Oregon Passage

I sincerely doubt any cavalry fort in the nineteenth century would have girlfriends or wives of the soldiers living there on the base. Most likely they would live in the nearest town or city, even in a different state if the territory wasn't settled. Easy chances were handed out to kill the renegade warrior Black Eagle, but refused to stretch out the running time. Lola Albright is almost unrecognizable in a heavy dress and makeup of the time period the film is set.

An usual B-western without enough attractive forces to hold in the chair, firstly having a second class casting usually on TV series, a three-side fight, between an insurgent Black Eagle against cavalry sheltered in the fort, led by a cocky careerist Major Roland who intent to get promotion to be back to east, by any means including putting all soldiers in danger against Black Eagle, in other hand a Lt. Niles a second on command has been pressure by the insane Major, among all this has a Major's wife a beauty Lola Albright a former fiancée of Niles and also including Little Deer a young Indian rescued from the Indians by Niles, this odd triangle affair is more dangerous than the angry Indians, the fabulous locations on Oregon national forest is quite sure the highlights of this average production, the spots nearby river rapids are breathtaking, l guess this picture hardly comes to light officially someday, l have it recorded from tv in low resolution, unlikely event of restoration could improve the picture a as consequence get better reputation!!!!

Resume:

First watch: 2019 / How many: 1 / Source: DVD / Rating: 6

The plot is tired and the characters are never fully developed, but there is enough action to keep you interested. The original score by Dunlap is uplifting, and I have to think that the novel this one is based on(By Sheriffs)is a better read than movie. The brutal hand to hand combat between hero and Indian Chief at the picture's climax is a surprise. The rest is pretty much routine.

Googling will lead to at least two reasonable offerings of this film, though the one that I settled on had foreign subtitles and a strident musical score.

Even at the start of the film, the fort didn't appear to have a very large garrison, which was significantly depleted after a couple of unwise deployments of troops. But it did have three very attractive women, including a Native American played unconvincingly by white actress Toni Gerry. I recognised only a couple of the cast.

Towards the end there was a surprise death, an unusual strategy by the soldiers and a brutal man-to-man fight.

Will anyone be offended if I say that Edward Platt was not as good a screen actor as Henry Fonda, nor John Ericson as interesting as John Wayne? I mention these startling opinions because the first half of this movie is a remake of FORT APACHE.

I'll go further with these radical insights and assert that Paul Landres was not as good a director as John Ford. While most of the actors are at least adequate, there are some wonky lines offered that didn't sound very convincing.

After the borrowed beginning, this settles down into a standard B western in which Ericson winds up fighting H.M. Wynant, the Indian chief who leads his warriors into battle by standing on a rock and raising his arms. It's an attempt to save the B Western by some serious location shooting in Deschutes National Forest in Oregon, and the camera-work of Ellis Carter is up to the job; he chooses lighting that suggests the forests of the Hudson Valley School of painting, rather than the Frederick Remington lighting that Ford lighted for his color excursion to the Southwest. However, the rest of it is standard fare.