The Sheepman

The Sheepman is directed by George Marshall and written by William Bowers, James Edward Grant and William Roberts. It stars Glenn Ford, Shirley MacLaine, Leslie Nielsen, Mickey Shaughnessy, Edgar Buchanan, Willis Bouchey, Pernell Roberts, and Slim Pickens. Music is by Jeff Alexander and cinematography by Robert J. Bronner.

Utterly delightful semi-comic Oater, The Sheepman pitches Ford as sheep farmer Jason Sweet, who arrives in Powder Valley - a place ruled by cattle ranchers only - and upturns the applecart by announcing he intends to let his sheep graze on the lands there. Trouble, motives and back stories will out!

With the exception of some poor rear projection work, this is a pic that's constructed with style and humour. The opening is a doozy as Sweet quickly puts down a marker in the town, with a glint in his eye and a punch of some force. It's an irresistible characterisation by Ford, deftly blending humour with machismo, setting up the rest of the film by firmly pulling us viewers onto his side. Supporting cast are bang on the money, doing justice to well written characters (the screenplay was Oscar nominated), with the writing also having some nous via twists and a commitment to never let the story be boring or twee.

An absolute must see film for fans of the irrepressible Glenn Ford. 8/10

Terrific M-G-M oater with both a comedic and a romantic slant has Glenn Ford playing the new sheep farmer in a cattle community; he deliberately stirs up trouble for himself with the locals, particularly villainous old acquaintance Leslie Nielsen, when reminding them that the grazing land is his to use as well--and if they wanna run him out of town, he'll fight them to the bitter finish. Shirley MacLaine is at the peak of her charms as a sarcastic gal who initially plays both sides of the fence. Very entertaining western with colorful production makes no overtures to deep meanings or powerful statements. On the frivolous side though it may be, it is one of the most satisfying westerns of the 1950s. Screenwriters William Bowers and James Edward Grant (Oscar-nominated) have fashioned a surefire character for Glenn Ford, who is irresistible. Good show! *** from ****

Although "The Sheepman" is full of comic moments, none of them could quite be considered to be of the parody or even the self-reflexive variety. George Marshall's 1958 western was produced a few years before the genre began imitating television westerns by moving in that direction with films like "Cat Ballou" and "Support Your Local Sheriff". Most of this film's humor comes from the off-kilter nature of Glenn Ford's cowboy hero Jason Sweet. He is my all-time favorite Ford character, alternating between standard western hero and detached manipulator. His scenes with Mickey Shaughnessy (as town bully Jumbo) are funny because they totally break genre conventions. The Coen Brothers have used a similar technique in many of their films, writing dialogue totally mismatched with what one expects from a particular movie stereotyped character. The effectiveness of the device (and its novelty in 1958) led to William Bowers & James Edward Grant receiving an Oscar nomination for the screenplay.

The story gets moving right away as the title character (Sweet) hits the town of Powder Valley, seemingly on a mission to alienate every citizen with whom he comes into contact. This also serves as a quick introduction to most of the supporting cast as he insults the railroad station master (Percy Helton), gives unsolicited advice to a young lady (Shirley MacLaine), tricks the livery stable owner (Edgar Buchanan of "Petticoat Junction" fame); and gets the better of the general store proprietor (Harry Harvey). He then picks a fight with Jumbo (Shaughnessy) and ends the day by announcing his intention to graze sheep on the nearby public lands. This puts him into conflict with a local cattleman named "The Colonel" (a very young and uncharacteristically serious Leslie Neilsen).

MacLaine's often exasperated heroine would serve as inspiration for the Suzanne Pleshette and Joan Hackett characters in "Support Your Local Gunfighter" and "Support Your Local Sheriff".

"The Sheepman" is refreshingly different; witty, unpredictable, and extremely entertaining.

Then again, what do I know? I'm only a child.

This movie works on a lot of levels. Awesome cast, good story, great action and good laughs.

Ford is a different tough guy to most western stars, less physically imposing his toughness or power comes completely from his uncompromising attitude against his foes. It makes a nice change , similar to Joel McCrea but a better actor.

The movie has all the elements that you would be looking for when watching this, its a very satisfying movie :)

This is a very special western ,very tongue in cheek ,which was very unusual in the fifties where the masters produced unsurpassed classics (Ford,Daves ,Walsh,Mann....)Till the moment when Glenn Ford tells the story of his former fiancée to Shirley McLaine ,there's absolutely nothing dramatic in this plot which involves a Sheepman who has got problems with the inhabitants of a cattle village .Sheepman has to battle for sheep herds and for the "colonel"'s fiancée, a tomboy who was ahead of her time ,as far as woman's lib is concerned ,at least till her very last lines ;Glenn Ford ,Shirley McLaine and Leslie Nielsen do not take their roles seriously and it's much fun watching them battling against each others ;one can regret that Georges Marshall should have introduced drama in the second part .It should have stayed a comedy till the end!The scenes of the ball and the night train tooting alone are worth the price of admission.

Didn't Jason get the Golden Fleece?