The Pajama Game

Do you dislike musicals because you feel they are about nonsense and fantasy? Well, here is a musical about, okay, a man and a woman falling in love, but also capital and labour, exploitation of the workers, crooked financiers, and a heroine who is a strong woman whose work is important to her and who gets angry when her boyfriend doesn't take her seriously. Call that a fantasy? I don't dislike musicals, but I have always disliked Doris Day, who always seemed to me to be a phoney, a woman who was always pretending to be arch and super-feminine. Here, for once, she is the tough girl she really was, a blue-collar heroine who is robust and forthright, and she is terrific.

More important, of course, than the subject is the way it's handled, and the team of Adler and Ross (who also wrote Damn Yankees!) provide lots of charming, unpretentious, but also clever and peppy songs and two very slinky dance numbers, which last are a fine memorial to Carol Haney, the beautiful, talented, but sadly disturbed and short-lived dancer who originated the role on Broadway. Even the throwaway lines in the songs are enormously funny--for instance, when one song wants to make a point about a posh restaurant, the lyric is not "In a posh restaurant" but, referring to a generic fictitious posh restaurant, "At The Golden Finger Bowl..."

Those who love musicals, of course, will appreciate one that is so well crafted and directed. But nostalgia freaks in general are richly served here. Typewriters? Time clocks? And UNIONS? Organisations that protect the rights of the workers? Gee, daddy, what are those?

Who'd have thought that a labor dispute could be such fun? Just add Doris Day's smile, Bob Fosse's choreography, amazing music and dancers and a bag of popcorn! This is a highly energetic film, super-charged with charisma. I can't count the number of times I hit "pause" and "rewind" just to get another look at a surprise dance move. Boy, do I dare say that this may have been what "Grease" was hoping it could aspire to? I want to see this one again real soon!

One of the truly unsung musicals of the 1950s, with a remarkably convincing performance from Doris Day, an impressive movie debut by John Raitt and wonderful choreography by Bob Fosse.

Pajama Game is probably one of the two most successful musical movies that Warner Bros produced, the other, of course, also starring Doris Day: "Calamity Jane", which reversed the order of Adler and Ross's wonderful creation by moving to the theatrical stage after the movie was made.

Stanley Donen and George Abbot have produced and directed a total joy of a movie, creating a believable factory environment and giving the union demands for a pay rise the full strength.

Carol Haney (from the record breaking Broadway production) makes a wonderful front office employee and with her number "Steam Heat" gives Fosse's choreographic skills full rein!

Truly a joy of a movie, wonderfully photographed in magical colours and in excellently framed CinemaScope. How hard to think this film has been overlooked for so long. Definitely a must for any fan of musical movies and it warrants repeated viewing on a regular basis.

A gem just waiting to be rediscovered.

With all of the original cast members intact (John Raitt, Reta Shaw, Gwen Verdon, Eddie Foy, Jr.) except for the exceptionally talented Doris Day filling in for Janis Paige, 'The Pajama Game' is rollicking good fun and a smash hit once again with all of Bob Fosse's show-stopping choreography given top-rate exposure.

Who would think a story about a labor dispute in a pajama factory could be turned into such a joyous musical? Carol Haney is priceless doing 'Steam Heat' and 'Hernando's Hideaway' with great finesse. Day sings her heart out on 'Hey There' and other tunes, while Raitt reprises his Broadway role as the factory foreman who comes up against the stubborn and feisty Babe, head of the grievance committee. Day and Raitt can do no wrong, whether they're singing a ballad or a jump tune, whether singing or dancing, whether sparring or smooching. It's all great fun done up in gaudy technicolor and undoubtedly one of the great film musicals of the '50s, the kind that we sorely miss today. One great song-and-dance routine follows another with no shortage of imagination as to staging and concept. A treasure!

See it and enjoy!!

Doris Day and John Raitt star in this breezy version of the 50s stage smash. Fun all the way with many songs that became 50s standards: "Hey There," "Hernando's Hideaway," "Steam Heat." Great supporting cast led by Carol Haney, Reta Shaw, Eddie Foy, Jr., Ralph Dunn, Thelma Pelish, and Barbara Nichols. Raitt is hunky and butch in the musical lead, and Day is at her tomboy best. "There Once Was a Man" is a super duet for the stars, allowing them to be funny while they belt out this classic, while Shaw and Foy shine in "I'll Never Be Jealous Again." The "Hey There" number with Raitt playing back the song on his dictaphone singing a duet to it is a true classic and was also a smash 50s hit single for both Doris Day for Rosemary Clooney.

But Carol Haney just about steals the show as Gladys in the "Steam Heat" and "Once a Year Day" numbers. She's also hilarious in the "Hernando's Hideaway" number and following comic scenes. Haney is a combo of Gwen Verdon, Carol Burnett & Alice Ghostley. Haney won a Tony Award for her Broadway performance. Great fun.