After his father's death, an orphan goes to live with his free-spirited aunt in 1928 Manhattan. Conflict ensues when the executor of his father's estate objects to the aunt's lifestyle, as t... Read allAfter his father's death, an orphan goes to live with his free-spirited aunt in 1928 Manhattan. Conflict ensues when the executor of his father's estate objects to the aunt's lifestyle, as they deal with the difficulties of the Depression.After his father's death, an orphan goes to live with his free-spirited aunt in 1928 Manhattan. Conflict ensues when the executor of his father's estate objects to the aunt's lifestyle, as they deal with the difficulties of the Depression.
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- Nominated for 6 Oscars
- 5 wins & 12 nominations total
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Featured reviews
There are delightful moments with colorful characters, most noteworthy "Miss Gooch", an unwed mother and thus an outcast of respectable society. There are several touching scenes when the family is suffering in the great depression, but just as many funny ones, i. e. where Auntie Mame puts some biggoted snobs in their place.
I enjoyed this film slightly more than the later Lucille Ball musical version. Although Rosalind Russel is quite flamboyant, Lucille Ball is completely "over the top" and thus less credible. I recommend the 1958 original over the remake, although both are wonderful entertainment.
The story works best when taken as an appreciative but light-hearted portrayal of a memorable character. Many of Mame's adventures are stylized, and they work best when not taken too seriously. Given that, there are plenty of amusing sequences, and just enough thoughtful moments to maintain some balance.
Russell herself is in her element. With a character whom it is almost impossible to overplay, she gives the role plenty of energy and charm. She also works very well with the other characters, giving believable (given the character) and usually interesting reactions to what they say and do.
In the supporting cast, Forrest Tucker and Peggy Cass make good use of their scenes, and Fred Clark works well as Mame's frequent adversary. Coral Browne gets some good moments as Mame's old friend. The filming was approached in a rather stagy fashion, yet much of the time this seems appropriate. All told, the movie has a number of strengths, yet the memory most likely to remain is Russell's portrait of Mame herself.
Auntie Mame in her own way lives this life. This may not appear to be a deep movie. But, Mame lives a life that as Agnes Gooch says "I see what she's been living. And I see what I've been missing." She doesn't miss a moment. She's a caricature for so many of the things that go wrong with "growing up" and becoming "mature and responsible". At the end of the day Mame shows the possibilities of a life led to the full. Of a life that is truly vital and alive. This is a movie everyone who wants to leave this world without leaving money on the table should watch and take to heart. Mame is childlike, fun, and living without fear of what others think. This is on my top 10 list.
Did you know
- TriviaRosalind Russell broke her ankle in the first take of the scene where she comes flying down the stairs in the gown with the capri pants and shooting had to be delayed until she recovered.
- GoofsIn 1929 Mame and Lindsey talk about what Dr. Spock has to say on child rearing, a decade before his famous book was published.
- Quotes
Mame Dennis: Oh, Agnes, where is your spine? Here you've been taking my dictation for weeks and you don't get the message of my book. Live, that's the message!
Agnes Gooch: Live?
Mame Dennis: Yes! Life is a banquet and most poor suckers are starving to death!
- ConnectionsFeatured in AFI's 100 Years... 100 Laughs: America's Funniest Movies (2000)
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- Vivir es mi deseo
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- Budget
- $2,240,000 (estimated)
- Runtime
- 2h 23m(143 min)
- Aspect ratio
- 2.35 : 1