Wild Is the Wind

A fantastic film, that I have tried to see again for years. Unfortunately, it has been impossible to find. If any one can assist, I would appreciate it. This film Wild is the Wind, has a great script, filled with forceful characters, clearly defined, but developed with such precision that I would think of it as a model of what a dramatic characterization should be. The choice of cast was perfect with each actor having a talent that matched the dimension necessary to make this movie a mixture of drama and powerful social content. The movie has many layers of reasoning that should be enjoyable for any movie buff. Anthony Quinn is at his best, always in character. He delivered one of the best performances of his career. It is sad that it is a performance so rarely mentioned, not even in his biography. But such a find for those who appreciate his strong and insightful performances. Anna Magdalena did only a couple of American films. Most remembered for the Rose Tattoo. I would love to see some of her Italian films, she is a very dynamic actress. Her talent as a dramatic leading lady is worth watching the movie. If you appreciated the strong character and wonderful performance of Meryl Streep in Madison County, you will enjoy this character. Anna Magdalena was incredible. The film was unfortunately, ahead of its time by American norms in the film industry, at the time of its presentation. If released today, imagine the reception. Films such as this were definitely an influence on the American film industry, the success and need to expand a film past a current film formula script, was then only in its infancy. So, if you want to see it for history, social moral content, dramatic performances, its fantastic artful presentation or the sheer enjoyment of a great story, well done, by the most talented artists of our time, see it.

An elemental film, starting with the title. Anna Magnani was a force of nature, so the setting in the rugged Nevada mountains is apt, for this highly melodramatic tale. The passions of the characters are paralleled by images of raging rivers, rearing wild horses, and sheep giving birth, to the thunderous chords of Tiomkin's score. Several years earlier Magnani won an Oscar for her performance in The Rose Tattoo, and in this film she again dominates the screen. One of the most touching scenes is a quiet one at the beginning of the film, when she makes a connection with her niece, sensitively played by Dolores Hart. Anthony Quinn is enjoyable in this, although tending toward overacting. Franciosa holds his own with the two powerhouses.

I finally saw it too in a copy that appears to have been made from American Music Classics on cable at the time they were running movies uncut.

It's a well-acted film. The plot recalls O'Neill's Desire Under the Elms (filmed in 1958) and Sidney Howard's They Knew What They Wanted (filmed in 1940 with Charles Laughton and musicalized by Frank Loesser in The Most Happy fellow in 1956)--older man, mail order bride, affair between wife and younger man.

Very slow in the 1950s style but powerfully acted. Not the sort of film you'd expect from Cukor. Interesting facet to his career.

Also interesting to compare this film and Secret of San Vittorio which re-united Magnani and Quinn after 12 years--older and maybe toned down just a notch, with the Irish/Mexican Quinn again playing an Italian.

This "women's director" was also no slouch with men, and he helps Anthony Quinn to perhaps his best performance. Quinn often overacted, and here, as a hearty, swaggering, brutish sheep rancher who brings his dead wife's sister (Anna Magnani) over from Italy to marry, he easily could have resorted to his usual bluster. But it's a very shaded portrayal, with seemingly conflicting elements of roughness and tenderness that make sense in the end. Magnani is predictably great, even singing well, and Tony Franciosa, as Quinn's adopted son who forms an O'Neill-like triangle (it does feel like "Desire Under the Elms," as another commenter noted), is excellent. The outdoorsiness and earthiness (you even see a lamb born, before your boggled eyes) are un-Cukorlike, but he handles them confidently; and while the symbolism gets a little heavy and Dmitri Tiomkin's music is a bit intrusive, it's an effective family melodrama with a beautifully underplayed fadeout.

Along with her Oscar winning role in "The Rose Tattoo", this is another great acting job by Anna Magnanni. The story involves a love triangle and a very adult theme. Produced in 1957, I saw this movie on the AMC movie channel several years ago and quickly fell in love with it. Being Italian myself, I really enjoyed hearing it spoke often during the movie. Anna Magnanni actually sings at one point, and I might add very well! I have constantly been checking the Internet for news of it's release, but to no luck. Does anyone know where can one find a copy of this movie to purchase? It deserves to be on DVD, but I'll settle for a VHS copy at this point. Thank you very much.