The True Story of Jesse James

Not quite big enough to be an "A" movie, not quite small enough to qualify as a "B" movie, this version of the Jesse James story is too indecisive in its attitude toward its central character to have much impact. The Jesse depicted here is neither good nor bad, and the same thing could be said about the movie itself.

It is a very good-looking movie, though it's completely out of touch with the times it's meant to portray. Every set, every costume, every hair-do says "Hollywood 1950s" rather than "Missouri 1870s."

Robert Wagner seems too clean-cut to be a frontier outlaw but 20th Century-Fox was trying to push him toward stardom at the time, making use of his "hunk" appeal. He's thus given a few bare-chest scenes. Jeffrey Hunter, another would-be star, fits more easily into the western milieu as Jesse's brother, but his part has clearly been subordinated to keep the attention on the Jesse James character. One wonders how the movie might have been improved had these two actors exchanged roles.

Agnes Moorehead and John Carradine lend interest to a better-than-average supporting cast.

This is a slight and plain biopic about Jesse James who ranks with Billy the Kid as the most famous of Western outlaws . Legend and folklore have cast him as a Robin Hood , a good boy forced by circumstances to follow a criminal life . The picture provides a simple portrait of Jesse and his band , as they move from Civil War to there territory becoming into semi-legends . As showing his home life in Missouri, his experiences with Quantrill's raiders and his career of banditry . As Jesse (Robert Wagner) and Frank (Jeffrey Hunter) joined the Confederate guerrillas of Quantrill and learned to kill in ruthless company . Jesse and Frank along with cousins Cole (Alan Hale Jr) , Bob and Jim Younger (Biff Elliot) return from War to find mommy (Agnes Moorehead) and family threatened by Northern people . As detective Barney Remington (Alan Baxter) was hired by the railroad company to hunt down Jesse and Frank . So James Brothers commence to robbin' banks and trains to help out the poor folks who been done wrong . In the course of their revenge , they will become the object of the biggest manhunt in the history of the Old West . Along the way , Jesse courts attractive young , filly Zee (Hope Lange) . As their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James.

This is a sprawling and glamorous Western with acceptable performances from Rober Wagner and Jeffrey Hunter. The film gets spectacular shoot em'up , thrills , exciting horse pursuits ; it's entertaining , although nothing new but displays an ordinary pace and with no originality . A glimmer Western with a wild bunch look-alike that ends up into a fateful final . Packs colorful scenarios, moving pace and slick edition by means of flashbacks .Footage from the original 1939 production was used when Frank and Jesse go over a cliff on horseback into a river and when they crashed, on horseback, through a store window during the "Northfield Minnesota Raid." Features various passable acting by a popular group of today's known stars . This is a decent look about the known story of the West's greatest bandit , Jesse James , along with Frank , Cole Younger and brothers with acceptable performances and professional direction by Nicholas Ray who creates some good action scenes . As originally conceived by Walter Newman and Nicholas Ray, the film had a non-linear plot with flashbacks, but studio boss Buddy Adler couldn't understand it and forced Ray to recut it with the scenes in chronological order ; Bernstein said the recut rendered the film "pointless." Taut excitement throughout , beautifully photographed by Joseph MacDonald and with spectacular bloodletting but realized with some flaws . Atmospheric and evocative musical score by Leigh Harline . The motion picture was well realized by Nicholas Ray who displays enough off-beat touches to keep .

Other films about this legendary outlaw are : The classic version (1939) titled ¨Jesse James(1939)¨ with Tyrone Power and Henry Fonda, ¨The return of Frank james(1950) by Fritz Lang with Henry Fonda ; ¨I shot Jesse James¨ by Samuel Fuller with John Ireland as Bob Ford ; and ¨Jesse James vs the Dalton(1954)¨ by William Castle with John Ireland . And contemporary-style Western such as ¨Frank and Jesse¨ by Robert Boris with Rob Lowe as Jesse James , Bill Paxton as Frank James and Randy Travis as Younger ; ¨American outlaws¨ by Les Mayfield with Colin Farrell , Gabriel Macht , Terry O'Quinn , Harris Yulin and Ali Larter ; and ¨The Assassination of Jesse James by the Coward Robert Ford¨ (2007) by Andrew Dominik with Brad Pitt , Sam Shepard , Mary Louise Parker , Casey Affleck and Sam Rockwell.

The picture was based on actual events , these are the following : At the war's end in 1865 , Jesse rode in to surrender and was shot and seriously wounded by a Union soldier . It is believed that Jesse took part in his first robbery in 1866 when a dozen men held up the bank in Liberty , Missouri . A bank cashier was killed in the raid and a reward was offered for each of the James brothers . In 1873 Jesse and his band derailed and robbed a train on the Rock Island line . Jesse married his cousin Zerelda , who bore him two children . Pinkerton detectives were contracted to chase Jesse and Frank , the agents surrounded the home , believing they to be there , tossed a bomb and the explosion killed Jesse's young half-brother . This outrage brought much sympathy for the brothers . On 1876 Jesse and Frank in company the three Younger Brothers , attempted a bank robbery at Northfield , Minnnesota , and walked in disaster . The alerted citizens opened fire on the raiders , of the eight bandits involved , three were killed and three Younger brothers were captured . On 3 April 1882 Bob Ford , a new member of the gang , treacherously shot Jesse dead in back of the head in his home at St Joseph , Missouri .

The True Story of Jesse James is directed by Nicholas Ray and adapted to screenplay by Walter Newman from a 1939 screenplay written by Nunnally Johnson. It stars Robert Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorhead and Alan Hale Junior. Out of 20th Century Fox, it's a CinemaScope/De Luxe colour production with music scored by Leigh Harline and cinematography by Joe MacDonald.

20th Century Fox choose to remake their own 1939 movie that starred Tyrone Power and Henry Fonda as Jesse and Frank respectively, that film itself was historically dubious, this version, with flashbacks a go go, is a dizzying mess structurally as much as it is factually. With Nicholas Ray at the end of his Fox contract, so therefore using this film as his contract filler, the picture lacks the pizazz so evident in some of his earlier movies. Undoubtedly hampered by studio interference, one can only wonder just how good the film could have been under Ray's total command. There is even some footage from the 39 film inserted into this version, yes the film is that lazy at times. It's rather bizarre to see Wagner and Hunter jump through a window on horseback, only for them to morph into Power and Fonda before completing their escape!

Picture is dealing in the main points of the James' boys life, how and why they became the notorious crims that they were. However, in an attempt to beef up this new updated remake, we are asked to try and involve ourselves with Jesse by way of a complex narrative structure that is just too complex for its own good. Jesse James in his numerous film incarnations has always had an aura of romanticism about him, which is strange since he was a murdering armed robber! But the audience has always been coerced into caring about what happens to him, fully involved in the story of the man himself. Here, though, nobody is sure what to think once the eventuality comes to pass. Somewhere in the mix he was vengeful and driven, elsewhere he was an egotist who drank in the power of leading men, but in an attempt to make sense of the man and legend, the makers also made it a trifle dull. The blend shot to pieces by those flashbacks and too many cooks spoiling the broth.

It's not all a wash out, though. It looks tremendous, beautiful scenery in CinemaScope with the De Luxe colour really soothing the eyes. A few scenes are good value and expertly staged by Ray and his team, with the Northfield raid and a night time train robbery in the glow of the moon particularly standing tall and proud. Cast performances vary, but even though Wagner and Hunter are pale shadows of Power and Fonda, they are not bad at all, and they make for a handsome pair and do come off as brothers. Carradine was in the 39 version as Robert Ford, here he plays a Reverend with his usual grace and smile. Hale Jr is oddly subdued as Cole Younger, Lange looks out of place in a Western setting and Moorehead fans are short changed by her screen time.

Disappointing and only carrying curiosity value these days. Best advice is to stick with the 39 version instead. 6/10

20th Century-Fox and screenwriter Nunnaly Johnson's belated follow-up to their high-spirited and excellent 1939 smash hit JESSE JAMES has returned on DVD to annoy and bore another generation.

The 1957 True Story of Jesse James isn't such a bad movie, but it's inferior in every way to the 1939 movie as well as the 1940 sequel Return of Frank James. Also, the "true story" is no more historically factual than the revisionist history original. Just do a Google search and see what I mean.

Robert Wagoner and Jeffery Hunter were the pretty boys of 1957 but can't hold a candle to the excellent portrayals of Frank and Jesse by Tyrone Power and Henry Fonda. Screenwriter Nunnally Johnson wrote both, but was obviously more fired-up with inspiration in 1939, as that film had nary a dull 5 seconds. It was brilliantly staffed with one rich characterization after another, good guys as well as bad. Even the Technicolor was better in the original. They used 3-strip Technicolor and those cameras which were 1/2 the size of a Pontiac --- to produce a brilliantly rich color still unmatched in 2007.

The 1939 Jesse James was the obvious inspiration for 1972's great hit, Butch Cassidy and the Sundance Kid. The 1957 version inspired only a Z-session.

The intent of this film remains a mystery to me. Was it to portray the notorious outlaw Jesse James as sympathetic, forced into his position as a bank robber due to the atrocities of the Civil War? Or was it to show how an honest man could eventually turn into a cold-blooded killer through motivations of greed and power?

Whatever the message is, it does not help that much of the film itself remains murky and mostly uninteresting. Robert Wagner has to be one of the least believable choices to play Jesse James, going more for the brooding, internally conflicted character rather than the passionate rebel. Jeffrey Hunter is adequate as brother Frank but mostly inoculate and the rest of the cast adds nothing to keep the audience interested.

Hard to believe this was directed by Nicholas Ray, a director known for his quirky traits and idiosyncratic cinematic style. None of that appears here. This is a rather forgettable film that only adds to the myth of Jesse James and his band rather than attempting at all to understand him.