Violent Playground

Stanley Baker plays a Liverpool police detective who is reassigned to a special Juvenile Liassion Department, which takes this film into the world of a large public housing project teeming with youth of all ages who are seemingly teetering on the edge of becoming responsible adults or the criminals the movie portrays, played quite well by David McCallum and the other tough actors who play his hoodlum friends and followers. There's an awesome opening shot of McCallum and his boys within the confines of the project, and the film interjects Baker into this world through his relationship with two childhood twins who play McCallum's younger siblings, and their older sister, whom Baker begins to fall for. Things get a little bit unbelievable as the film progresses, but the focus on alienated youth bopping along to a rock and roll song isn't half bad, and the conclusion, which seemed to me to be too much of a stretch, was still shockingly well done.

This film was shot on location in Gerard Gardens in Liverpool, and was the UK's answer to films such as 'Blackboard Jungle'. The film stands the test of time quite well, with all the moral stories still (or even more) relevant today. The film feature some fine performance from some notable British actors such as David McCallum, Stanley Baker, Peter Cushing and Anne Heywood. Baker plays a Liverpool cop assigned to juvenile liaison duties, with the premise that if you catch the kids at an early age, they will end up being responsible adults.

Notable cameos in the film include Freddie Starr (Fred Fowell) and Melvyn Hayes (Gloria). Tsai Chin and Michael Chow play brother and sister (they are real life brother and sister) who are caught up in an arsonists web. Tsai Chin is still acting and can be seen in the latest Nicole Kidman film 'The Interpretor'.

Violent Playground features a gun siege in a school, so is unlikely to be shown on TV following similar events in Scotland / Russia.

I lived in Gerard Gardens where the film was shot (though was not born at the time), and have fond memories of the area. I have recently completed a documentary on Gerard Gardens which includes extracts from 'Violent Playground', and a small UK film 'Coast to Coast' which stars Lenny Henry and Pete Postlewaite. The tenements were demolished in 1987 and the films go some way in keeping the memory alive.

There were some complaints from the residents when the film was released, as the film portrayed the area in a bad light. Time has helped heal those wounds.

A little gem of a film, I would recommend you seek this out

This film was the first British teen movie to actually address the reality of the violent rock and roll society, rather than being a lucid parody of 1950s teenage life. In an attempt to celebrate the work of Liverpool's Junior Liaison Officers the opening title points out that 92% of potential delinquents, who have been dealt with under this scheme, have not committed a second crime. However, this becomes merely a pretext to the following teen-drama until the film's epilogue where we are instructed that we shouldn't feel responsible or sorry for such delinquents however mixed-up they might seem.

Stanley Baker plays a tough detective who reluctantly takes on the post of Juvenile Liaison Officer. This hard-boiled character is a role typical of Baker. Having been currently on the trail of a notorious arsonist known as the firefly and does not relish the distraction of the transfer. However, as in all good police dramas he is led back full circle by a remarkable turn of events, back to his original investigation.

His first case leads him to the home of two young children, Mary and Patrick Murphy (played by real-life brother and sister duo), who have committed a petty theft. Here he meets Cathie (satisfyingly portrayed by Anne Heywood) their older sister whom he eventually becomes romantically involved with. It quickly becomes obvious that the squalid environment of such inner-city estates is a breeding ground for juvenile delinquency.

The elder brother of the Murphy family, Johnny, is the leader of a gang of rock and roll hoodlums. McCallum does an eye-catching turn as the Americanized mixed-up kid, who owes more to the likes of Marlon Brando, than any previous British star. One is reminded of Brando's character Johnny from 'The Wild One' who led a leather-clad gang of rebellious bikers in much the same way as this film's 'Johnny' leads his gang.

Thankfully the preachiness of earlier Dearden crime dramas such as 'The Blue Lamp' is not so apparent. Instead we are presented with several well drawn-out characters on both sides of the law as the drama of the delinquents and the romantic interest between Heywood and Baker takes the forefront.

The plot, whilst at times predictable, does deliver some memorable scenes. The disruptive influence that rock and roll music was thought to have had is played out in a scene where Johnny abandons himself to the music, leading a menacing advance on the police sergeant. The most grippingly memorable piece of film however is the climatic classroom scene where a bunch of terrified school children, including Mary and Patrick, are held hostage at gunpoint by Johnny. Obviously in the light of the real-life Dumblaine Massacre this scene seems all the horrifying. Understandably because of this the film is seldom aired or available to modern audiences.

Had no idea if I was going to enjoy this film which is in black and white and was filmed on location in Liverpool, England in a very depressing area with a great deal of problems. Truman, (Stanly Baker) is a detective and is reassigned to another position which is, Juvenile Liason Officer who is now in charge of trying to stop juvenile crime in the City of Liverpool. Truman is not too happy about his assignment but does get involved with young twin children named Mary and Patrick Murphy who have been stealing things in the local stores and meets up with their older sister, Cathie, (Anne Heywood). Johannie Murphy, (David McCallum) is the older brother and he is a ring leader who is causing many problems in the City of Liverpool. Johannie has some mental problems which cause him to enter a school with a gun and starts a major problem and gets himself deeper and deeper in trouble with the police. Peter Cushing, (Priest) plays a great supporting role and even falls off a ladder that is pushed by bad boy Johannie. There is some brief romance in this film also between Cathie and Detective Truman. This film is very different and explodes towards the end of the film. Enjoy.

Sadly when you watch a film that is 60 years old, you may be lucky if only one or two members of the cast are still alive. As of April 2018, Violent Playground has several members of cast not only alive but still performing such as David McCallum, Michael Chow, Tsai Chin, Freddie Starr and Melvyn Hayes.

Director Basil Dearden as he did in Sapphire and would go on to do in Victim, makes a melodrama dealing with social issues.

Set in post war Liverpool, Stanley Baker plays Detective Truman, he is unmarried, has no kids and he is assigned to work in the with a juvenile division, something he is not keen on. His brief is to stop youngsters living in the poverty ridden part of the city, entering a life of crime.

He ends up dealing with a pair of young twins who were caught shoplifting. Truman is comfortable at first dealing with the kids but as he takes them home to their block of flats he comes to a bunch of older unruly youths such as their older brother Johnnie (McCallum) who might be behind a string of arson in the city. Truman also gets involved romantically with Johnnie's sister.

Johnnie is rather unhinged, in the past he was feted a hero but the film climaxes as Johnnie holds young children in a school hostage in an armed seige.

The film is not totally convincing as it seems the director is uncomfortable in how to deal with the social justice aspects of the story. It wants to be The Blackboard Jungle but it does not get there. Many of the actors have non Scouse accents which is a surprise as McCallum was supposed to be an early British actor influenced by the method acting techniques. Baker's character gets too comfortable, too early as a Juvenile officer, able to understand the issues facing the young kids, although that might be just to expedite the story. Some of the scenes of the youths enjoying rock n roll music and dancing to it just looks silly, making a link to music and juvenile delinquency.