La casa del terror

Mexican comedian, Tin-Tan, made a number of spoofs of Hollywood genre movies including La Casa del Terror (1960) and El Fantasma de la Opereta (1960). (Both are available on excellent DVD discs). The House of Terror is generally the one that fans go for, because it co-stars none other than Lon Chaney, Jr., as the Mummy who turns into a Werewolf! Lon could not speak Spanish, so he was given no dialogue, but he does seem to be doing his own panting and growling. And he has quite a lot of action footage, although it is Tin-Tan of course who romances the pretty girl (in this case, the lovely Yolanda Varela, whose career, alas, was drawing to a close. She married this film's producer, Fernando de Fuentes, Jr., and virtually retired). Director and co-writer Gilberto Martinez Solares, in collaboration with his brother photographer, Raul Martinez Solares, has brought off some nice action and tingling atmospheric effects, but Tin-Tan's material is somewhat below par. He spends half the film asleep – though these scenes are ten times funnier than some of his boring "comedy" routines, particularly an elongated sequence with a stammering Consuelo Guerrero de Luna.

To be fair, this review is based on a Spanish language version of this Mexican horror-comedy film, without dubbing or English subtitles -- and I don't understand Spanish. But in a way, it's a credit to the movie that I still consider it an "okay" time-killer for a monster movie, despite not being able to comprehend a word of dialogue.

The main interest in viewing this is for a chance to see Lon Chaney in the parts of a werewolf and a mummy for one last time in a feature film. He doesn't have any lines anyway, so you're not missing anything there. Though this is supposed to be a comedy (and may very well be if I could register the jokes), it also plays pretty well as a straight-ahead horror feature. There's a comical character played by Mexican comic Tin Tan, who seems to hang out in a museum full of wax figures. Then later on, a really bloated mummy (Chaney) is featured on display but gets stolen by a team of scientists. Back at their laboratory they un-bandage the carcass and he turns out to be a regular guy who resembles an over-fed version of Larry Talbot from the old Universal Wolf Man pictures ... even wearing his same dark shirt and pants. When the full moon rises, Chaney is at his old stuff again, transforming into a werewolf and causing mayhem. Considering this had to be made on a low budget, it's not too badly shot. The Chaney werewolf scenes are the main reason to watch this, and Lon looks good and fierce during his initial transformation, even adding a pretty terrifying growl. Luckily there is a lot of wolf man time on display, though once he's up and stalking around it is debatable whether it's all a stunt man or sometimes a mix, with Chaney alternating in the makeup.

There's more history to this movie. Later on, hack director Jerry Warren tried his hand at Americanizing this by cutting out all the comedy, slicing the running time by about 20 minutes, dubbing it into English, and adding different scenes from some other foreign mummy movie, which made no sense and dragged on. That version can be seen under the title THE FACE OF THE SCREAMING WEREWOLF, but most fans (including myself) would recommend LA CASA DEL TERROR as the more desirable of the two. It would be nice though if an English dub or subtitled version would be made available one day. Might even boost the rating by a half star. ** out of ****

This film essentially begins with a mad scientist by the name of "Professor Sebastian" (Yerye Beirute) attempting to reanimate dead corpses but finding absolutely no success in his endeavors. To further complicate matters, a large police effort recently been initiated to find the culprits behind the removal of those corpses from the local cemeteries. So, recognizing that his main source of supply has been temporarily negated, he quickly decides to steal a mummy from a local exhibit in order to continue his research. What he doesn't factor into his equation, however, is that this particular mummy had been previously infected with a form of lycanthropy and, when brought back to life, immediately goes on a killing spree. Now, rather than reveal any more, I will just say that this basic horror film tried to infuse a little comedy into the mix--with rather limited results as most of it wasn't really that funny and only detracted from the overall movie. At least, that's how it seemed to me. Even so, although it wasn't quite as good as it could have been without the comedic effect, I don't consider this to be a terrible film by any means, and I have rated it accordingly. Slightly below average.

"La Casa del Terror" was a 1959 Mexican production that managed to wrangle Lon Chaney himself to repeat two characterizations he was best remembered for during his Universal days, The Mummy and The Wolf Man, a special credit for his third billing. Only available in Spanish without subtitles, it remains watchable enough, and is perhaps preferable to its Americanized version from hack director Jerry Warren, 1964's "Face of the Screaming Werewolf," which basically used only Chaney's scenes, combined with an opening culled from "The Aztec Mummy" (1957), totaling only 60 minutes. "La Casa del Terror" in original comedic form ran 82 minutes, introducing mad scientist Yerye Beirute and his two assistants, who steal bodies for experimentation, the unsuccessful results winding up posing as wax figures ala Vincent Price's "House of Wax." Top billed Tin Tan only slows things down with his boring antics as museum caretaker with nagging girlfriend Yolanda Varela. At the 22 minute mark, Beirute learns about the exhibit of Mummy Lon Chaney, which he soon kidnaps, his electrical gadgetry turning the corpse into a normal looking fellow dressed in black. Thinking they've failed the scientists depart, after which a bolt of lightning brings Chaney to startled life, gazing at the moon outside the window, and promptly transforming into The Wolf Man in spirited Universal fashion, though looking more like Bud Westmore than Jack Pierce. For the remainder of the film, we alternate between the hirsute Chaney's wanderings, eventually kidnapping Yolanda for himself, and dreary footage of everyone else. Twice Chaney is allowed some comic business, the first when he catches his mirror reflection, echoing Glenn Strange in "Abbott and Costello Meet Frankenstein," and knocking over our sadly lacking hero, who winds up clinging to a building clock like Harold Lloyd in "Safety Last" (a stuntman rather than Chaney most likely carries the heroine up the wall). It's not the most dignified dual role, in Spanish and given no dialogue, but Chaney still ably conveys the tragedy involved with the werewolf curse, and at age 53 still makes for a feral monster, looking forward in its surprisingly bloody way to Paul Naschy just 8 years away in "Frankenstein's Bloody Terror" aka "La Marca del Hombre Lobo." This long unseen horror comedy sadly marked the last feature to reprise Lon's 'Baby,' The Wolf Man, his Mummy getting shortchanged in less than a minute on screen, the actor donning the makeup one final time for the 1962 ROUTE 66 Halloween episode "Lizard's Leg and Owlet's Wing," doing The Wolf Man, The Mummy, and his father's Hunchback. After completing this obscurity in Mexico, Chaney then journeyed to Sweden to host the equally little seen teleseries 13 DEMON STREET.

Lon Chaney Jr. must have been at a low point when he agreed to appear as a "mummified werewolf" in this Mexican-made movie. Since he didn't speak Spanish, he doesn't even have lines! The main star is a comic named Tin Tan. The version I watched on YouTube had an English subtitle option but the words used to translate the Spanish made no sense so I mostly ignored them. Truth to tell, there was nothing funny nor scary here making this a complete waste of time for me. But, despite that, I'm next gonna see and review Face of the Screaming Werewolf which has scenes from both this and another Mexican-made movie called La momia azteca dubbed in English...