Andy Hardy Comes Home

Like another person who commented, I feel this film leaves too many unanswered questions as to what happened in the years between 1947 and 1958. It was fun to see a few of the original characters (Fay Holden, as Mrs. Hardy, had aged very well!), but the original flavor of the Hardy series was completely lost. The film does come to a satisfying conclusion, however.

One comment regarding archive footage used in the film: I've seen it said repeatedly that the footage of Mickey and Judy was from "Love Finds Andy Hardy", when actually the footage was taken from "Babes in Arms" and adapted with "dubbed-over" names. The footage seems to indicate that Andy and Betsy Booth were more romantically involved than they were in the earlier Hardy films. However, Mickey and Judy are always a treat to watch, whatever the film clip.

Although this film provides some closure, it seems it was intended to begin a new generation of Andy Hardy films; thankfully, film makers left well enough alone after this entry.

After an absence of fourteen years, the Andy Hardy series is resumed with this attempt to regain the magic of the previous fifteen episodes. A series of flashbacks reminds the viewer of the beautiful and talented women who were Andy's former flames. Most of the original cast returns. But this film feels entirely different.

The original script would have had Andy reconnect with Polly, but instead he returns to dear old Carvel a married man, with a family on the west coast. And I am glad for the change, because I never thought of Polly as a pleasant, reliable young woman.

The story is about Andy returning home on a business trip, to locate land for a manufacturing plant. His efforts are thwarted by an unscrupulous businessman and small-town fears. Andy yearns to rediscover the hometown of his youth, but finds that emotional ties can fray.

The story lacks the energy and comedy of the earlier Andy Hardy installments. And the dramatic tension is rather weak, despite intimations that Andy's job is on the line. Still, it's fun to see Andy Hardy again, now serving as head of the family patriarchy.

In his autobiography, Mickey Rooney indicated he had high hopes for this movie but really hated what it turned out to be. He didn't say why, but I have to agree with his sentiments. It's a downer.

The Andy Hardy films of the '30s and '40s had an abundance of humor, or at least good humor. And a lot of the magic was the town of Carvel itself. It was an earlier version of TV's Mayberry -- a gentle, peaceful place that anyone would love to call home. In this movie, however, Carvel is a gloomy little backwater, left behind by postwar prosperity. You can't blame Andy for wanting to rescue it, even if his plan for accomplishing that is dubious.

If you're an Andy Hardy fan, you'll want to see this film out of a certain kind of loyalty. But don't expect it to be fun.

TCM ran all but 2 of the Hardy Family movies a couple of weeks ago and, thank heavens for my DVR, I was able to watch them all and just finished up the series.

Watching Mickey Rooney "grow up" was wonderful; the turn around, I think, being in "Andy Hardy Gets Spring Fever", and even more so in "Life Begins For Andy Hardy"; those two films in particular in the series contained some great character development for Andy and I loved seeing how Mickey Rooney handled it. And Andy Hardy Comes Home was a good conclusion.

I found that I didn't need to know the back story of how Andy met Jane or ended up in California; I enjoyed seeing the little bits and tributes to the earlier movies (Andy tossing his hat onto the peg, the clips of the girls, even the "Carvel Hi" banner in his bedroom) and Andy going in to his father's study when he needed to think... I got teary eyed seeing the portrait of Lewis Stone over the fireplace.

Because I was able to watch the movies so close together, I was able to notice little things that they missed in the continuity: the picture of "Betsy Booth" was different from the one Andy was originally given (see Andy Hardy Meets Debutant), and the front door of the house opened on the opposite side (see Love Laughs At Andy Hardy when he gets locked out of the house), but even that was fun to see. I found this to be a good place to end the series.

To see Andy taking on his father's mantel, literally, was very satisfying. Andy is no longer the skittish young boy/man that the audiences grew up with, but then, we all grow older and are not the same people we were in our youth.

I was glad to see that Andy Hardy came home!

Andy Hardy Comes Home is pretty terrible. You know you're old when you can remember having seen an Andy Hardy film in the theater. I saw this with full knowledge of the Andy Hardy lore having seen them on TV. If anything this picture proves what Thomas Wolfe said about not being able to go home again.

However what is so interesting about this film is the default story about Andy Hardy wanting to bring an aircraft plant to Carvel against the objection of most of the town. This was done in the light of the complete faith of the time in favor of "progress". The objections of the towns people now seem eminently reasonable. What seemed to be progress now seems suicidal. The Carvels of this world were destroyed by exactly this type of development. Maybe sometimes the most bland film can be a significant social document over and above its quality as a film. Excruciating as drama or comedy, fascinating as social history.