An army officer tries to help the Indians placed in his charge, but finds himself interfering with their way of life.An army officer tries to help the Indians placed in his charge, but finds himself interfering with their way of life.An army officer tries to help the Indians placed in his charge, but finds himself interfering with their way of life.
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The plot is tired and the characters are never fully developed, but there is enough action to keep you interested. The original score by Dunlap is uplifting, and I have to think that the novel this one is based on(By Sheriffs)is a better read than movie. The brutal hand to hand combat between hero and Indian Chief at the picture's climax is a surprise. The rest is pretty much routine.
I sincerely doubt any cavalry fort in the nineteenth century would have girlfriends or wives of the soldiers living there on the base. Most likely they would live in the nearest town or city, even in a different state if the territory wasn't settled. Easy chances were handed out to kill the renegade warrior Black Eagle, but refused to stretch out the running time. Lola Albright is almost unrecognizable in a heavy dress and makeup of the time period the film is set.
Googling will lead to at least two reasonable offerings of this film, though the one that I settled on had foreign subtitles and a strident musical score.
Even at the start of the film, the fort didn't appear to have a very large garrison, which was significantly depleted after a couple of unwise deployments of troops. But it did have three very attractive women, including a Native American played unconvincingly by white actress Toni Gerry. I recognised only a couple of the cast.
Towards the end there was a surprise death, an unusual strategy by the soldiers and a brutal man-to-man fight.
Even at the start of the film, the fort didn't appear to have a very large garrison, which was significantly depleted after a couple of unwise deployments of troops. But it did have three very attractive women, including a Native American played unconvincingly by white actress Toni Gerry. I recognised only a couple of the cast.
Towards the end there was a surprise death, an unusual strategy by the soldiers and a brutal man-to-man fight.
It's Oregon 1871. There is a truce except for one man, Chief Black Eagle. Lt. Niles Ord finds his group. Instead of following orders, Ord doesn't allow the killing women and children. He finds Little Deer who is being prepared to wed Black Eagle. Sylvia Dane is Maj. Roland Dane's daughter.
This is an old fashion western. The story dies whenever it gets stuck in the fort. I kept wondering where is that location. It must be some historical recreation venue. They try to do something comedic with Little Deer. Mostly, I felt it was a waste of time. There is some good outside action. It is a lot of fighting bad Indians. Some of those footage does look different. I'm guessing that there were other cameras being used there. The good old fashion action keeps this interesting.
This is an old fashion western. The story dies whenever it gets stuck in the fort. I kept wondering where is that location. It must be some historical recreation venue. They try to do something comedic with Little Deer. Mostly, I felt it was a waste of time. There is some good outside action. It is a lot of fighting bad Indians. Some of those footage does look different. I'm guessing that there were other cameras being used there. The good old fashion action keeps this interesting.
Oregon Passage (AKA: Rio Bravo) is directed by Paul Landres and adapted to screenplay by Jack DeWitt from the novel written by Gordon D. Shirreffs. It stars John Ericson, Lola Albright, Toni Gerry, Edward Platt, Rachel Ames and H.M. Wynant. Music is by Paul Dunlap and CinemaScope photography is by Ellis Carter.
It's somewhat surprising that given the production value here that this is a little known Cavalry & Indians Oater. Of course the absence of "A" list male stars explains its rarity a touch, but still it deserves a look if not for the formulaic plotting, then for the production strengths.
Plot finds Ericson as Lt. Niles Ord in Oregon 1871, he's 1/16th Cherokee and has a grasp of the Indian situation! Holed up at the fort with a commanding officer who has a grudge (Platt), Ord and the rest of the soldiers operate in constant threat of attack from Black Eagle and his Shoshone warrior tribe. Meanwhile tricky matters of the heart produce internal war within the fort's boundaries.
Nothing for Western fans to get too excited about but it's a very well mounted picture. Platt is a Custer character just waiting to get comeuppance, his pigheadedness and repeated locking of horns with Ericson drives the story forward. Albright and Gerry are absolutely socko gorgeous, lit up in De Luxe colour and given written parts that may be familiar, but nonetheless are performed for good impact. It often gets draggy as it spends too much time inside the fort, the character interactions at times becoming extraneous, but action pops in from time to time and is competently staged and raises the pulses. The CinemaScope photography is most pleasing, Ellis Carter (The Incredible Shrinking Man) making use of the Deschutes National Forest locations. Dunlap's musical score is by the numbers for such a Western movie, though his various incorporation's of "Red River Valley" strike an impression, whilst the design of the fort - all sharpened timber - is also striking. Worth a viewing for the Oater of mind. 6/10
It's somewhat surprising that given the production value here that this is a little known Cavalry & Indians Oater. Of course the absence of "A" list male stars explains its rarity a touch, but still it deserves a look if not for the formulaic plotting, then for the production strengths.
Plot finds Ericson as Lt. Niles Ord in Oregon 1871, he's 1/16th Cherokee and has a grasp of the Indian situation! Holed up at the fort with a commanding officer who has a grudge (Platt), Ord and the rest of the soldiers operate in constant threat of attack from Black Eagle and his Shoshone warrior tribe. Meanwhile tricky matters of the heart produce internal war within the fort's boundaries.
Nothing for Western fans to get too excited about but it's a very well mounted picture. Platt is a Custer character just waiting to get comeuppance, his pigheadedness and repeated locking of horns with Ericson drives the story forward. Albright and Gerry are absolutely socko gorgeous, lit up in De Luxe colour and given written parts that may be familiar, but nonetheless are performed for good impact. It often gets draggy as it spends too much time inside the fort, the character interactions at times becoming extraneous, but action pops in from time to time and is competently staged and raises the pulses. The CinemaScope photography is most pleasing, Ellis Carter (The Incredible Shrinking Man) making use of the Deschutes National Forest locations. Dunlap's musical score is by the numbers for such a Western movie, though his various incorporation's of "Red River Valley" strike an impression, whilst the design of the fort - all sharpened timber - is also striking. Worth a viewing for the Oater of mind. 6/10
Did you know
- TriviaFilmed on location in Oregon.
- GoofsToni Gerry (Little Deer), portraying an Indian woman, is wearing lipstick and light-colored nail polish.
- Quotes
Sylvia Dane: When *can* I have a talk with you?
Lt. Niles Ord: Maybe when things quiet down.
Sylvia Dane: Quiet down? The place is a permanent morgue now. Aren't you taking army life just a bit too seriously?
Lt. Niles Ord: I'm a professional soldier, Sylvia.
Sylvia Dane: I like you better when you act like a professional lover.
- ConnectionsReferenced in M Squad: Shot in the Dark (1958)
Details
- Runtime
- 1h 20m(80 min)
- Aspect ratio
- 2.35 : 1
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