A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.
- Director
- Writers
- Stars
- Awards
- 2 wins & 2 nominations total
Almut Berg
- Pigtails
- (uncredited)
Peter Capell
- Minor Role
- (uncredited)
Bill Cummings
- Viking Warrior
- (uncredited)
Kelly Curtis
- Young Girl
- (uncredited)
Peter Douglas
- Young Boy
- (uncredited)
Georges Guéret
- Viking Warrior
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Believe it or not the plot of this film has a basis in fact. There was a Viking leader called Ragnar Lothbrok (Leather-breeches) who was put to death in a snake -not wolf- pit by Aelle, king of Northumbria, at York in the year 865. His son 'Ivar the Boneless' raised a Viking army, invaded Northumbria and killed Aelle.
The film builds on this to include an illegitimate half-brother and rivalry over a beautiful Welsh princess to create a story of rousing, full-blooded action.
The film has a great atmosphere which is hard to put into words. You can almost sense the harshness of the climate in a way that makes you feel you are there. The climatic fight scene between Douglas and Curtis is a good example of this. Brilliantly staged on the roof of a castle overlooking the sea, you hear the whistling of the wind and crashing of waves against the shore below. The photography emphasises this sense of height and space to create one of the best film fights I have ever seen.
There are glaring errors, of course. The Anglo-Saxons never had castles like the one here, or ships of the type used by Princess Morgana: these both date from 500 years later.
I learned all this when (inspired by the film) I studied the Viking era at University. Between you and me, the film was a great deal more fun!
The film builds on this to include an illegitimate half-brother and rivalry over a beautiful Welsh princess to create a story of rousing, full-blooded action.
The film has a great atmosphere which is hard to put into words. You can almost sense the harshness of the climate in a way that makes you feel you are there. The climatic fight scene between Douglas and Curtis is a good example of this. Brilliantly staged on the roof of a castle overlooking the sea, you hear the whistling of the wind and crashing of waves against the shore below. The photography emphasises this sense of height and space to create one of the best film fights I have ever seen.
There are glaring errors, of course. The Anglo-Saxons never had castles like the one here, or ships of the type used by Princess Morgana: these both date from 500 years later.
I learned all this when (inspired by the film) I studied the Viking era at University. Between you and me, the film was a great deal more fun!
This film actually holds up very well in today's show-too-much and CGI blanding effect environment.
Douglas, Curtis and Borgnine run away with it all, and Janet Leigh is rather breathtaking.......
Combat scenes are coarse and brutal, not "300" level, but tough nonetheless. Stunt work is top notch.
The quality of the film, the color, the scope, the natural sets are worth purchasing the DVD for alone. The beautiful score is actually one of the most haunting melodies I have heard in my life.
The tension leading up to the assault on the English castle is dead-on....no music for the most part, just unrelenting marching, and the dread on the faces of the castle defenders.....very satisfying movie experience.
Douglas, Curtis and Borgnine run away with it all, and Janet Leigh is rather breathtaking.......
Combat scenes are coarse and brutal, not "300" level, but tough nonetheless. Stunt work is top notch.
The quality of the film, the color, the scope, the natural sets are worth purchasing the DVD for alone. The beautiful score is actually one of the most haunting melodies I have heard in my life.
The tension leading up to the assault on the English castle is dead-on....no music for the most part, just unrelenting marching, and the dread on the faces of the castle defenders.....very satisfying movie experience.
Call me a fool, but I feel strongly that the Richard Fleischer/ Kirk Douglas 1958 film THE VIKINGS is a waiting-to-be-rediscovered masterpiece.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
I've always thought that this was a fun film to watch. Kirk Douglas with his impressive physique is well cast but I think Ernest Borgnine steals the show playing his father. A great role for him. Maybe Tony Curtis looks a little out of place among the vikings but he's always been a good enough actor to pull it off. Great sets and just beautiful cinematography. The film was shot on real locations in Norway. If you get a chance to see this just sit back and enjoy this fun adventure film.
When I was a boy of 11 years, I admired the reconstructed Viking ships near our cottage at the Hardanger fjord. It was the year 1957, when Kirk, Tony and Borgnine visited our country and participated in this beautiful movie... In a funny sort of way, the picture makes us Norwegians proud of that brutal past... I have seen it many times, and am struck by the surprisingly "right" atmosphere, touched by the landscape that I know so very well, and fascinated by the action. OK, so it's Hollywood, but somehow, I have the feeling they don't make movies like this any more. Pity! Well, maybe I'm getting old.
Did you know
- TriviaErnest Borgnine plays the father of Kirk Douglas. In real life he was 1-1/2 months younger than Douglas.
- GoofsA Norman-style stone castle is featured in England, though the film is set before the Norman Conquest of 1066.
- Crazy creditsOne of the rare 1950s films to present all the credits at the end.
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 1993 when the film was granted a 'PG' certificate for home video.
- ConnectionsEdited into History of the World: Part I (1981)
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross worldwide
- $37,559
- Runtime
- 1h 56m(116 min)
- Aspect ratio
- 2.35 : 1
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