Born Reckless

Kelly Cobb (Jeff Richards) is a cowboy who travels the rodeo circuit. This All-American hunk might resemble Clark Kent, but he knows his way around the ladies. Jackie Adams (Mamie Van Doren) is a trick rider who finds time to sing in the dance halls of the cow-towns on the tour. With her platinum hair and her voluptuous figure, she attracts men even when she is not trying--frequently requiring Kelly to rescue her.

With its rock and roll music and its obligatory fistfights, "Born Reckless" might be another vehicle for Elvis Presley. Although most of the music is performed by someone "on stage", note that Van Doren sings one ballad (backed by an orchestra and choir) on a front porch, lamenting the fact that it's difficult to be patient when a girl is waiting for her man to settle down. So, this film has some elements of a musical.

It also has rodeo stock footage, a lame ending, and a plot as predictable as a poolside fight. Ostensibly it's a story about dreams for the future, but it's mostly a chance for viewers to ogle the two stars. The story is not compelling, but--surprisingly--Mamie's voice sounds pretty good in a couple of her numbers.

Shapely saloon singer Mamie Van Doren (as Jackie Adams) is ogled by many man. After a performance, she is assaulted by a particularly amorous admirer. Handsome rodeo rider Jeff Richards (as Kelly Cobb) saves Ms. Van Doren. She partners up with Mr. Richards and his companion, Arthur Hunnicutt (as "Cool Man"), on the rodeo circuit. Although Richards seems more interested in other women, like Carol Ohmart (as Liz), he and Van Doren become attracted. Van Doren continues to arouse other men with her full, tightly-attired figure and platinum blonde looks. Seeing whether or not they can work it out and settle down is not very exciting.

**** Born Reckless (11/58) Howard W. Koch ~ Mamie Van Doren, Jeff Richards, Arthur Hunnicutt, Tom Duggan

This is a pretty good feature about some rodeo competitors and its best assets are a typically amusing hayseed performance by Arthur Hunnicutt, some sharp black and white rodeo competition photography by Joseph Biroc and Mamie van Doren's shiny blouse.

A good script allows the actors to give good performances, including Miss van Doren, who was often used as little more than a peroxide job and a large, pointy bra. A sense of anomie suffuses the production as everyone grabs a few happy moments in a tough, dying world. The following year's THE MISFITS, starring another pneumatic platinum blonde is acclaimed, but this unassuming second feature makes the same points and has more range.

Amateur night at the rodeo. As barroom singer Jackie Adams, sort of a fashion-plate cowgirl (her western hat tilted to one side), Mamie Van Doren is dressed to kill, peroxided and puckered for a kiss that never comes. This lady knows her way around a photogenic pose but, unfortunately, she has no personality; when asking someone a simple question, she squints her eyes and quivers her lips as if trying to comprehend the theory of relativity. Van Doren is so stilted on-screen that she's hardly even a presence, yet the drooling cowboys in her path don't seem to notice. Mamie hitches up with a hunky rodeo cowboy and his grizzled cohort, but the so-called screenplay isn't interested in the (often crooked) rodeo circuit. What the filmmakers really want to do is get their sexy starlet into compromising positions (which she then squirms her way out of). Joseph F. Biroc's cinematography is compromised by poor stock shots of rodeo crowds (which must have pained him), and every performance leans toward the extreme: extremely wooden or extremely hammy. Either way, the picture is extremely awful. * from ****

Mamie has about five good Country song and dance numbers while worrying about her man, Kelly Cobb, a rodeo champ who has been drawn into the clutches of another woman (Carol Ohmart) Bland and polished with the big studio budget as they come. It's curious why an A grade studio like Warner Brothers decided to run with such a slim B grade rodeo opera. Without James Dean, they were no doubt trying to repeat Fox's success with Marilyn Monroe. Nice rodeo riding tricks help pad the time of a predictable show with a rather tame story book ending. One rock n roll number might have you laughing quite a lot..