Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
- Director
- Writer
- Stars
- Awards
- 1 win total
Mel Blanc
- Bugs Bunny as Brunhilde
- (voice)
- …
Arthur Q. Bryan
- Elmer Fudd as Siegfried
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a classic short cartoon, all right. It's the art direction that does it - it's VERY 1950s (some would say it's pinched from UPA, but this is false: look at the previous work of Maurice Noble, and the direction in which background design was tending at Disney and to a lesser extent Warner Brothers before UPA was even formed, and you'll see that UPA was merely the most extreme expression of a zeitgeist which arose for as yet unexplained reasons) - but it fits the roasted twilight setting of Wagner like a glove. Colours, sets, linework, framing; all are marvellous.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
Elmer Fudd is again hunting rabbits - only this time it is an opera. Richard Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
"What's Opera, Doc?" required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short.
There are a handful of cartoons that people will remember forever. This is one of them. Is there another Bugs and Fudd short that stands out more? Not that I can think of.
"What's Opera, Doc?" required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short.
There are a handful of cartoons that people will remember forever. This is one of them. Is there another Bugs and Fudd short that stands out more? Not that I can think of.
Chuck Jones' brilliant condensation of all of Wagner into a 7-minute cartoon. A comic tour-de-force with Elmer as Siegfried (Kill the wabbit!!) and Bugs as Brunhilde. The background illustrations were absolute incredible, invoking a true Wagnerian atmosphere. If you only see one cartoon in your life, make it this one.
There's a tender Bugs-Elmer duet, set to Wagner, that goes like so:
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
This short has always been one of my favorites.It combines humor,excelent music and feelings.Seing Mr.Fudd's love, wrath and sadness in what is probably his best performance makes it very memorable.Less silly visual jokes than most Looney Tunes and making comedy out of Elmer's and Bugs' interaction with each other realy makes it even better than the oftenly over-rated "Rabbit of Seville".Nice introduction to Wagner by the way.
Did you know
- TriviaWarner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Zoom and Bored (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
- Crazy creditsThe opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
- ConnectionsEdited into The Bugs Bunny/Road-Runner Movie (1979)
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Ring der Niegelungen
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,753
- Opening weekend US & Canada
- $12,285
- Feb 16, 1998
- Gross worldwide
- $14,753
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
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