Frankenstein 1970

Baron Victor von Frankenstein(Boris Karloff) was scarred by his Nazi captors during World War II, he plans to recreate the legendary Monster originally conceived by his ancestor. In order to raise money to purchase an atomic reactor to complete his experiments, he permits an American TV unit to film a show at his castle. During the late fifties, television exposure of Karloff's old Frankenstein films sparked a new horror cycle in Hollywood. Karloff was made up to look rather like a disfigured German Count and does a careful, convincing job with his role, which is competently written. The supporting cast of Tom Duggan , Irwin Berke, local TV personalities and Jana Lund(one time sweetheart of Elvis Presley) do well enough but cannot be in class with Karloff. No matter what you think of the film, it is still another Boris Karloff classic and should be viewed by all Karloff fans.

This is not a down right awful film... it's actually quite fun to watch. This might not be the best film Karloff has starred in but it's entertaining! It's nice to see Karloff in a role reversal of Frankenstein. He is the scientist who created The Monster in this film.

I have to agree with other reviewers that it is Karloff's presence in the movie that makes this one worth watching over again. Some of the film is laughable - which really creates the "fun" in watching the film.

Love the semi-Gothic atmosphere - and the surprise at the end of it.

All in all this is a good weekend popcorn flick! Worth watching if you like anything Frankenstein and/or Boris Karloff! 7/10

The last association that Boris Karloff had with the Frankenstein character came in this low budget Allied Artists film that I remember seeing in the theater in 1958. It was not the best of endings.

This time Boris Karloff is playing the last descendant of the Frankenstein clan who's an old man and who in his youth was tortured by the Nazis in an effort to divulge Frankenstein family secrets. It left him quite understandably twisted.

Karloff is putting up with a movie company who is shooting on his castle grounds, no doubt shooting a film like Frankenstein 1970, a low budget thriller. The money they're paying him however is paying for an atomic reactor, something his ancestor didn't have, maybe that's the missing ingredient.

Of course the bodies start falling, four of them to be precise as Karloff searches for what he needs to revive the Frankenstein monster which he has found and preserved.

Boris Karloff and his contemporary Bela Lugosi did both great horror films and a lot of junk. Frankenstein 1970 sad to say falls in the latter category.

I have a little fondness for this movie. It was on TV quite often when I was a little skippy. It was always on The Ghoul who was a horror host in the Detroit area. Most of the time we were watching to see him but the movies weren't always bad. This one was a little above the rest.

To finance his experiments the last of the Frankensteins (Karloff) allows a film crew to shoot a movie/TV show on the grounds of his estate. Of course the Doc is building a creature down in his secret laboratory. Not only does Frankenstein need cash, he needs a few spare parts for his project as well. The film crew and servants provide him with these - unwillingly of course.

The film crew is really annoying. Seeing them getting bumped off by the bandage-swathed monster is quite fun. Many have complained that Karloff was hamming it up. I disagree as he was dealing with a one-dimensional character.

The ending is kind of predictable. But there are worse ways to spend your time than watching this.

Atmosphere is important in any horror film and this movie has it in spades. Unfortunately, that's all it has. Really very little to recommend here. Karloff is good in this movie but completely wasted in this effort and far too campy and hammy to really chill the audience. The monster itself is also a huge problem. Not so much when we first see the monster but as it progresses in its various stages of creation, it just gets sillier and sillier. The music tries to scare up a few chills whenever the monster appears but it is all really wasted. The best thing about the movie as I previously stated is the atmosphere. I especially like movies that have isolated creepy castles in them that are filled with secret passageways and hidden laboratories from which all those mad scientists conduct their business. The opening sequence of the film is by far the best part of the movie but the surprise ending tries to come close only that it is really telegraphed all throughout the movie and really isn't much of a surprise when you think about it. Although this is by far not the worst Karloff film it is not the best either. It's really too bad that Karloff, if he wanted to spoof the Frankenstein character he played, that he should have offered to play the part in ABBOTT AND COSTELLO MEET FRANKENSTEIN.