Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysToronto Int'l Film FestivalHispanic Heritage MonthIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro

Appointment with a Shadow

  • 1957
  • Approved
  • 1h 12m
IMDb RATING
6.5/10
518
YOUR RATING
Joanna Moore and George Nader in Appointment with a Shadow (1957)
Film NoirCrimeDrama

George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.George Nader plays a reporter whose career is ruined by liquor. A comeback opportunity presents itself when he is a bystander at the arrest of a well-known criminal.

  • Director
    • Richard Carlson
  • Writers
    • Alec Coppel
    • Norman Jolley
    • Judson Philips
  • Stars
    • George Nader
    • Joanna Moore
    • Brian Keith
  • See production info at IMDbPro
  • IMDb RATING
    6.5/10
    518
    YOUR RATING
    • Director
      • Richard Carlson
    • Writers
      • Alec Coppel
      • Norman Jolley
      • Judson Philips
    • Stars
      • George Nader
      • Joanna Moore
      • Brian Keith
    • 15User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos82

    View Poster
    View Poster
    View Poster
    View Poster
    + 78
    View Poster

    Top cast16

    Edit
    George Nader
    George Nader
    • Paul Baxter
    Joanna Moore
    Joanna Moore
    • Penny Spencer
    Brian Keith
    Brian Keith
    • Lt. Spencer
    Virginia Field
    Virginia Field
    • Florence Knapp
    Frank DeKova
    Frank DeKova
    • Dutch Hayden
    Stephen Chase
    Stephen Chase
    • Sam Carewe
    Ralph Brooks
    Ralph Brooks
    • Joe - Newspaper Man
    • (uncredited)
    Raoul Freeman
    • Burlesque Club Patron
    • (uncredited)
    Bill Hickman
    Bill Hickman
    • Farrell - Police Detective
    • (uncredited)
    Rusty Lane
    Rusty Lane
    • Pat O'Connell - Bartender
    • (uncredited)
    John Phillips
    John Phillips
    • Reporter
    • (uncredited)
    • …
    Fred Sadoff
    Fred Sadoff
      Jeffrey Sayre
      Jeffrey Sayre
      • Burlesque Club Patron
      • (uncredited)
      Charles Sherlock
      Charles Sherlock
      • Reporter
      • (uncredited)
      Bert Stevens
      Bert Stevens
      • Burlesque Club Patron
      • (uncredited)
      Hal Taggart
      • Burlesque Club Patron
      • (uncredited)
      • Director
        • Richard Carlson
      • Writers
        • Alec Coppel
        • Norman Jolley
        • Judson Philips
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews15

      6.5518
      1
      2
      3
      4
      5
      6
      7
      8
      9
      10

      Featured reviews

      10clanciai

      The Phoenix passage through horrors just to stay sober

      Richard Carlson was one of Hollywood's most underrated stars, as he never really achieved stardom but from the beginning was rather modest in his appearances. He made some brilliant performances in the 40s and then gradually also started to direct. His direction here is flawless. His penetration into the problems of an alcoholic, the detailed close-up curtailing of his Via Crucis into sobriety with too many death traps on the way, is on the level with Billy Wilder's "The Lost Weekend" with Ray Milland 1945, but the ordeal is more arduous and intensive here, as George Nader only has one day to go through it all. He gets the chance of his life as a journalist when he gets the opportunity to witness the capture of a long sought murderer at close hand, while this sensational adventure turns out the wrong way, and he is faced by worse sensations than he bargained for. You will bite your nails through in this tremendous challenge of life and death, following the nasty trials of the unwilling hero. Fortunately the film is only 70 minutes, so you will get through it all alive after all, but you would never for your life want to be in a similar situation. George Nader's passage through hell to sobriety leads to some kind of redemption, but that one day through that hell would teach you more than a lifetime of infernal passages.
      6boblipton

      Just Shy Of The Delirium Tremens

      George Nader is a reporter. Perhaps more accurately, he was a reporter until his extreme alcoholism got him canned from every newspaper. Only fellow reporter Joanna Moore cares, and she persuades her brother, police lieutenant Brian Keith, to let Nader know about the forthcoming arrest of evil criminal Frank DeKova. But DeKova is dead, and Nader has the shakes so bad he can't hold a shot glass with two hands. Or is he? And can he?

      Nader was never a big star, even by the standards of Universal, taking the roles that Rock Hudson and Tony Curtis turned down. Here, under the direction of Richard Carlson, he turns in a fine performance of a drunk on his last legs. Director Richard Carlson -- he was much better known as an actor -- also gets a fine performance out of Miss Moore, who is far sexier here than stripper Virginia Field. It's a movie worth watching for the performances.
      searchanddestroy-1

      Rare little gem from Universal Studios

      It is a rare item that I review now, it was totally unavoidable in France and I finally purchased it thru some collectors nets. It is a good atmospheric thriller from the fifties, shot in black and white and in LBX, which adds to the fifties charm. The story itself is not that exciting though, predictable and George Nader - Unversal Studios home star - is as lame as usual. He should not have had the lead role, he deserved supporting roles instead. That said, it is a more than worth watching thriller, which I highly recommend for fifties movies lovers. It is a good film from Richard Carlson, the famous actor.
      10tiffanie_says_stay_in_your_lane

      Character study meets noir

      Well, I don't know about anybody else, but it gave off character study vibes to me. I'm fascinated by movies that examine someone's personal struggles, even more so if they grow and develop throughout the course of the story. Otherwise, if they're one-dimensional, and don't learn anything as they go along, that's just boring. Appointment with a Shadow is an exceptionally crafted film about former newspaper reporter Paul (George Nader) who lost his job as a result of his alcoholism. His girlfriend Penny (Joanna Moore), also a reporter, believes he has the potential to bounce back, so she gives him a tip that could help him re-launch his career. There is one condition: he has to go without a drink for 24 hours. Despite experiencing major withdrawal, he accepts the challenge. Penny's brother, Lt. Spencer (Brian Keith), thinks she's wasting her time trying to help him become sober. So essentially, Paul has to prove himself. This is one of many B films that contains brilliant performances. George Nader was so convincing as an alcoholic who was trying his hardest to stay sober for a full day. You could see the desperation, physically and emotionally. He was shaking, sweating, unable to stay focused on a task, jumpy - he got startled by every little noise. You don't see acting like that anymore. Also, a couple of amusing things were added in to lighten the mood: two beatniks playing music in a hotel room that he fell into through a window. The nerdy guy who works backstage in a gentleman's club and spends all of his time reading, completely unphased by the women around him. I just thought that was clever. The pacing was consistent and the characters were engaging. I was glad Paul wasn't made out to be a stereotypical alcoholic. He wasn't violent or nasty. He was an affable person, thus making his character likeable. Otherwise, if he was the raging type, I probably wouldn't have been interested. And to think, this was inspired by a story that was published in a magazine. It's a fantastic noir that will hold your attention. Don't pay attention to the negative reviews.
      9planktonrules

      Proof that a mostly forgotten actor was too good to be forgotten.

      "Appointment with a Shadow" is a gritty film starring George Nader, a famous American actor whose career slid into obscurity after it was revealed he was gay. It's a shame, as he was very good in this film and his Jerry Cotton spy films of the 1960s...which were filmed in Germany since American studios would no longer hire him.

      When the story starts, you see that Paul Baxter (Nader) is a falling down drunk...and it's pretty much ruined his career as a reporter. His girlfriend, Penny (Joanna Moore), is almost ready to walk, but she gives him an ultimatum and one more chance. Although it's very tough, Paul tries his best to stay away from alcohol and write an article he can be proud of creating. The problem is when he sees a murder, the cops don't believe him...and assume he's drunk. So he has to find someone who believes him, as his reputation is so bad, no one seems to believe him. And, in the meantime, a mobster is out to keep Paul quiet...permanently!

      Nader was very good playing a drunk. He didn't overplay it (an easy trap to fall into) and was quite good in this noir movie. It also helped that the writing was exceptional. Overall, a terrific film...one that deserves to be more well known.

      Best Emmys Moments

      Best Emmys Moments
      Discover nominees and winners, red carpet looks, and more from the Emmys!

      More like this

      One Way Street
      6.5
      One Way Street
      Undercover Girl
      6.3
      Undercover Girl
      Man Afraid
      6.1
      Man Afraid
      Short Cut to Hell
      6.0
      Short Cut to Hell
      The Midnight Story
      6.6
      The Midnight Story
      Spy Hunt
      6.3
      Spy Hunt
      Shakedown
      7.1
      Shakedown
      Hold Back Tomorrow
      6.5
      Hold Back Tomorrow
      Outside the Wall
      6.7
      Outside the Wall
      The Night Runner
      6.1
      The Night Runner
      Johnny Stool Pigeon
      6.6
      Johnny Stool Pigeon
      Chicago Confidential
      6.1
      Chicago Confidential

      Related interests

      Lauren Bacall and Humphrey Bogart in The Big Sleep (1946)
      Film Noir
      James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
      Crime
      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Drama

      Storyline

      Edit

      Did you know

      Edit
      • Trivia
        Filming began with Jeffrey Hunter in the lead, but a serious case of hepatitis caused him to be replaced by George Nader after one day of shooting.
      • Quotes

        [In an apartment, a woman can be seen approaching a door when she hears the bell ringing. This is Penny Spencer. When she opens the door, she sees Police Lieutenant Spencer carrying a man, the latter is Paul Baxter]

        Lt. Spencer: Do you mind if I say I'm glad this is the last time I'm gonna have to do this?

        Penny Spencer: [starts walking towards another room] Bring him in here, Spence.

        Lt. Spencer: [looks at the intoxicated Baxter] Come on...

        [Penny and the Lieutenant enter a room where they lay Baxter on a bed. After positioning him, they take a closer look at him]

        Lt. Spencer: Look at him. Paul Baxter and clean sheets they just don't add up. Do they, sis?

        Penny Spencer: A shower and shave will help.

        Lt. Spencer: It'll take a lot more than a shower and a shave to make anything add up for him again.

        Penny Spencer: You just don't have any faith in him at all. Do you, Spence?

        Lt. Spencer: Penny, I got more faith in these guys than most people have. In fact, I got so much faith in them I can predict exactly what'll happen when you clean them up and turn them loose. He'll go get drunk again.

        Penny Spencer: Anybody deserves another chance.

        Lt. Spencer: We got him another chance on every newspaper in town.

        Penny Spencer: [turns towards the door] Well, he still needs help.

        Lt. Spencer: Oh, come on, sis, why don't you just settle for being a good newspaper woman till the right guy comes along, huh?

        Penny Spencer: He is the right guy.

        Lt. Spencer: And the top reporter in town at twenty-five and he's an alcoholic bum before he's thirty. You call it right?

        Penny Spencer: You made me a promise, Spence.

        Lt. Spencer: I know, I know, I just don't want to see you through your life away, I want to see you happy, that's all.

        Penny Spencer: Then keep your promise... I love him.

        Lt. Spencer: Alright, you'll love him. You're my sister, I happen to love you. Believe me, that's the only reason I'm going through with this deal. I took me a long time to make Lieutenant you know, I could be back pounding a beat in thirty seconds if the department found out what I'm up to. So I think that gives me a right to make you promise.

        [Penny remains silent]

        Lt. Spencer: Look, if he goofs this one up, you see him for the last time. I mean it, Penny. I want you to promise me this is the end of the line.

        Penny Spencer: [softly] It's the end of the line.

        Lt. Spencer: [puts his hand on his sister's shoulder] Good night, sis.

        [the Lieutenant leaves the apartment]

      Top picks

      Sign in to rate and Watchlist for personalized recommendations
      Sign in

      FAQ13

      • How long is Appointment with a Shadow?Powered by Alexa

      Details

      Edit
      • Release date
        • September 1957 (United States)
      • Country of origin
        • United States
      • Language
        • English
      • Also known as
        • If I Should Die
      • Filming locations
        • Universal Studios - 100 Universal City Plaza, Universal City, California, USA(Studio)
      • Production company
        • Universal International Pictures (UI)
      • See more company credits at IMDbPro

      Tech specs

      Edit
      • Runtime
        • 1h 12m(72 min)
      • Color
        • Black and White
      • Aspect ratio
        • 2.35 : 1

      Contribute to this page

      Suggest an edit or add missing content
      • Learn more about contributing
      Edit page

      More to explore

      Recently viewed

      Please enable browser cookies to use this feature. Learn more.
      Get the IMDb App
      Sign in for more accessSign in for more access
      Follow IMDb on social
      Get the IMDb App
      For Android and iOS
      Get the IMDb App
      • Help
      • Site Index
      • IMDbPro
      • Box Office Mojo
      • License IMDb Data
      • Press Room
      • Advertising
      • Jobs
      • Conditions of Use
      • Privacy Policy
      • Your Ads Privacy Choices
      IMDb, an Amazon company

      © 1990-2025 by IMDb.com, Inc.