and the next morning `Kronos' is standing on the beach -- a giant, rectangular robot with four piston-like legs. Kronos begins it's destructive march across the country, draining power from everything it encounters (including an atom bomb which the Air Force drops on it. Impressive scene). Morris Ankrum makes a welcome appearance as a psychiatrist (insteand of a general, for a change).
The plot has an interesting basic concept, but the script is plagued by scientific inaccuracies and unintentionally funny scenes. Jeff Morrow and fellow scientist George O'Hanlon (the voice of George Jetson) make casual comments about `minor shifts' in the orbit of the approaching asteroid -- even though what they (and the audience) see in their telescope is a wildly zig-zagging spaceship. Morris Ankrum is electrocuted when John Emory throws him against a protective fence that surrounds a high-voltage transformer ( Wait a second -- Ankrum is electrocuted by a PROTECTIVE FENCE?).
Despite the embarassing goof-ups, `Kronos' is loaded with special effects by FX wizards Jack Rabin, Irving Block, and Louis DeWitt, who are also billed as associate producers.
Kronos is a giant, blocky robot that is sent to Earth to siphon our energy. Nothing can stand in the behemoth's way, and apparently nothing can stop- it. Well, that is until earnest scientist Jeff Morrow of This Island Earth fame gets to working on its destruction. The film would be laughable, except for the fact that the giant robot is actually pretty impressive. Specia; effects are not bad for their time, and the cast plays it perfectly straight eve when the dialog is a bit off the wall. B-movie veteran Morris Ankrum and George O'Hanlon of Jetsons fame costar, along with the curvy Barbara Lawrence, whom we would see a lot more of on TV in subsequent years. Worth a look.
"Kronos" is about a robot emissary (which Earth scientists name Kronos), sent by aliens to Earth. It lands on the coast of Mexico and goes on a rampage. The aliens have exhausted energy supplies on their own planet (which it is correctly noted may well happen here before too long), and so they sent Kronos to Earth to suck up energy from our remaining energy resources. Unknowingly, Earth counterattacks with weapons like an H-bomb, but Kronos greedily absorbs all that energy and just gets stronger and hungrier for more.
At this point, you just have to put aside the immediate obvious objection that there is far more energy in any star in the galaxy than in all the power plants on Earth, and the aliens should have just harvested energy from them.
If you can forget all that, what is left is an enjoyable typical 1950's B-movie, with what I consider to be some decent special effects for the time (except for the obvious cartoon animations of Kronos' march). Jeff Morrow, one of the better B-movie actors, delivers a decent performance as a scientist. Despite its low budget, the movie tries hard to be an early techno-thriller, replete with what was state-of-the-art technology for its time--B-47 jet bombers, missiles with nuclear warheads, computers, etc. And that also makes it a cut above the usual sci-fi B-movie of the 1950's.
At this point, you just have to put aside the immediate obvious objection that there is far more energy in any star in the galaxy than in all the power plants on Earth, and the aliens should have just harvested energy from them.
If you can forget all that, what is left is an enjoyable typical 1950's B-movie, with what I consider to be some decent special effects for the time (except for the obvious cartoon animations of Kronos' march). Jeff Morrow, one of the better B-movie actors, delivers a decent performance as a scientist. Despite its low budget, the movie tries hard to be an early techno-thriller, replete with what was state-of-the-art technology for its time--B-47 jet bombers, missiles with nuclear warheads, computers, etc. And that also makes it a cut above the usual sci-fi B-movie of the 1950's.
Speaking of an energy crisis— if that energy-sucking alien from outer space had had its way, we'd have been using hand-crank generators back in 1957. Good thing Jeff Morrow (Dr. Gaskell) was around in those days. His strong-jaw cleverness defeated a lot of alien plots— The Creature Walks Among Us (1956), The Giant Claw (1957). Here, he figures out how to zap the zapper, after it stomps all over the Southwest sucking up energy. And he does it in a way that makes all the nonsense seem believable. Should be a place in sci-fi heaven for actor stalwarts like him. Ditto, the great Morris Ankrum (Dr. Stern). No alien epic of the 50's would be complete without his general-president-doctor-professor, or a thousand other expert authority roles. Okay, my hormones require also mentioning Barbara Lawrence who really looks good in a swim suit, even if she hasn't much to do except distract Morrow and a few thousand boozy guys like me at those long ago drive-in's.
Actually, this is a pretty good enemies-from-outer-space flick. Special effects are mostly convincing even if the monster resembles a Lego Land creation, while the smoking-debris final frame looks like a gum wrapper in an ashtray. Director Neumann had an interesting, if erratic, career, piloting such sci-fi classics as Rocketship X-M (1950) and The Fly (1958) and such turkeys as Mohawk (1956) and Son of Ali Baba (1952). I guess he needed something imaginative like science fiction. Anyway, the movie's smoothly done with a few chills and a lot of good 50's fun.
Actually, this is a pretty good enemies-from-outer-space flick. Special effects are mostly convincing even if the monster resembles a Lego Land creation, while the smoking-debris final frame looks like a gum wrapper in an ashtray. Director Neumann had an interesting, if erratic, career, piloting such sci-fi classics as Rocketship X-M (1950) and The Fly (1958) and such turkeys as Mohawk (1956) and Son of Ali Baba (1952). I guess he needed something imaginative like science fiction. Anyway, the movie's smoothly done with a few chills and a lot of good 50's fun.
Made in 1957, this ultra weird science fiction movie "Kronos" is a product of the then unknown UFO phenom and the Soviet Union's nuclear threat of the time. Before I describe this film, I have to tell you, seeing it first, at a very young pre-teen ager, this movie gave me sweaty nightmares of world destruction's dreams constructed by odd and powerful machines for many nights and many years to come that made me hide under the covers. These dreams of mine were terrifying to the extreme, and when I watch this film today, I can finally understand this.
A strange movie, made by "Regal Films" and distributed by 20th Century Fox, it adds genuine sci-fi terror with the combination of some very effective and occasional cheesy effects, and generally good acting. The story is just weird enough to be believable, which is the mark of a good sci-fi movie. It is a sort of a "War of the Worlds" film in a way. The new DVD widescreen video transference by "Image Entertainment" is very good considering the lack of quality of the original film's input. The sound is true and clear.
The film is in black and white and incorporates many stock footage shots of the era. Some of those shots include the proverbial rocket launches of a German V2. And then there are some very beautiful shots of the elegant first Strategic Air Command's swept wing atomic jet bomber the B-47 StratoJet in flight. Finally there is very rare stock footage of the first supersonic fighter in experimental form, the XF-100 Super Saber soaring. Interesting.
To summarize, a giant flying saucer, mistaken for an asteroid, crashes off the coast of West Mexico. Bubbling out of the Pacific a few days later is this giant metallic multi stepped cube. The cube's goal is to suck up all the energy in the earth for it's home world. The more energy it absorbs the more fantastically large the machine becomes. Bizarre side stories are how this cube's energy affects certain humans for it's aid. You have to watch the movie as this oddness is hard to describe.
The imagery of the alien machine is often really scary, as in some scenes the monster takes upon an electric greenish tint in the wide screen display and it's electric lightning is the stuff of bad dreams. But other images are a bit cartoonish. Those cartoonish images if left out of the film would have made it a much more effective a movie.
Nevertheless on a 1950's level this sci-fi movie is most effective in it's ability to evoke true paranoia. It frightens the beegeezuss out of me every time I watch it and I can guarantee that I will have a nightmare about the giant and massive cubic Kronos, the ravager of worlds, vampire of energy, tonight as I slumber. As Kronos makes it's way on the earth sucking up energy it makes this crushing high pitched pulsing noise as if metal upon rock. Very eerie.
The film stared perennial B-movie star Jeff Morrow as the scientist that figures out how to destroy Kronos. He reverses Kronos' polarity! Didn't Scotty do that on the Enterprise once to save the ship? The obligatory cheese cake 1950's sci-fi actress in this film was the very lovely Barbara Lawrence as the wasted film technician Vera, the ever ignored girl friend of Morrow.
For it's genre, this movie is recommended, for it's unique story, eclectic acting, decent script, terrifying and very spooky imagery.
It still gives me the heebeejeebies.
A strange movie, made by "Regal Films" and distributed by 20th Century Fox, it adds genuine sci-fi terror with the combination of some very effective and occasional cheesy effects, and generally good acting. The story is just weird enough to be believable, which is the mark of a good sci-fi movie. It is a sort of a "War of the Worlds" film in a way. The new DVD widescreen video transference by "Image Entertainment" is very good considering the lack of quality of the original film's input. The sound is true and clear.
The film is in black and white and incorporates many stock footage shots of the era. Some of those shots include the proverbial rocket launches of a German V2. And then there are some very beautiful shots of the elegant first Strategic Air Command's swept wing atomic jet bomber the B-47 StratoJet in flight. Finally there is very rare stock footage of the first supersonic fighter in experimental form, the XF-100 Super Saber soaring. Interesting.
To summarize, a giant flying saucer, mistaken for an asteroid, crashes off the coast of West Mexico. Bubbling out of the Pacific a few days later is this giant metallic multi stepped cube. The cube's goal is to suck up all the energy in the earth for it's home world. The more energy it absorbs the more fantastically large the machine becomes. Bizarre side stories are how this cube's energy affects certain humans for it's aid. You have to watch the movie as this oddness is hard to describe.
The imagery of the alien machine is often really scary, as in some scenes the monster takes upon an electric greenish tint in the wide screen display and it's electric lightning is the stuff of bad dreams. But other images are a bit cartoonish. Those cartoonish images if left out of the film would have made it a much more effective a movie.
Nevertheless on a 1950's level this sci-fi movie is most effective in it's ability to evoke true paranoia. It frightens the beegeezuss out of me every time I watch it and I can guarantee that I will have a nightmare about the giant and massive cubic Kronos, the ravager of worlds, vampire of energy, tonight as I slumber. As Kronos makes it's way on the earth sucking up energy it makes this crushing high pitched pulsing noise as if metal upon rock. Very eerie.
The film stared perennial B-movie star Jeff Morrow as the scientist that figures out how to destroy Kronos. He reverses Kronos' polarity! Didn't Scotty do that on the Enterprise once to save the ship? The obligatory cheese cake 1950's sci-fi actress in this film was the very lovely Barbara Lawrence as the wasted film technician Vera, the ever ignored girl friend of Morrow.
For it's genre, this movie is recommended, for it's unique story, eclectic acting, decent script, terrifying and very spooky imagery.
It still gives me the heebeejeebies.
Did you know
- TriviaAfter a string of highly successful big budget science fiction films throughout the 1960s, Twentieth Century Fox considered remaking this film in the early 1970s in response to the energy crisis. The project was not green-lighted and, by the end of that decade, accepted an offer from Wade Williams to buy the film and all rights. This film is now part of the "Wade Williams Collection."
- GoofsWhat of the 4.9 mile wide saucer? Is it still out there in the ocean? After Kronos appears, no one ever bothers to inquire.
- Quotes
Dr. Leslie Gaskell: Do you think you'll be able to respect a husband that probably pulled the scientific boner of all time?
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into Goosebumps: Escape from Horrorland (1996)
- How long is Kronos?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Kronos: Ravager of Planets
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $160,000 (estimated)
- Runtime
- 1h 18m(78 min)
- Color
- Aspect ratio
- 2.35 : 1
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