The Many Loves of Dobie Gillis

This show was groundbreaking. No other show captured the generation gap of this era quite like Dobie Gillis.

First, it portrayed life from a teen's perspective in the age of Father Knows Best. In the early seasons, Dobie was a high school student consumed with only getting a pretty girl to be his girlfriend. Usually, it was Thalia Menninger who had expensive tastes. The conflicts usually resulted from the fact that Dobie was always broke and never wanted to work. He would always try to get money from his dad, but Herbert T. Gillis was not the type to give someone something for nothing. Also, Dobie, despite being a highly likable boy, was far from an exemplary student, which meant girls realized that his future was not promising.

Second, Dobie's parents were probably the most realistically portrayed of any TV parents from that era. Herbert T. Gillis was a hard-working, but loud-mouthed and had a blustery personality. He openly declared his teenage son a "lazy bum who would wind up living off the county" because he wouldn't work. The first season he would often respond to his disapproval of Dobie's actions by saying, "I gotta kill that boy. I just gotta." This was mildly controversial in that era and that line was later dropped. Instead, he would just be speechless with a bewildered expression that pretty much said he wanted to kill his son. Despite, his outbursts, Mr. Gillis was basically good hearted, but the generation gap between father and son was obvious and portrayed with humorous results. Dobie's mom, Winnie Gillis, was nice, but too nice, and counterbalanced Herbert by doting on her son and letting Dobie get away with not working in the family grocery store. Third, the writing and editing were superb. The writing contained a wit not found in other shows of that era.

HERBERT: Son. Your mother's a wonderful woman. Dobie: She a gem. HERBERT: She's one in a million. Dobie: She's a princess. MAYNARD: She's a warden.

The editing was great, because as a scene would close, it would set up the next scene and instantly cut to the next scene where a character would respond in the exact opposite manner to how that scene was being set up.

MR POMFRITT- You talk to your father, Dobie. I'm sure he'll want you to stay in college. (instant pan to the next scene with Mr. Gillis closeup): MR. GILLIS: You have got to quit school. (After explaining to Dobie and his mom, that Dobie wasn't taking any courses that would help him in the real world at school, and that he was supporting Dobie's lifestyle): (shouting)Wise up, son. Get a job.

Fourth, the cast contained several well portrayed eccentric characters. In addition, to Dobie, Thalia, and his parents, there were:

Chatsworth Osbourne, Jr.- a rich, spoiled, and party time brat who was quite likable and funny. He was often in competition with Dobie for a beautiful girl.

Maynard G. Krebs- Gilligan with a gotee. Always wore a scraggly sweatshirt with holes, loved jazz and bee-bop, would shirk when the word "work" was mentioned, and an even worse student than Dobie.

Zelda Gilroy- was a smart, brainy, scheming, and an unattractive girl who loved Dobie and was always outsmarting him by sabotaging his romances with more attractive girls.

Mrs. Osbourne- was Chatsworth's mother who called her son, "you nasty boy." She was a tyrant, who stirred things up with her son, Dobie, Maynard, and Mr. Gillis. Maynard called her "Your dragonship."

Mr. Pomfritt- was Dobie and Maynard's high school teacher and later professor in college. He played most of their teacher/professors and taught just about every subject that there was. He, like other teachers portrayed on the show, weren't the Leave it to Beaver type teachers. They often complained about being underpaid, under-appreciated, and the "younger generation."

I think the best parts of this series were seasons 1 and the first half of 2 (before they made ill-advised decision to put Dobie and Maynard in the army) and season 3. By season 3, Dobie and Maynard are in college. At this point, Dobie has matured. He does work in his father's store while going to school, but unfortunately, he is taking mostly liberal arts courses and is becoming an idealist. There were a lot of young, cute actresses appearing on the show each week in this season as Dobie's romantic interests. The show also began to focus more on Maynard and Herbert Gillis. Maynard was a beatnik character when the series began, but was becoming more a clownish type character with a gotee at this point. The silly and sometimes humorous and other times ridiculously over the top conflicts between these two were kind of a preview of the Gilligan/Skipper escapades that would be down the road. Personally, I prefer this show and Maynard's character over Gilligan. By season four, Dwayne Hickman had outgrown Dobie, and much of the episodes focused on his cousin, Duncan (Dunkie) Gillis and Maynard's silliness. In fact, Dobie seemed like the only character that wasn't eccentric at this point. Unfortunately, the too many of the episodes were becoming a little over the top at this point. Despite much of the last season, and the last half of the second, this show has a special charm that stands out from most of the others from that era. Some of the material is obviously dated by today's standards, but overall I think this show and the basic premise holds up quite well. I hope they make this entire series available on DVD soon. From what I understand, there are currently copywrite issues.

An engaging teen-age comedy, thanks to solid casting, more than the usual 1950's imagination, and a willingness to ridicule our national obsession with greed. Dobie's (Hickman) an ordinary teen from a modest background, with a grouchy grocer dad and a sweet-tempered mom. In short, besides a warm personality, he doesn't have much going for him. The trouble is that the girls he's constantly falling for at school are all looking for money or status, which Dobie doesn't have. Doesn't sound humorous, does it.

But thanks to clever scripts, rapid-fire dialog, and Bob Denver as the hopelessly dim beatnik, Maynard, it's funny as heck. The best entries are the early ones, where Dobie tries to win the affections of that greedy little vixen Thalia Meninger (Tuesday Weld). Weld is simply perfect as a cute blonde snot who keeps reminding Dobie of how ordinary he is, while she looks for a rich guy instead. Not many series, serious or otherwise, were willing to raise this sort of class envy on TV, but this one does. Poor Dobie. His only consolation is talking to the camera and ruminating over his girl problems. Cleverly, there's a statue of The Thinker in the background as he speaks to us. That way we know what he's saying is what he's thinking without the script having to tell us so. It's a good imaginative touch breaking the wall between character and viewer. I believe this break with convention is the only TV instance of that day.

But Weld was too good and soon went into movies. So Dobie goes through other similar cuties for whom, in humorous fashion, he's still not good enough. I love the silly poetic way Dobie addresses his reluctant lady friends. Stuff like: "My perfume of India" or "You shine like the stars of my mountain". It's perfect for conveying the show's facetious touch.

The trouble is that after the first year or so, the premise became too predictable, plus the boys are looking a little old for high schoolers. So Dobie and Maynard join the army, but the hijinks are not nearly as funny. As a result, they're soon out of uniform and back in town, enrolled in college where Dobie can resume his problem with girls. Note too how much larger Denver's role becomes as the series continues. Clearly, however, as good as some episodes are, by that time the writers were running out of variations on the old premise. So, in what appears desperation, they try out ill-advised fantasies like Dobie and Maynard as loony South American revolutionaries. By 1963, the series had clearly run its course.

Nonetheless, it's hard to say enough about the supporting cast that had so much to do with the show's success. Frank Faylen as dad Gillis is often over the top but fits right into the show's usual snappy pace. Then there's Florida Friebus as long-suffering mom Gillis, the one character not exaggerated for laughs. And, of course, there's little Sheila James as plain Jane Zelda, smart as heck but hopelessly stuck on Dobie, while forced to put up with his constant rejections. And finally, there's Steve Franken as spoiled rich kid Chatsworth Osborne Jr. who's constantly getting in Dobie's way, flaunting his superiority. (Warren Beatty was the original rich snob, but like Weld, went quickly into the movies.)

Now, if you think about it, the ideas here of romantic rejection, social climbing, and a talentless Dobie could quickly sour if not handled correctly. So it's to the credit of the cast, writers and directors, that they kept the material as light and humorous as they did. And especially to Hickman who made the hapless Dobie so likable without becoming sappy. All in all, for at least a year, this was arguably one of the best, most imaginative shows on TV, and still merits revival.

It's a grand shame that very few people these days remember this fine sitcom about teenage life in the early 60s. Dwayne Hickman is endearing as simple-minded Dobie Gillis, the typical American teenager, who just wants a girl. Bob Denver is brilliant as his buddy, Maynard Krebs. Who needs Gilligan? Sheila James is fantastic as Zelda...always chasing after Dobie. Frank Faylen and Florida Friebus as Dobie's parents are too-oft forgotten for their parts on this show...they couldn't have gotten a better pair of actors.

There was some really sharp, funny writing on this series, and that, mixed with the snappy editing, jazzy soundtrack and over-the-top situations, made for some very funny episodes. Plenty of hip, jazzy lingo to go around. Lovely Tuesday Weld was also around for a number of episodes during the first season (and a couple later on) as Dobie's object of affection, Thalia Menninger. It's too bad that they couldn't keep her on for more sporadic appearances, because it is the episodes that she appears in, which I consider to be the zenith of the series. The show started to get a little too silly during its last season, when the focus went towards Maynard and Dobie's cousin, Dunkie, but it was still unique.

Without question, one of the high points of 1960s TV, and one of the most winning sitcoms of all time. It's a shame that it hasn't gotten the same kind of exposure in recent years as some of the other shows of the time. Hopefully it gets picked up and restored for a full DVD release sometime soon. It's just waiting to be rediscovered.

This is a classic, classic show. Nick At Nite used to show it 15 years ago, but I guess it is too intelligent for the types who run TVLand and Nick now, & who refuse to show any comedies unless they got big Neilsen's. Hey, TVLand, I've got your Big Neilsen right here!!

Bob Denver is far better in this than in the hideously over-rated "Gilligan's Island". This may have been Dwyane Hickman's last really good role. I seem to remember him in a Civil War series with his brother, Daryl. Frank Faylen and Florida Friebus were wonderful as Mr & Mrs Howard T Gillis. Who'd have thought watching Warren Beatty(as Milton Armitage) that he'd give us a masterpiece like "Bulworth"? Tuesday Weld as Thalia Meninger in her best work until "Falling Down".

DVD's & VHS tapes of Dobie Gillis are available, but for $20 for a 2-episode, 1 hour disc or tape, it ain't worth it. We need someone to bring out some season sets.

On 29 Jan 2010, Dwayne Hickman(using his wife's account)posted the following on a Dobie Gillis Facebook page: "...As for the DVD question, the estate of Max Shulman has agreed to make a deal to release the show, however, with the current economy the studio does not want to release it. That is what I have been told. When and if I hear anything I will post it on my web site www.dwaynehickman.com"

It can't be too soon for me. Heck, I might even pay list price.

Dobie Gillis may not be groundbreaking, but it is a well-crafted comic gem of a TV series. Direction is crisp, acting is excellent and the comic characters are perfection: Maynard, the clueless but lovable loser (who has been widely copied but never surpassed), Thalia, the sexy, cute gold-digger, who is smarter than anyone expects, Milton, the insufferable preppie, Zelda, the nerd, etc. And here sits Dobie--ridiculously average, being tossed between them all like a beachball, and trying to make sense of it all. Character actors Wm. Schallert and Frank Faylen shine; Beatty gives an eerily prescient glimpse into his future roles; and Dobie is the personification of the likeable schlemiel.

Enchanting!