An American war correspondent falls in love with a BBC reporter, but their relationship seems doomed from the start.An American war correspondent falls in love with a BBC reporter, but their relationship seems doomed from the start.An American war correspondent falls in love with a BBC reporter, but their relationship seems doomed from the start.
Jack Armstrong
- Reporter
- (uncredited)
Mabel Etherington
- Woman at Inn
- (uncredited)
Lee Fenton
- Reporter
- (uncredited)
Aidan Harrington
- Man at Inn
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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It's a wartime story, although it was released in 1958! Starring... and produced by lana turner! A young sean connery, in an early role, before his james bond films. Glynis johns. When sara and mark meet, it was a quick, war-time romance. They were sure it was going to last forever, but for many reasons, it was not to be! How will they deal with everything that comes their way? It's pretty good! This was way after lana did postman. Lana turner's actual love life was even more complicated... check it out on wikipedia dot org. And connery would win his oscar for the untouchables thirty years after this film. Turner was oscar nominated for peyton place, which had just been released the year before.
I'm still trying to figure out exactly what is the most ridiculous thing about this 1958 Paramount melodrama - the notion of Lana Turner as an ace war correspondent, or Sean Connery's eyebrows. Turner plays Sara Scott, one of those movie journalists who remains gainfully employed despite never letting work get in the way of their personal life. She swans around wartime London in a fur coat, perfectly coiffed and oblivious to the realities of modern warfare although, to be fair, it's not difficult for her not to notice when director Lewis Allen has chosen to mostly omit it from the mise-en-scene. Other than a sequence showing sappers defusing an unexploded V2 rocket, and Scott's hired help making a passing reference to rationing, there's no indication that this is a city that's been at war for nearly 6 years. There's no bombed out buildings, no indication of food, gas or clothing shortages, and barely anyone in uniform on the streets. As a peroxide blonde society lady who spends her time lunching, loving and shopping on 5th Avenue, Turner is entirely convincing. As a highly rated journalist ready to fly off at a moment's notice to whichever battle front her editor deems her presence and writing talents to be essential, she's somewhat less plausible than Steven Seagal tackling Shakespeare. Which brings us to Mr Connery's eyebrows. They are both a wonder and a mystery and put Robert Pattinson's brow hair to shame. His are wider but inexpressive and just sit there above his eyes. Connery's, in contrast, are longer and undulate like two strips of dark brown deep shag carpeting strapped to the back of a couple of adult earthworms. They're so impressive they actually distract attention from his luxuriant head of hair which to anyone used to the older, more follically challenged Connery, is a talking point in itself. ANOTHER TIME ANOTHER PLACE was not the 28 year old's first movie but it was the first time his name had been billed in such close proximity to the film's stars, and clearly no one had considered that a little personal grooming might be in order to reflect his new status as love interest to a bona fide Hollywood star. His agent might also have found a tactful way to suggest that having Connery's character, with his distinct Scottish accent, wax lyrical at great length about his idyllic home town on the coast of Cornwall, might not be the most convincing. But even shifting location and pruning his eyebrows would not have prevented this turgid drama from dissolving into a pool of smelly sludge. Nothing about it rings true and no one does anything to evince our interest or sympathy. It's just a bust. Check out more of my reviews at http://thefilmivejustseen.blogspot.com/
Sean Connery and Lana Turner are journalists who fall in love, in this enjoyable war time melodrama. Connery plays Mark Trevors, a radio reporter for the BBC and Turner plays Sara Scott, posted in London working for an American newspaper. Their relationship, which is never fully developed, has a sting in the tail. The second half of the story takes place in Cornwall, and although filmed in black and white, the scenery is still alluring. Turner, who gets most of the screen time, gives a decent performance and Connery, who at the time was relatively unknown, demonstrates the charisma which makes him a potent screen presence.
Everybody around here seems to be criticizing this fine piece of melodrama. It feels like a duty to say some good things to save it right away. I only heard about the title yesterday from Amazon, and then, in the afternoon, a friend of mine offered to lend it to me. I appreciated the coincidence. I've just finished watching it, and must confess I really enjoyed the show. The image is great, Lana Turner is beautiful. I will accept the fact that it's not as original as other melodramas, but it definitely uses all the ropes we love about this kind of movies. So my mark here is seven, I had a great time and I would advise anyone interested in melodramas to have a look at it on a sunny day, just before going to the beach. And dream while watching seagulls in the sky.
Another Time, Another Place is a multi-dimensional movie. Keeping in mind that it is fifty-eight years old, I imagine the storyline and character building was fairly innovative. Still today, the acting, script, and directing were relevant enough on a general level and pulled me in. I felt drawn towards each character and their individual plights, albeit some more than others. Emotions emanated off the screen, and some scenes were very powerful. While this isn't the best movie of all time, and arguably may not be the peak of Turner's and Connery's careers, it is certainly a heartfelt film that deserves respect.
Did you know
- TriviaDuring the shooting of the movie in England, Sir Sean Connery was confronted by Johnny Stompanato, an ex-marine turned mob enforcer, who was in an abusive relationship with Lana Turner. At the time, Connery and Turner got along very well, so much that after Stompanato found out about it, he suspected that they were having an affair. Stompanato, who was notorious for his jealousy and violent tendencies, then stormed to the set and threatened Connery with a gun. But he quickly disarmed Stompanato and forced him from the set. Following that incident, Stompanato was deported by Scotland Yard. Shortly after he arrived in the USA, he met his end at the hands of Turner's teenage daughter Cheryl, who fatally stabbed him in self-defence while he was beating her mother. Connery, who was filming Darby O'Gill and the Little People (1959) at the time of the latter incident, behaved very cautiously when he walked the streets of Los Angeles, because it was rumoured that a mobster held him responsible for Stompanato's death. That caused him to avoid the USA for several years.
- GoofsThe story takes place in 1945, but all the women's hairstyles and clothes, particularly the high fashion designs worn by Lana Turner, are strictly 1958.
- Quotes
Kay Trevor: Music has such a way of bringing back memories doesn't it? Does it remind you of anyone?
- ConnectionsReferenced in Thunderball (1965)
- SoundtracksAnother Time, Another Place
Written by Jay Livingston and Ray Evans
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Details
- Release date
- Country of origin
- Language
- Also known as
- Herz ohne Hoffnung
- Filming locations
- Polperro, Cornwall, England, UK(St Giles)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 31m(91 min)
- Color
- Aspect ratio
- 1.85 : 1
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